Mother Camp

For two years Ester Newton did field research in the world of drag queens—homosexual men who make a living impersonating women. Newton spent time in the noisy bars, the chaotic dressing rooms, and the cheap apartments and hotels that make up the lives of drag queens, interviewing informants whose trust she had earned and compiling a lively, first-hand ethnographic account of the culture of female impersonators. Mother Camp explores the distinctions that drag queens make among themselves as performers, the various kinds of night clubs and acts they depend on for a living, and the social organization of their work. A major part of the book deals with the symbolic geography of male and female styles, as enacted in the homosexual concept of "drag" (sex role transformation) and "camp," an important humor system cultivated by the drag queens themselves. "Newton's fascinating book shows how study of the extraordinary can brilliantly illuminate the ordinary—that social-sexual division of personality, appearance, and activity we usually take for granted."—Jonathan Katz, author of Gay American History "A trenchant statement of the social force and arbitrary nature of gender roles."—Martin S. Weinberg, Contemporary Sociology

Spend one last summer with the Mother-Daughter Book Club at camp in this bittersweet conclusion to Heather Vogel Frederick’s beloved and bestselling series. After so many summers together, Emma, Jess, Megan, Becca, and Cassidy are reunited for one final hurrah before they go their separate ways. The plan is to spend their summer as counselors at Camp Lovejoy in a scenic, remote corner of New Hampshire, but things get off to a rocky start when their young charges are stricken with a severe case of homesickness. Hopefully, a little bit of bibliotherapy will do the trick, as the girls bring their longstanding book club to camp.

The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances It is 1618 in the German duchy of Württemberg. Plague is spreading, the Thirty Years’ War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler, an illiterate widow, is accused of being a witch. Katharina is known for her herbal remedies and the success of her children. Her eldest, Johannes, is the Imperial Mathematician and the renowned author of the laws of planetary motion. It’s enough to make anyone envious, and Katharina has done herself no favours by going out and about and being in everyone’s business. So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of making her ill by offering her a bitter, witchy drink, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture and even execution, Katharina tells her side of the story to her friend and neighbour Simon, a reclusive widower imperiled by his own secrets. Drawing on real historical documents but infused with the intensity of imagination, sly humour and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen’s bold new novel touchingly illuminates a family and a society undone by superstition, the state and the mortal convulsions of history.

The Politics and Poetics of Camp is a radical reappraisal of the meaning and discourse of camp. The contributors look at both the meaning and the uses of camp performance, and ask: is camp a style, or a witty but nonetheless powerful cultural critique? The essays investigate camp from its early formations in the seventeenth and eighteenth century to its present manifestations in queer theatre and literature. They also take a fascinating look at the complex relationship between queer discourse and decidedly un-queer pop culture appropriations on film and on the stage. The Politics and Poetics of Camp is an incisive, uncontainable and entertaining collection of essays by some of the foremost critics working in queer theory, from a number of disciplinary perspectives. This book makes a well-timed intervention into an emerging debate.

When Shizuye Takashima, “Shichan” as she was called, was eleven years old, her entire world changed forever. As a Japanese-Canadian in 1941, she was among thousands of people forced from their homes and sent to live in internment camps in the Canadian Rockies. Although none had been convicted of any crime, they were considered the enemy because the country was at war with Japan. In this true story of sadness and joy, Shichan recalls her life in the days leading up to her family’s forced movement to the camp, her fear, anger, and frustration as the war drags on, and the surprising joys in the camp: a Kabuki play, holiday celebrations, and the ever-present beauty of the stars.

Key Selling Points A sweet summer camp story about a painfully shy girl who meets a boy with a rare genetic condition. The book explores themes of facing your fears and the nature of true friendship. One of the main characters has progeria, a genetic condition that causes premature aging. Most children who have this don’t live past age 14. This story had its genesis in a terrible summer camp experience for the author. The book has a happy ending. Bea and her new friends stay in touch after summer is over.

For most girls, sleepaway camp is great fun. But for Amy Becker, it’s a nightmare. Amy, whose home life is in turmoil, is sent to Camp Takawanda for Girls for the first time as a teenager. Although Amy despises spending summers at home with her German-immigrant mother, who is unduly harsh with Amy’s autistic younger brother, Amy is less than thrilled about going away to camp. And her reluctance about camp is only the beginning. At Takawanda Amy finds herself subjected to a humiliating “initiation” and also to relentless bullying by Rory, the ringleader of the senior campers. As Amy struggles to stop the mean girls from tormenting her, she becomes more confident. But then her cousin reveals dark secrets about Amy’s mother’s past, setting in motion a tragic event that changes Amy and her family forever. Winner of the Forward National Literature Award and a book-of-the-month pick by the Holocaust Memorial and Tolerance Center of Nassau County (NY), Camp is an acutely sensitive and compelling novel that will resonate with a wide readership. Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Humor and Latina/o Camp in Ugly Betty: Funny Looking expands the vista of critical approaches to comedy and representational politics on mainstream television from an interdisciplinary Latina/o studies approach. González and Rodriguez y Gibson examine how Ugly Betty uses humor and Latina/o camp to reframe socially charged issues on the show: representations of masculinity and familia, immigration, drag and queer subjectivities, Latina sexuality, and finally, a Latina feminist critique of the American Dream. Ugly Betty moves beyond the binaries of traditional representational politics and opens a vista of critical possibility applicable to all mainstream texts that portray people of color through comedy. This work will be of interest to scholars in media studies, Latina/o studies, and communication studies.