Mr Mani

New York Times Notable Book: A story of six generations of a Jewish family, by an author Saul Bellow called “one of Israel’s world-class writers.” In this novel, a winner of both the National Jewish Book Award and the first Israeli Literature Prize, A. B. Yehoshua weaves a deeply affecting family saga and an portrait of Jewish life over the past two centuries. The story moves backward through time, unfolding over the course of five conversations. On a kibbutz in the Negev in 1982, a student describes her strange meeting with her boyfriend’s father, Judge Gavriel Mani. On German-occupied Crete in 1944, a Nazi soldier recounts his attempts to hunt down the Mani family. In Jerusalem in 1918, a Jewish lawyer in the British army briefs his commanding officer on the forthcoming trial of the political agitator Yosef Mani. In a village in southern Poland in 1899, a young doctor reports back to his father on his travels, and on his sister’s romance with Dr. Moshe Mani. And in Athens in 1848, Avraham Mani reveals the heartbreaking tale of the death of his son, Yonef, in Jerusalem. Alfred Kazin hailed Mr. Mani as “one of the most remarkable pieces of fiction I have ever read.” Named as one of the best books of the year by Publishers Weekly, it is both an absorbing tale and a powerful statement about family, faith, and the weight of history. Translated from the Hebrew by Hillel Halkin

From the award-winning, internationally acclaimed Israeli author, a suspenseful and poignant story of a family coping with the sudden mental decline of their beloved husband and father--an engineer who they discover is involved in an ominous secret military project Until recently, Zvi Luria was a healthy man in his seventies, an engineer living in Tel Aviv with his wife, Dina, visiting with their two children whenever possible. Now he is showing signs of early dementia, and his work on the tunnels of the Trans-Israel Highway is no longer possible. To keep his mind sharp, Zvi decides to take a job as the unpaid assistant to Asael Maimoni, a young engineer involved in a secret military project: a road to be built inside the massive Ramon Crater in the northern Negev Desert. The challenge of the road, however, is compounded by strange circumstances. Living secretly on the proposed route, amid ancient Nabatean ruins, is a Palestinian family under the protection of an enigmatic archaeological preservationist. Zvi rises to the occasion, proposing a tunnel that would not dislodge the family. But when his wife falls sick, circumstances begin to spiral . . . The Tunnel--wry, wistful, and a tour de force of vital social commentary--is Yehoshua at his finest.

What if you had to choose between family and the love of your life? Abbey and Money Singh are better known as The Modern Singhs, Kiwi social media celebrities with a rich and tangled love story to tell. Shared through the eyes of this inspiring duo, The Modern Singhs reveals their experiences as migrants to New Zealand as they struggled to find footing in new surroundings. They describe how they met and pursued a relationship that was forbidden by Money's culture, where he felt he had to choose between his family and the love of his life. The couple opens up about the difficult birth of their son, their journeys with mental health, a complicated sense of home, and what it's like to raise bilingual children across three cultures. The rest is history - or at least uploaded to YouTube, where Abbey and Money's joyful outlook and celebration of tradition unites 1.3 million viewers from all over the world, encouraging others to embrace difference with open hearts.

In the autumn, Molkho's wife dies. His years of loving care have ended and his newfound freedom proves unlike the one he had imagined. It is an uneasy freedom, filled with the erotic fantasies of a man who must fall in love, but whose longing for meaningful relationships is held hostage by the spirit of his wife. Five Seasons is a subtle and often comic novel about love and renewal, and the determination of a seasoned heart to love.

That he was a medieval king who, with a progressive bent of mind, dared to look ahead to find that common ground for all his people to stand together. That he was a medieval king who is today tempting us to look back into the past to see our future through his eyes. Ever since the Bharatiya Janata Party-led National Democratic Alliance government came to power in 2014 with Narendra Modi as the prime minister, an organised campaign began to vilify Emperor Akbar and the Mughals. While there were always voices that tried to project the Mughals as just another 'Islamic empire', ignoring the civilisational impact they had on India, even for them Akbar was a shining light in an otherwise era of darkness. Those talking in terms of easy binaries always found a 'good Muslim' in Akbar and a 'bad Muslim' in Aurangzeb. Academics and other liberals who could have countered this incorrect portrayal did not do it, dismissing such claims as mere screeches by the fringe that do not deserve any attention. But with the Hindu Right assuming political power, the fringe today has become the mainstream. And Akbar is no longer the 'good Muslim'. Why is there such hatred for Akbar, once the most loved king in India? What was the journey like, from being great to not-so-great? And how is this India different from Akbar's Hindustan? Has he become irrelevant in an India where growing Hindu nationalism threatens to alter the nature of the Indian state from a secular republic to a theocracy? Or is Akbar even more relevant today given the backdrop of hate that we all find ourselves in? Allahu Akbar seeks to find answers to these questions while providing a profile sketch of the emperor, his empire and his times.

Open Heart is a psychological tour de fource about love and the nature of man's soul. From the opening lines of this first-person narrative, the reader is propelled into the mind of Dr. Benjamin Rubin, an ambitious young internist, who is jockeying for position with the hospital's top surgeons. But it isn't until Benjy learns that his position has been terminated, and that he has been selected to accompany the hospital administrator and his wife to India to retrieve their ailing daughter, that Yehoshua sets his hero on a journey of self-discovery.

Once referred to by the New York Times as the “Israeli Faulkner,” A. B. Yehoshua’s fiction invites an assessment of Israel’s Jewish inheritance and the moral and political options that the country currently faces in the Middle East. The Retrospective Imagination of A. B. Yehoshua is an insightful overview of the fiction, nonfiction, and hundreds of critical responses to the work of Israel’s leading novelist. Instead of an exhaustive chronological-biographical account of Yehoshua’s artistic growth, Yael Halevi-Wise calls for a systematic appreciation of the author’s major themes and compositional patterns. Specifically, she argues for reading Yehoshua’s novels as reflections on the “condition of Israel,” constructed multifocally to engage four intersecting levels of signification: psychological, sociological, historical, and historiosophic. Each of the book’s seven chapters employs a different interpretive method to showcase how Yehoshua’s constructions of character psychology, social relations, national history, and historiosophic allusions to traditional Jewish symbols manifest themselves across his novels. The book ends with a playful dialogue in the style of Yehoshua’s masterpiece, Mr. Mani, that interrogates his definition of Jewish identity. Masterfully written, with full control of all the relevant materials, Halevi-Wise’s assessment of Yehoshua will appeal to students and scholars of modern Jewish literature and Jewish studies.

An experiment is under way in Tel Aviv and Jerusalem: a woman, recently widowed, is starting a trial period in assisted living, mainly to placate her over-anxious son, whilst in Jerusalem her daughter Noga, a young harpist, returns from her job with a Dutch orchestra to look after the family apartment. To enliven her stay, Noga's brother finds work for her - playing roles as an extra in film, TV, and in the opera Carmen. The random roles Noga is thrust into resonate strangely with her own life which she begins to re-evaluate. Central to her past is the fact that she refused to have children, resulting in the break-up of her marriage. No-one in her family understood her motives for not wanting children and everyone has a different explanation for it. Now, a chance encounter with her former husband reveals his continuing powerful, love as well as a shocking deed she committed during their marriage. But Noga is a free spirit neither tied to the past nor defined by it, and always keen to push boundaries. She lives for her music and is willing to go wherever it takes her. The three-month experiment proves as much of a test for her as for her mother and both are radically transformed by the end. A.B. Yehoshua is as creative, humorous and provocative as ever in The Extra, exploring themes familiar to him of love, family relationships and artistic ambitions, set mainly in an ever-changing Jerusalem.