More Than Meets The Eye

Many consider Evangeline Hamilton cursed. Orphaned at a young age and possessing a pair of mismatched eyes--one bright blue, the other dark brown--Eva has fought to find her way in a world that constantly rejects her. Yet the support of even one person can help overcome the world's judgments, and Eva has two--Seth and Zach, two former orphans she now counts as brothers. Seeking justice against the man who stole his birthright and destroyed his family, Logan Fowler arrives in 1880s Pecan Gap, Texas, to confront Zach Hamilton, the hardened criminal responsible for his father's death. Only instead of finding a solitary ruthless gambler, he discovers a man not much older than himself with an unusual family. When Zach's sister, Evangeline, insists on dousing Logan with sunshine every time their paths cross, Logan finds his quest completely derailed. Who is truly responsible for his lost legacy, and will restoring the past satisfy if it means forfeiting a future with Evangeline?

In the quarter century following the enactment of the Americans with Disabilities Act, art museums, along with other public institutions, were tasked with making their facilities and collections more accessible to people with disabilities. Although blind and other disabled people have become marginally more visible in recent years, the vast majority of blind Americans remain undereducated and unemployed. In More Than Meets the Eye, Georgina Kleege shows how the scrutiny of one cultural issue-access to arts institutions-in relation to one subset of the disabled population- blind people-can lead us to larger and more general implications. Kleege begins by examining representations of blindness, arguing that traditional theories of blindness often fail to take into account the presence of other senses, or the ability of blind people to draw analogies from non-visual experience to develop concepts about visual phenomena. Following this, the book shifts its focus from the tactile to the verbal, describing Denis Diderot's remarkable range of techniques to describe art works for readers who were not able to view them. Diderot's writing not only provided a model for describing art, Kleege says, but proof that the experience of art is inextricably tied to language and thus not entirely dependent on sight. By intertwining her personal experience with scientific study and historical literary analysis, Kleege challenges traditional conceptions of blindness and overturns the assumption that the ideal art viewer must have perfect vision. More Than Meets the Eye seeks to establish a dialogue between blind people and the philosophers, scientists, and educators that study blindness, in order to create new aesthetic possibilities and a more genuinely inclusive society.

Nature reveals a God who constantly nurtures and sustains His creation—including our own bodies—in ways that we can scarcely comprehend. Discover the wonders of creation and how they reveal a majestic God whose mastery of detail is evident everywhere. Learn to see yourself as God sees you: a treasured creation with whom He desires intimate relationship. Indexed for easy reference

Sends the Transformers on an epic quest to the farthest reaches of the Transformers Universe and beyond!

THE END OF EVERYTHING! Shockwave makes a move millions of years in the planning -- an ultimate strategy to remake Cybertron and destroy both the Autobots and Decepticons!

Autobiography of Carl Mydans, an American photographer who worked for the Farm Security Administration and Life magazine during World War II.

Comedy / 5m, 6f / Int. When produced in summer stock at Dorset, Vermont, this comedy broke all records. It concerns Stanley Nichols who writes successful children's stories under the pen name of Grandma Letty. He is voted "Grandmother of the Year" and his house is besieged by reporters and photographers. Afraid that exposure as a juvenile writer will jeopardize the chances of his serious new novel, Stanley has to produce a Grandma. After all else fails, he impersonates the lady.