Most Succinctly Bred

An essayistic memoir on being a soldier. Alex Vernon's Most Succinctly Bred explores war by exploring around war, by operating in the margins. Vernon records his ongoing relationship with war and soldiering, from growing up in late Cold War 1980s middle America to attending West Point, going to and returning from the first Gulf War, and watching, as a writer and academic, the coming of the second Iraq war. Unlike a mere essay collection, this book has a trajectory, and the chapters, appearing in rough chronological order, loop in and out of one another. It is not a narrow autobiography that attempts to account only for the writer's life; it uses that life to illuminate the lives of its readers, to tell us all about the time and place in which we find ourselves. War has seasoned this reluctant soldier; it has wounded him as it wounds all soldiers. But war has not stopped Alex Vernon's life. A large part of what we read here is a fascinating story of recovery.

This highly acclaimed and provocative interdisciplinary study of the development of institutional censorship explores the complexities of 20th-century American cultural politics through the protagonists of the Melville Revival. Spark addresses the distinction between the radical and conservative Enlightenment and makes her way through Melville's often confusing and contradictory texts, examining the disputes within Melville scholarship.

A first-of-its-kind gathering of the essential texts of the American antiwar tradition, from the Revolution to the war on terror: over 150 eloquent, provocative voices for peace. Library of America presents an unprecedented tribute to a great American literary tradition. War has been a reality of the American experience from the founding of the nation and in every generation there have been dedicated and passionate visionaries who have responded to this reality with vital calls for peace. Spanning from the Revolution to the war on terror, War No More gathers the essential texts of this uniquely American antiwar tradition in one volume for the first time. Classic expressions of conscience like Thoreau’s seminal “Civil Disobedience” lay the groundwork for such influential modern theorists of nonviolence as David Dellinger, Thomas Merton, and Barbara Deming. The long arc of the American antiwar movement is vividly traced in the urgent appeals of activists, made in soaring oratory and galvanizing song, and in dramatic dispatches from the front lines of antiwar protests. The voices of veterans, from the Civil War to the Iraq War, are prominently represented, as is the firsthand testimony of conscientious objectors. Contemporary writers, including Barbara Kingsolver, Jonathan Schell, Nicholson Baker, and Jane Hirshfield, demonstrate the ongoing richness of this literature in the years since September 11, 2001. Featuring more than 150 eloquent and provocative writers in all, War No More is a bible for activists, a go-to resource for scholars and students, and an inspiring and fascinating story for every reader interested in the crosscurrents of war and peace in American history. From the Hardcover edition.

While studies of American military culture have proliferated in recent years, and the culture of academic institutions has been a subject of perennial interest, comparatively little has been written on the multiple ways the military and academe intersect. Focusing on this subject offers an opportunity to explore how teachers and researchers straddle the two quite different cultures. The contributors to this volume both embody and articulate how the two cultures co-exist and cooperate, however unevenly at times. Chapters offer both ground-level perspectives of the classroom and campus as well as well-considered articulations of the tensions and opportunities involved in teaching and training civic-minded soldiers on issues especially important in the post-9/11 world.

War and violence have arguably been some of the strongest influences on literature, but the relation is complex: more than just a subject for story-telling, war tends to reshape literature and culture. Modern war literature necessarily engages with national ideologies, and this volume looks at the specificity of how American literature deals with the emotional, intellectual, social, political, and economic contradictions that evolve into and out of war. Raising questions about how American ideals of independence and gender affect representations of war while also considering how specifically American experiences of race and class interweave with representations of combat, this book is a rich and coherent introduction to these texts and critical debates.

An authoriative survey of all major American poets from colonial to contemporary.