Morton

INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.

The last great age of steam in Britain is revisited in this new collection of superb photographs from the extensive archive of the Railway Magazine. Author Pete Kelly, editor of The Railway Magazine Guide to Modelling, looks back to a time when streamlined steam express trains charged headlong through the English countryside every day of the week. The 1930s would see a host of iconic engines constructed - such as the legendary LNER A4s, the beautiful LMS Coronation Class locos, the rare LMS Princess Royal Class and the workhorse LNER Class V2 engines built in large numbers for mixed traffic. This new volume collects rare images offering a glimpse of the days when these incredible engines could be found hard at work all over Britain.

NATIONAL BESTSELLER Alexandra Morton has been called "the Jane Goodall of Canada" because of her passionate thirty-year fight to save British Columbia's wild salmon. Her account of that fight is both inspiring in its own right and a roadmap of resistance. Alexandra Morton came north from California in the early 1980s, following her first love--the northern resident orca. In remote Echo Bay, in the Broughton Archipelago, she found the perfect place to settle into all she had ever dreamed of: a lifetime of observing and learning what these big-brained mammals are saying to each other. She was lucky enough to get there just in time to witness a place of true natural abundance, and learned how to thrive in the wilderness as a scientist and a single mother. Then, in 1989, industrial aquaculture moved into the region, chasing the whales away. Her fisherman neighbours asked her if she would write letters on their behalf to government explaining the damage the farms were doing to the fisheries, and one thing led to another. Soon Alex had shifted her scientific focus to documenting the infectious diseases and parasites that pour from the ocean farm pens of Atlantic salmon into the migration routes of wild Pacific salmon, and then to proving their disastrous impact on wild salmon and the entire ecosystem of the coast. Alex stood against the farms, first representing her community, then alone, and at last as part of an uprising that built around her as ancient Indigenous governance resisted a province and a country that wouldn't obey their own court rulings. She has used her science, many acts of protest and the legal system in her unrelenting efforts to save wild salmon and ultimately the whales--a story that reveals her own doggedness and bravery but also shines a bright light on the ways other humans doggedly resist the truth. Here, she brilliantly calls those humans to account for the sake of us all.

At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen’s University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen’s University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary’s University).

Edie Burchill visits Milderhurst Castle where her mother stayed during World War II, discovering the three elderly sisters of the castle still alive but haunted by the secrets of their past life with their father, a famous children's author.

A smart and charming middle-grade mystery series starring young detective Aggie Morton and her friend Hector, inspired by the imagined life of Agatha Christie as a child and her most popular creation, Hercule Poirot. Aggie Morton lives in a small town on the coast of England in 1902. Adventurous and imaginative but deeply shy, Aggie hasn't got much to do since the death of her beloved father . . . until the fateful day when she crosses paths with twelve-year-old Belgian immigrant Hector Perot and discovers a dead body on the floor of the Mermaid Dance Room! As the number of suspects grows and the murder threatens to tear the town apart, Aggie and her new friend will need every tool at their disposal -- including their insatiable curiosity, deductive skills and not a little help from their friends -- to solve the case before Aggie's beloved dance instructor is charged with a crime Aggie is sure she didn't commit.

The morning after the Edevane's exclusive Midsummer Eve party in Cornwall in 1933, their youngest child, Theo, is nowhere to be found. After months of futile searching, the family pack up and leave their beautiful country home, never to return. Until, in 2003, a young female police officer stumbles into the lost gardens surrounding the abandoned house and determines to find out what happened. 'Compelling . . . Morton's plotting is impeccable, and her finely wrought characters . . . are as surprised as readers will be by the astonishing conclusion.' - Publishers Weekly (starred review) 'Brilliant . . . delivers the satisfactions of all her bestsellers since debuting with The House at Riverton . . . perfect books for just about every reader.' - Library Journal 'A deliciously compelling mystery.' - Liane Moriarty, bestselling author of Big Little Lies June 1933, and sixteen-year-old Alice Edevane is preparing for her family's Midsummer Eve party at their country home, Loeanneth. But by the time midnight strikes, and fireworks light up the night sky, the Edevane family will have suffered a loss so great they leave Loeanneth forever. Seventy years later, after a particularly troubling case, Detective Sadie Sparrow retreats to her beloved grandfather's cottage in Cornwall. Once there, she stumbles upon a long-abandoned house, and learns the story of a baby boy who disappeared without a trace. Meanwhile, in her elegant Hampstead house, the formidable Alice Edevane now leads a life as neatly plotted as the bestselling detective novels she writes. Until a young police detective starts asking questions about her family's past, seeking to resurrect the complex tangle of secrets Alice has spent her life trying to escape. With a mystery that's become deeply personal to Sadie, and a novelist who is intent on hiding the past, can the secrets of that night ever be solved? - #1 Bestseller Australia - - New York Times Bestseller - - Sunday Times Bestseller - - #1 Bestseller Canada - - Spiegel Bestseller - - El País Bestseller - - Indie Next Pick Nov, 2015 -

Withdrawing from a family party to the solitude of her tree house, 16-year-old Laurel Nicolson witnesses a shocking murder that throughout a subsequent half century shapes her beliefs, her acting career and the lives of three strangers from vastly different cultures. By the best-selling author of The Distant Hours. Reprint. 200,000 first printing.