Mountain Majesties

Can you name America’s oldest brewery? If visions of outsized draft horses plod to mind, you’re way off. Instead, head for the mountains—of northeastern Pennsylvania. In 1829, in Pottsville, German immigrant D.G. Yuengling set up shop to slake the thirst of immigrants flocking to the region’s booming anthracite coalfields. Five generations have steered the family-owned brewery through fires, temperance, depressions, Prohibition, and the whims of changing tastes; outlasted hundreds of local competitors; and turned Yuengling from a regional name into a national institution. For 175 years, the hard-working, hands-on approach of Yuengling has kept it going, and growing, while thousands of other brands vanished into history’s recycling bin. Kick back, relax, and crack open a cool history of Yuengling and Son, Inc., America’s oldest brewery. It begins with the brewery’s founding in 1829 by German immigrant D.G. Yuengling, who saw an opportunity in the region’s growing, beer-loving immigrant population. Subsequent chapters follow the brewery into the age of bottled beer and advertising; through the dark days of Prohibition; the age of consolidation, when a few big names swallowed up or buried most regional brews; and into the age of microbrews, when consumers turned away from bland brands in search of a beer with character, leading to Yuengling’s resurgence on the national scene. An epilogue gauges the company’s current status and immediate future, and a chronology lists key events in the brewery’s existence. Notes and copious illustrations supplement this history, which also includes a list of reference works, and an index.

Drawing on extensive ethnographic work among descendant native peoples and ongoing archaeological excavations, Mountain Spirit shows that many groups have visited or lived in the area in prehistoric and historic times. Primary among them was the Shoshone group called Tukudika, or Sheep Eaters, who maintained a rich and abundant way of life closely related to their primary source of protein, the mountain sheep of the high-altitude Yellowstone area.

Illustrated with 140 stunning color photos, this book defines the rugged and refined looks of contemporary mountain style.

"From the Enlightenment to the present day, and using a variety of case studies from all the continents, the authors show us how our ideas of and about mountains have changed with the times and how a wide range of policies, from border delineation to forestry as well as nature protection and social programs, have been shaped according to them. A rich hybrid analysis of geography, history, culture, and politics."--Jacket.

Thirteen-year-old Colter’s summer vacation takes a twist when he finds himself on a broiling city sidewalk, on the hottest day of the year. The young man finds hope in an ad in the back of a comic book. It promises to send a special rock, for free, that he can plant in his backyard. The comic claims that rock will grow into a massive mountain almost no one else can see with rushing streams, towering evergreen forests, and lofty granite peaks covered with snow. Colter thinks it sounds like a scam but curiosity makes him send for it anyway. Imagine his surprise when everything the ad promised comes true! Time stands still in the ordinary world while he explores his own majestic wilderness. There he meets a mountain man named Bridger, who explains the ways of the wild. He warns Colter of the many dangers that lie ahead. He must seek the help of skilled climbers from a local mountaineering lodge, including a girl his age named Chrysanthemum. Will they be able to overcome the challenges of convincing parents that can’t see the mountain? They also must face off against ferocious grizzly bears, towering cliffs, and dangerous weather to find a route to the top of Colter’s Mountain. Worst of all, can they escape the deadly plot of a sinister enemy known as the Alpinist?

Novelist and critic Alexander Theroux analyzes the pop song. National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killa), but he considers stupid rhymes, as well ― nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more. In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language ― the power of words and the nature of syntax ― in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.

Answering intriguing questions such as Why does the largest river system in North America meander across the middle of the continent? and How does such a system relate to the rugged Rocky Mountains?, this fun-filled book delves into the majestic Great Plains region. The chapters concisely clarify the interrelated subjects of terrain, climate, and the great movements of the earth itself while illustrating the important changes that are still occurring in the area’s rivers, lakes, plains, and unpredictable weather. Brimming with fascinating facts, educational sidebars tell how earthquakes in New Madrid, Missouri caused waves to go upstream in the Mississippi River; why and how tornadoes form; and how invasive species are threatening the Great Lakes and what people are doing about it.