Mortal Gods

As ancient immortals are left reeling, a modern Athena and Hermes search the world for answers in Mortal Gods, the second Goddess War novel by Kendare Blake, acclaimed author of Anna Dressed in Blood. Ares, god of war, is leading the other dying gods into battle. Which is just fine with Athena. She's ready to wage a war of her own, and she's never liked him anyway. If Athena is lucky, the winning gods will have their immortality restored. If not, at least she'll have killed the bloody lot of them, and she and Hermes can die in peace. Cassandra Weaver is a weapon of fate. The girl who kills gods. But all she wants is for the god she loved and lost to return to life. If she can't have that, then the other gods will burn, starting with his murderer, Aphrodite. The alliance between Cassandra and Athena is fragile. Cassandra suspects Athena lacks the will to truly kill her own family. And Athena fears that Cassandra's hate will get them all killed. The war takes them across the globe, searching for lost gods, old enemies, and Achilles, the greatest warrior the world has ever seen. As the struggle escalates, Athena and Cassandra must find a way to work together. Because if they can't, fates far worse than death await. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

According to the commonly accepted view, Thomas Hobbes began his intellectual career as a humanist, but his discovery, in midlife, of the wonders of geometry initiated a critical transition from humanism to the scientific study of politics. In Mortal Gods, Ted Miller radically revises this view, arguing that Hobbes never ceased to be a humanist. While previous scholars have made the case for Hobbes as humanist by looking to his use of rhetoric, Miller rejects the humanism/mathematics dichotomy altogether and shows us the humanist face of Hobbes’s affinity for mathematical learning and practice. He thus reconnects Hobbes with the humanists who admired and cultivated mathematical learning—and with the material fruits of Great Britain’s mathematical practitioners. The result is a fundamental recasting of Hobbes’s project, a recontextualization of his thought within early modern humanist pedagogy and the court culture of the Stuart regimes. Mortal Gods stands as a new challenge to contemporary political theory and its settled narratives concerning politics, rationality, and violence.

This work explores how colonial India imagined human and divine figures to battle the nature and locus of sovereignty.

The first interdisciplinary study of the long history of an important phenomenon in European intellectual and cultural history / Fills an important gap in the history of ideas / Will appeal to scholars and students of classical reception, mediaeval and Renaissance literature, historiography, and theories of myth and religion

The Mortal God is a study in intellectual history which uncovers how actors in colonial India imagined various figures of human, divine, and messianic rulers to battle over the nature and locus of sovereignty. It studies British and Indian political-intellectual elites as well as South Asian peasant activists, giving particular attention to Bengal, including the associated princely states of Cooch Behar and Tripura. Global intellectual history approaches are deployed to place India within wider trajectories of royal nationhood that unfolded across contemporaneous Europe and Asia. The book intervenes within theoretical debates about sovereignty and political theology, and offers novel arguments about decolonizing and subalternizing sovereignty.

Two armies prepare for war. Thor, surrounded by crackling lightning, leads the assault of a horde of Viking berserkers. Preparing to receive this charge stands a wall of grim-faced, determined Spartan hoplites, commanded by Ares himself... Of Gods and Mortals is a skirmish wargame that gives players the opportunity to command the greatest heroes, warriors and monsters of legend – and the gods and goddesses that ruled over them. Whether you want to lead the forces of Greek, Egyptian, Celtic or Norse mythology to battle, or build your own pantheon, Of Gods and Mortals presents everything you need. Each player takes control of a god, a handful of legendary characters and a number of mortal troops, forming a warband that must work in harmony to succeed. Although the gods are incredibly powerful, they are only as strong as the faith of the mortals who follow them – if their worshippers are cut down, gods become weaker, and if a deity is vanquished in combat, its followers may flee the field of battle. Success lies in employing a strategy that uses all your troops, from the mightiest to the most humble, as effectively as possible.

Mortal Gods, a study of the work of Pulitzer Prize winner Ernest Becker, establishes that Becker's reflections on morality entitle him to be considered a fundamental theologian. In addition, Becker's approach to Christianity is broadened, and a revised theology is presented