Motion Pictures Abroad India
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Motion Pictures Abroad India
Author | : Earl H. Young |
Publsiher | : Unknown |
Total Pages | : 6 |
Release | : 1961 |
Genre | : Motion picture industry |
ISBN | : PSU:000071975092 |
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Motion Pictures in India
Author | : Eugene Irving Way |
Publsiher | : Unknown |
Total Pages | : 72 |
Release | : 1929 |
Genre | : Motion pictures |
ISBN | : UIUC:30112104077562 |
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The Pictureworld Souvenir of the Indian Motion Picture Congress and Exhibition
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 206 |
Release | : 1938 |
Genre | : Electronic Book |
ISBN | : STANFORD:36105021077420 |
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Markets for Industrial and Educational Motion Pictures Abroad
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 48 |
Release | : 1927 |
Genre | : Motion pictures |
ISBN | : UIUC:30112104064073 |
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Motion Pictures Abroad
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 42 |
Release | : 1959 |
Genre | : Electronic Book |
ISBN | : UIUC:30112066924843 |
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Library of Congress Subject Headings
Author | : Library of Congress |
Publsiher | : Unknown |
Total Pages | : 1638 |
Release | : 2013 |
Genre | : Subject headings, Library of Congress |
ISBN | : PURD:32754083038863 |
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United States Educational Scientific and Cultural Motion Pictures and Filmstrips Selected and Available for Use Abroad Education Section
Author | : United States. Interdepartmental Committee on Visual and Auditory Materials for Distribution Abroad. Subcommittee on Catalog |
Publsiher | : Unknown |
Total Pages | : 480 |
Release | : 1959 |
Genre | : Documentary films |
ISBN | : UCAL:C2842322 |
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Viewing African Cinema in the Twenty first Century
Author | : Mahir Şaul,Ralph A. Austen |
Publsiher | : Ohio University Press |
Total Pages | : 257 |
Release | : 2010-10-05 |
Genre | : Performing Arts |
ISBN | : 9780821443507 |
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African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These “Nollywood” films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes. Contributors: Ralph A. Austen and Mahir Şaul, Jonathan Haynes, Onookome Okome, Birgit Meyer, Abdalla Uba Adamu, Matthias Krings, Vincent Bouchard, Laura Fair, Jane Bryce, Peter Rist, Stefan Sereda, Lindsey Green-Simms, and Cornelius Moore