Morte

After the “war with no name” a cat assassin searches for his lost love in Repino’s strange, moving sci-fi epic that channels both Homeward Bound and A Canticle for Leibowitz. The “war with no name” has begun, with human extinction as its goal. The instigator of this war is the Colony, a race of intelligent ants who, for thousands of years, have been silently building an army that would forever eradicate the destructive, oppressive humans. Under the Colony's watchful eye, this utopia will be free of the humans' penchant for violence, exploitation and religious superstition. As a final step in the war effort, the Colony uses its strange technology to transform the surface animals into high-functioning two-legged beings who rise up to kill their masters. Former housecat turned war hero, Mort(e) is famous for taking on the most dangerous missions and fighting the dreaded human bio-weapon EMSAH. But the true motivation behind his recklessness is his ongoing search for a pre-transformation friend—a dog named Sheba. When he receives a mysterious message from the dwindling human resistance claiming Sheba is alive, he begins a journey that will take him from the remaining human strongholds to the heart of the Colony, where he will discover the source of EMSAH and the ultimate fate of all of earth's creatures.

Morte Darthur is investigated for its reflection of the contemporary political concerns Malory shared with the gentry class for whom he wrote.

`A lucid and rich analysis eminently suited to students at undergraduate and graduate levels.' CHOICEBeverley Kennedy puts Malory's concern with knighthood at the very heart of the Morte Darthur. She identifies three types of knight: the Heroic (Gawain), the Worshipful (Tristram and Arthur), and the True (Lancelot, Gareth and the Grail Knights), and argues that this knightly typology creates the thematic unity of the Morte Darthur. It also allows Malory to develop two quite different contexts, one pragmatic and political, the other religious and providential, within which the reader may judge why Arthur's reign ended in catastrophe.BEVERLEY KENNEDY is Professor of English at Marianopolis College, Canada.

Essays examining a variety of aspects of important Arthurian poem. The present volume grew from a nucleus of four papers given at the Twelfth International Arthurian Conference at Regensburg in 1971 on the alliterative Morte Arthure, increasingly recognised as one of the great masterpiecesof medieval English literature. These lectures sought to reappraise the poem and its somewhat enigmatic historical and cultural context, and are presented here in a much revised and expanded form. Unlike most volumes of theiskind, the contributions form an integrated whole, the result of lengthy discussions among the collaborating scholars over the past year. The topics range from the poem's place among chronicles and Arthurian romances to the date, audience and attitude to contempary problems, notably that of war. pecific fields such as heraldry and laments for the dead are examined in detail, while the linguistic structure of the poem is the subject of two essays.

This brisk retelling of Le Morte D'Arthur highlights the narrative drive, humor, and poignancy of Sir Thomas Malory’s original while updating his fifteenth-century English and selectively pruning over-elaborate passages that can try the patience of modern readers. The result is an adaptation that readers can enjoy as a fresh approach to Malory's sprawling masterpiece. The book's most famous episodes--the sword in the stone, the cataclysmic final battle--are all here, while lesser-known key episodes stand forth with new brightness and clarity. The text is accompanied by an up-to-date bibliography, including websites and video resources, and a descriptive index keyed--like the retelling itself--to the book and chapter divisions of William Caxton's first printed edition of 1485.

There’s only one way out Belle Morte. One of five houses where vampires reside as celebrities and humans are paid to be their living donors. While others came here seeking fortune, I came in search of my sister who walked into Belle Morte five months ago . . . and never walked back out. Now that I’m here, the secrets about this world have proven to be much bigger than I ever anticipated. And lurking around every corner are shocking insinuations of what happened to my sister. There’s only one person who might have the answers I need, and the undeniable pull I feel toward him is terrifying: Edmond Dantès—a vampire, and my mortal enemy. The harder I try to resist him, the further I fall under his spell. And in one instant my life is irrevocably changed. My past becomes prologue and my fate becomes sealed behind these doors. Belle Morte has spoken. And it may never let me go.