Mr Kafka And Other Tales From The Time Of The Cult

Wonderful stories of Communist Prague by “the masterly Bohumil Hrabal” (The New Yorker) Never before published in English, the stories in Mr. Kafka and Other Tales from the Time of the Cult were written mostly in the 1950s and present the Czech master Bohumil Hrabal at the height of his powers. The stories capture a time when Czech Stalinists were turning society upside down, inflicting their social and political experiments on mostly unwilling subjects. These stories are set variously in the gas-lit streets of post-war Prague; on the raucous and dangerous factory floor of the famous Poldi steelworks where Hrabal himself once worked; in a cacophonous open-air dance hall where classical and popular music come to blows; at the basement studio where a crazed artist attempts to fashion a national icon; on the scaffolding around a decommissioned church. Hrabal captures men and women trapped in an eerily beautiful nightmare, longing for a world where “humor and metaphysical escape can reign supreme.”

A sweeping history of a twentieth-century Prague torn between fascism, communism, and democracy—with lessons for a world again threatened by dictatorship Postcards from Absurdistan is a cultural and political history of Prague from 1938, when the Nazis destroyed Czechoslovakia’s artistically vibrant liberal democracy, to 1989, when the country’s socialist regime collapsed after more than four decades of communist dictatorship. Derek Sayer shows that Prague’s twentieth century, far from being a story of inexorable progress toward some “end of history,” whether fascist, communist, or democratic, was a tragicomedy of recurring nightmares played out in a land Czech dissidents dubbed Absurdistan. Situated in the eye of the storms that shaped the modern world, Prague holds up an unsettling mirror to the absurdities and dangers of our own times. In a brilliant narrative, Sayer weaves a vivid montage of the lives of individual Praguers—poets and politicians, architects and athletes, journalists and filmmakers, artists, musicians, and comedians—caught up in the crosscurrents of the turbulent half century following the Nazi invasion. This is the territory of the ideologist, the collaborator, the informer, the apparatchik, the dissident, the outsider, the torturer, and the refugee—not to mention the innocent bystander who is always looking the other way and Václav Havel’s greengrocer whose knowing complicity allows the show to go on. Over and over, Prague exposes modernity’s dreamworlds of progress as confections of kitsch. In a time when democracy is once again under global assault, Postcards from Absurdistan is an unforgettable portrait of a city that illuminates the predicaments of the modern world.

A literary master’s story about the aggravations and great joys of cats, from “a most sophisticated novelist, with a gusting humor and a hushed tenderness of detail” (Julian Barnes) In the autumn of 1965, flush with the unexpected success of his first published books, the Czech author Bohumil Hrabal bought a cottage in Kersko. From then until his death in 1997, he divided his time between Prague and his country retreat, where he wrote and tended to a community of feral cats. Over the years, his relationship to cats grew deeper and more complex, becoming a measure of the pressures, both private and public, that impinged on his life as a writer. All My Cats, written in 1983 after a serious car accident, is a confessional memoir, the chronicle of an author who becomes overwhelmed. As he is driven to the brink of madness by the dilemmas created by his indulgent love for the animals, there are episodes of intense brutality as he controls the feline population. Yet in the end, All My Cats is a book about Hrabal’s relationship to nature, about the unlikely sources of redemption that come to him unbidden, like a gift from the cosmos—and about love.

The Cold War was an era of surprising connections between American and Czech literary cultures. Major writers met behind the Iron Curtain, while others smuggled, translated, and adapted works from the other side. Brian K. Goodman explores the artistic and political consequences, arguing that the movement of literature inspired new forms of dissent.

Chronicles the experiences of Ditie, who rises from busboy to hotel owner in World War II Prague, and whose life is shaped by the fate of his country before, during, and after the conflict.

The Cold War meets Mad Men in the form of Karel Koecher, a double agent whose shifting loyalties and over-the-top hedonism reverberated from New York to Moscow In the mid-1970s, the CIA and KGB watched Karel Koecher closely—they were both convinced he was working for the enemy. And they were both right. Traveling with his wife, Hana, Koecher posed as a Czechoslovak asylum seeker and arrived in the US as a Communist sleeper agent. After parlaying a doctorate from Columbia into a job at the CIA, Koecher proceeded to operate as a double agent at the height of the Cold War. Shunning a low profile, the Koechers embraced Manhattan’s high life—with cocaine, swinging, and parties emblematic of the times and their penchant for risk. Hana, who was no more than a shy teenager when she arrived, grew into a sophisticated international diamond dealer who relayed messages to Karel’s handlers. Riding a wave of euphoria, the Koechers felt unstoppable. But it was too good to last. Using newly declassified documents, interrogation tapes, and extraordinary firsthand accounts from the Koechers themselves, Cunningham reconstructs their double lives and the fading Cold War, where a strange moral fog made it hard to know what truth was being fought for, and to what end.

When communism was ushered into Czechoslovakia, it was supposed to last forever – yet over eleven days in November 1989, this supposedly eternal order collapsed. Why did it fall apart so easily? This respected sociological essay, written in the pivotal years of 1989 and 1990, is now available for the first time in English. Ivo Možný tells the story of a despotic state expropriating the Czechoslovak family and subjugating the personal sphere in exchange for promises of a bright collective future, only for the regime to be vanquished forty years later by the very institution it had dispossessed. The essay explains the reasons for communism’s downfall, examining the private aspirations of whole swaths of nameless social actors that left hardly anyone interested in keeping the regime afloat.

Described as “one of the great prose stylists of the twentieth century,” Bohumil Hrabal ranks among the most important and widely translated Czech authors. Jiří Pelán, a respected scholar of Czech, French and Italian literature, approaches Hrabal as a comparatist, expertly situating him within the context of European and world literature, as he explores the entirety of Hrabal’s oeuvre and its development over sixty years. Praised for its concise, clear and readable style, Bohumil Hrabal: A Full-length Portrait offers international readers an important Czech perspective on the world-class author. Contains 32 photographs of Bohumil Hrabal, a list of his works’ English translations to date, and a bibliography of international scholarship.