Mud Blood And Ghosts

Populism has become a global movement associated with nationalism and strong-man politicians, but its root causes remain elusive. Mud, Blood, and Ghosts exposes one deep root in the soil of the American Great Plains. Julie Carr traces her own family’s history through archival documents to draw connections between U.S. agrarian populism, spiritualism, and eugenics, helping readers to understand populism’s tendency toward racism and exclusion. Carr follows the story of her great-grandfather Omer Madison Kem, three-term Populist representative from Nebraska, avid spiritualist, and committed eugenicist, to explore persistent themes in U.S. history: property, personhood, exclusion, and belonging. While recent books have taken seriously the experiences of poor whites in rural America, they haven’t traced the story to its origins. Carr connects Kem’s journey with that of America’s white establishment and its fury of nativism in the 1920s. Presenting crucial narratives of Indigenous resistance, interracial alliance and betrayal, radical feminism, lifelong hauntings, land policy, debt, shame, grief, and avarice from the Gilded Age through the Progressive Era, Carr asks whether we can embrace the Populists’ profound hopes for a just economy while rejecting the barriers they set up around who was considered fully human, fully worthy of this dreamed society.

In June 1934, W. B. Yeats gratefully received the award of a Goethe-Plakette from Oberburgermeister Krebs, four months after his early play The Countess Cathleen had been produced in Frankfurt by SS Untersturmfuhrer Bethge. Four years later, the poet publicly commended Nazi legislation before leaving Dublin to die in southern France. These hitherto neglected, isolated and scandalous details stand at the heart of this reflective study of Yeats's life, his attitudes towards death, and his politics. Blood Kindred identifies an obsession with family as the link connecting Yeats's late engagement with fascism to his Irish Victorian origins in suburban Dublin and industrializing Ulster. It carefully documents and analyses his involvement with both Maud Gonne and her daughter Iseult, his secretive consultations with Irish army officers during his Senate years, his incidental anti-Semitism, and his approval of the right-wing royalist group L'Action Française in the 1920s. The familiar peaks and troughs of Irish history, such as the 1916 Rising and the death of Parnell, are re-oriented within a radical new interpretation of Yeats's life and thought, his poetry and plays. As far as possible Bill McCormack lets Yeats speak for himself through generous quotation from his newly accessible correspondence. The result is a combative, entertaining biography which allows Ireland's greatest literary figure to be seen in the round for the first time.

THE STORY: Mike Poulton’s two-part adaptation of Hilary Mantel’s Man Booker Prize-winning novels is a thrilling portrait of a brilliant manipulator navigating a high-stakes political landscape. WOLF HALL begins in England in 1527. King Henry VIII needs a male heir, and his anger grows as months pass without the divorce he craves. Into this volatile court enters the commoner Thomas Cromwell. Once a mercenary and now a master politician, he sets out to grant King Henry’s desire while methodically and ruthlessly pursuing his own Reforming agenda.

The edition benefits from full scholarly apparatus, including a general introduction, volume introductions, headnotes, endnotes and a consolidated index in the final volume. The set is broadly interdisciplinary and will appeal to those researching Social and Cultural History, History of Science, History of Religion, Literature and History of the Supernatural, as well as Early-Modern, Eighteenth- and Nineteenth-Century History. It includes rare sources not available on ECCO, EBBO or Google Books. It takes a chronologically broad view of the history of the supernatural, from the Reformation to the twentieth century. The new editorial material includes a general introduction, volume introductions, headnotes, endnotes and a consolidated index in the final volume. Each facsimile page is digitally cleaned and enhanced, significantly improving on the quality and legibility of the original

Before invasion, Turtle Island-or North America-was home to vibrant cultures that shared long-standing philosophical precepts. The most important and wide-spread of these was the view of reality as a collaborative binary known as the Twinned Cosmos of Blood and Breath. This binary system was built on the belief that neither half of the cosmos can exist without its twin. Both halves are, therefore, necessary and good. Western anthropologists typically shorthand the Twinned Cosmos as "Sky and Earth" but this erroneously saddles it with Christian baggage and, worse, imposes a hierarchy that puts sky quite literally above earth. None of this Western ideology legitimately applies to traditional Indigenous American thought, which is about equal cooperation and the continual recreation of reality. Spirits of Blood, Spirits of Breath examines traditional historical concepts of spirituality among North American Indians both at and, to the extent it can be determined, before contact. In doing so, Barbara Alice Mann rescues the authentically indigenous ideas from Western, and especially missionary, interpretations. In addition to early European source material, she uses Indian oral traditions, traced as much as possible to their earliest versions and sources, and Indian records, including pictographs, petroglyphs, bark books, and wampum. Moreover, Mann respects each Indigenous culture as a discrete unit, rather than generalizing them as is often done in Western anthropology. To this end, she collates material in accordance with actual historical, linguistic, and traditional linkages among the groups at hand, with traditions clearly identified by group and, where recorded, by speaker. In this way she provides specialists and non-specialists alike a window into the purportedly lost, and often caricatured, world of Indigenous American thought.

He can see the silent victims—now he must find their invisible killer. . . . This unique debut thriller combines forensics, fantasy, and edge-of-your-seat suspense like never before. In a world where sorcery is illegal, someone is murdering young women in ways that defy all reason—and all detection. Only one man knows how to track such an untraceable killer, a man called to deliver justice by an onslaught of ghosts in the snow. For Dubric Bryerly, head of security at Castle Faldorrah, saving lives has become a matter of saving his sanity. A silent killer is afoot, savagely mutilating servant girls and leaving behind no clues and no witnesses—except the gruesome ghosts of the victims. Ghosts that only Dubric can see. Caught in the eye of the grisly storm is Nella, a linen maid working to free herself from a dark past—if she can survive an invisible killer’ s rampage. But with the death toll rising and Nella under the protective wing of a man who may be a prime suspect, Dubric must resort to unconventional methods. With the future of Faldorrah and countless lives at stake, including his own, he can’t afford to be wrong. And if he’s right, the entire kingdom could be thrust into war.

Figuratively speaking, Blood for Ghosts takes for its theme the burial of the dead. The eight stories in the collection dramatize the many ways Texans in the 21st century struggle to give voice to their ancestors and the region’s past, a task made increasingly difficult by the pressures of globalization, the lure of efficiency, and the claims of “progress.” Such struggles are necessary, however, and are premised on the belief that the healthiest communities affirm a meaningful relationship with as much of the past as is possible. The collection’s title makes a nod of the head toward Hugh Lloyd-Jones’s fine study of ancient Greece and Book XI of The Odyssey, when Odysseus enacts a rite that summons the shades of the dead to drink the blood of sacrificed animals and so be given voice to communicate with the living. The collection’s epigraph comes from the same scene in Book XI: and up out of Erebus they came/ flocking toward me now, the ghosts of the dead and gone.

San Francisco’s reputation for accommodating progressive and unconventional identities can find its roots in the waves of transients and migrants that flocked to San Francisco between the gold rush and World War I. In the era of yellow journalism, San Francisco’s popular presses broadcast shocking stories about the waterfront, Chinatown, Barbary Coast, hobo Main Stem, Uptown Tenderloin, and Outside Lands. The women and men who lived in these districts did not passively internalize the shaming of their bodies or neighborhoods. Rather, many urbanites intentionally sought out San Francisco’s “vice” and transient lodging districts. They came to identify themselves in ways opposed to hegemonic notions of whiteness, respectability, and middle-class heterosexual domesticity. With the destabilizing 1906 earthquake marking its halfway point, James Mallery’s City of Vice explores the imagined, cognitive mapping of the cityscape and the social history of the women and men who occupied its so-called transient and vice districts between the late nineteenth century and World War I.