Mortimer And The Witches

The neglected histories of 19th-century NYC’s maligned working-class fortune tellers and the man who set out to discredit them Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City’s tenements and slums. When his articles were published in book form in 1858, they catalyzed a series of arrests that both scandalized and delighted the public. But Mortimer was guarding some secrets of his own, and in many ways, his own life paralleled the lives of the women he both visited and vilified. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while also detailing Mortimer Thomson’s peculiar and complicated biography. Living primarily in the poor section of the Lower East Side, nineteenth-century fortune tellers offered their clients answers to all questions in astrology, love, and law matters. They promised to cure ailments. They spoke of loved ones from beyond the grave. Yet Doesticks saw them as the worst of the worst evil-doers. His investigative reporting aimed to stop unsuspecting young women from seeking the corrupt soothsaying advice of these so-called clairvoyants and to expose the absurd and woefully inaccurate predictions of these “witches.” Marie Carter views these stories of working-class, immigrant women with more depth than Doesticks’s mocking articles would allow. In her analysis and discussion, she presents them as three-dimensional figures rather than the caricatures Doesticks made them out to be. What other professions at that time allowed women the kind of autonomy afforded by fortune-telling? Their eager customers, many of whom were newly arrived immigrants trying to navigate life in a new country, weren’t as naive and gullible as Doesticks made them out to be. They were often in need of guidance, seeking out the advice of someone who had life experience to offer or simply enjoying the entertainment and attention. Mortimer and the Witches offers new insight into the neglected histories of working-class fortune tellers and the creative ways that they tried to make a living when options were limited for them.

The neglected histories of 19th-century NYC’s maligned working-class fortune tellers and the man who set out to discredit them Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City’s tenements and slums. When his articles were published in book form in 1858, they catalyzed a series of arrests that both scandalized and delighted the public. But Mortimer was guarding some secrets of his own, and in many ways, his own life paralleled the lives of the women he both visited and vilified. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while also detailing Mortimer Thomson’s peculiar and complicated biography. Living primarily in the poor section of the Lower East Side, nineteenth-century fortune tellers offered their clients answers to all questions in astrology, love, and law matters. They promised to cure ailments. They spoke of loved ones from beyond the grave. Yet Doesticks saw them as the worst of the worst evil-doers. His investigative reporting aimed to stop unsuspecting young women from seeking the corrupt soothsaying advice of these so-called clairvoyants and to expose the absurd and woefully inaccurate predictions of these “witches.” Marie Carter views these stories of working-class, immigrant women with more depth than Doesticks’s mocking articles would allow. In her analysis and discussion, she presents them as three-dimensional figures rather than the caricatures Doesticks made them out to be. What other professions at that time allowed women the kind of autonomy afforded by fortune-telling? Their eager customers, many of whom were newly arrived immigrants trying to navigate life in a new country, weren’t as naive and gullible as Doesticks made them out to be. They were often in need of guidance, seeking out the advice of someone who had life experience to offer or simply enjoying the entertainment and attention. Mortimer and the Witches offers new insight into the neglected histories of working-class fortune tellers and the creative ways that they tried to make a living when options were limited for them.

Picking up where To Hell in a Handbasket left off, the fourth and final installment in the Halos & Horns fantasy series finds the angel Gabriel and the demon Asmodeus fighting for their lives against Baphomet and his demonic horde; Lucifer brought for judgment before the Eternals for the murder of Cholestra; and Samantha joining forces with her sisters Drusilla and Calliope against the sorceress supreme Morgana le Fay and the Dark Fae. Will Emma regret her decision to stand by Damien? Will Damien find a way to halt his rapid aging? Will Detective Mordecai survive? And if not, will he take the unrevealed secret of his daughters to the grave? An Empusae attack on Nosferatu, Inc.'s Japanese headquarters not only threatens Chiyoko's territory, but will change Kaya's life forever. Meanwhile, one character must journey back in time to 17th century Salem in search of the secret to defeating Morgana. But what other secrets does the Salem coven hold? No one is safe. As the Halos & Horns saga draws to its conclusion, who will survive? The Witches' Cauldron is the fourth book in the Halos & Horns saga. Readers may wish to begin with the first book, Paved with Good Intentions.

The history of American witches is way weirder than you ever imagined. From bewitched pigs hell-bent on revenge to gruesome twentieth-century murders, American Witches reveals strange incidents of witchcraft that have long been swept under the rug as bizarre sidenotes to history. On a tour through history that’s both whimsical and startling, we’ll encounter seventeenth-century children flying around inside their New England home “like geese.” We’ll meet a father-son team of pious Puritans who embarked on a mission that involved undressing ladies and overseeing hangings. And on the eve of the Civil War, we’ll accompany a reporter as he dons a dress and goes searching for witches in New York City’s most dangerous neighborhoods. Entertainingly readable and rich in amazing details often left out of today’s texts, American Witches casts a flickering torchlight into the dark corners of American history.

A humorous account of visits to various fortune tellers, card readers, seers, and other "witches" of New York. Written by Q.K. Philander Doesticks (a.k.a.Mortimer Thomson).

Examines the first generation of artists in Britain to define themselves as history painters, attempting what then was considered to be art's most exalted category. This book features more than 120 black-and-white illustrations.