Mount London

An invisible mountain is rising above the streets of the capital - and at over 1,800 metres, it is Britain's highest peak. This ingenious new book is an account of the ascent of 'Mount London' by a team of writers and urban cartographers, each scaling a smaller hill within the city - from Crystal Palace (112m) to Primrose Hill (78m). The essays and stories in Mount London unpeel London's history and geography, reimagining the city as mountainous terrain and exploring what it's like to move through the urban landscape. Ascents of natural peaks are offset by expeditions to the city's artificial mountains - The Shard (306m), the chimneys of Battersea Power Station (103m) - the search for 'ghost hills' in the back streets, and a descent into the deepest part of the Tube. Mount London is a unique and visionary record of the vertical city. - CONTRIBUTORS Matt D. Brown, Sarah Butler, Tom Chivers, Liz Cookman, David Cooper, Tim Cresswell, Alan Cunningham, Joe Dunthorne, Inua Ellams, Katy Evans-Bush, SJ Fowler, Bradley L. Garrett, Edmund Hardy, Justin Hopper, Martin Kratz, Amber Massie-Blomfield, Karen McCarthy Woolf, Helen Mort, Mary Paterson, Gareth E. Rees, Gemma Seltzer, Chrissy Williams, Tamar Yoseloff. - REVIEWS Unflinchingly original ... Tom Chivers and Martin Kratz, with the help of an eclectic mix of contributors, have reinvented and redefined London as a space that is not simply sleepless and overwhelming, but also remote and beautiful JAMES READER, THE GREAT OUTDOORS A lovely read full of lots of interesting historical and geographical snippets JANE'S LONDON In London, no matter how high we climb, we will never escape from each other, and from other hills PETER WATTS, THE GREAT WEN A catalyst for assessing a city that can mean so many different things to different people ... Any new resident within a London borough is strongly recommended to read it. ANDREW HERBERT, WILD CULTURE

The Sermon on the Mount contains many comparisons. In this book, the functions of these comparisons are studied by the methodology called comparative characterization. Characterization is the way a character is characterized in a narrative. Comparative characterization is the characterization of a character using comparisons. In comparative characterization, another character is used as a foil to bring out a characteristic trait of a concerned character. Jesus characterized the ideal disciple in the Sermon on the Mount with many descriptions and imperatives. To characterize the ideal disciple Jesus used many comparisons and highlighted the characteristic features that embody the ideal disciple. The many comparisons used in the Sermon on the Mount are identified in this study through comparative characterization. In addition, the teleological purpose of the comparisons, which is to play as foil to the characterization of the ideal disciple, is identified and highlighted. Thus, this study identifies Jesus' characterization of the ideal disciple and his complex portrayal of the ideal disciple with the many uses of comparisons in the descriptions and imperatives of Jesus in the Sermon on the Mount.

Harry Mount's Odyssey: Ancient Greece in the Footsteps of Odysseus is a journey round Greece inspired by the heroes, locations and tales of the Odyssey and tracing ancient Greek civilization at its height. Architecture, art, sculpture, economics, mathematics, science, metaphysics, comedy, tragedy, drama and epic poetry were all devised and perfected by the Greeks. Of the four classical orders of architecture, three were invented by the Greeks and the fourth, the only one the Romans could come up with, was a combination of two of the former.The powerful ghost of ancient Greece still lingers on in the popular mind as the first great civilization and one of the most influential in the creation of modern thought. It is the starting block of Western European civilization. In his new Odyssey, eminent writer Harry Mount tells the story of ancient Greece while on the trail of its greatest son, Odysseus. In the charming, anecdotal style of his bestselling Amo, Amas, Amat and All That, Harry visits Troy, still looming over the plain where Achilles dragged Hector's body through the dust, and attempts to swim the Hellespont, in emulation of Lord Byron and the doomed Greek lover, Leander. Whether in Odysseus's kingdom on Ithaca, Homer's birthplace of Chios or the Minotaur's lair on Crete, Mount brings the Odyssey - and ancient Greece - back to life.

The Sermon on the Mount (Matthew 5?7) is the best-known repository of the teachings of Jesus and one of the most studied. Amid the considerable erudition expended on the Sermon, however, Jack R. Lundbom argues that it has proven too easy to deflect or disregard the main thrust of the Sermon, which he characterizes as a mandate to holy living and a “greater righteousness.” Through careful attention to the structure of Matthew’s Gospel and the place of the Sermon within it, keen sensitivity to the patterns and themes of Israelite prophecy, and judicious comparisons with other Jewish and rabbinic literature, Lundbom elucidates the meaning of the Sermon and its continuity with Israel’s prophetic heritage as well as the best of Jewish teaching. By deft appeal to Christian commentators on the Sermon, Lundbom brings its most important themes to life for the contemporary reader, seeking always to understand what the “greater righteousness” to which the Sermon summons might mean for us today.

Mount Athos, a spectacularly beautiful rocky peninsula on the coast of Greece has been a monastic preserve since the ninth century. This richly illustrated book tells the entire story of Athos, the Holy Mountain, from the first anchorite monks who lived in caves and huts through centuries of political and religious controversy to the thriving monastic communities of today.

Charles Nathan Ridlehoover examines the Lord's Prayer in Matthew's Gospel, focusing on the prayer's centrality and showing how this centrality affects our reading of the Sermon on the Mount and subsequently, the prayer itself. Ridlehoover argues that the Lord's Prayer is structurally, lexically, and thematically central to the Sermon on the Mount, and the means through which disciples of Jesus are empowered to live out the kingdom righteousness it defines. In turn, the Sermon on the Mount clarifies what the answer to the petitions of the Lord's Prayer might look like in the life of the disciple of Jesus. Whilst the centrality of the Lord's Prayer has been noted by previous commentators, this centrality and its intended purpose has not hitherto been defined or examined in great depth. Ridlehoover fills this gap with a closely argued and in-depth study, ranging from methodology and the structure of the prayer itself to examining the Father, will, forgiveness and evil petitions, and the relevance of word and deed for hearers and doers. Ridlehoover's examination of the relationship between the Sermon and Prayer advances studies in compositional criticism and intratextuality.