Mumble Jumble Abysmal Lyrics

Contains 69 of over 270 lyrics written by David Andrew Carmon between 1998 (Aged 14 years) and 2008. Most of them are abysmal.

From a world of daisies as big as moons and of mountainous green hillocks Michael Fane came by some unrealized method of transport to the thin red house, that as yet for his mind could not claim an individual existence amid the uniformity of a long line of fellows. His arrival coincided with a confusion of furniture, with the tramp of men backwards and forwards from a cavernous vehicle very dry and dusty. He found himself continually being lifted out of the way of washstands and skeleton chests of drawers. He was invited to sit down and keep quiet, and almost in the same breath to walk about and avoid hindrance. Finally, Nurse led him up many resonant stairs to the night-nursery which at present consisted of two square cots that with japanned iron bars stood gauntly in a wilderness of oilcloth surrounded by four walls patterned with a prolific vegetation. Michael was dumped down upon a grey pillow and invited to see how well his sister Stella was behaving. Nurse’s observation was true enough: Stella was rosily asleep in an undulation of blankets, and Michael, threatened by many whispers and bony finger-shakes, was not at all inclined to wake her up. Nurse retired in an aura of importance, and Michael set out to establish an intimacy with the various iron bars of his cage. For a grown-up person these would certainly have seemed much more alike than even the houses of Carlington Road, West Kensington: for Michael each bar possessed a personality. Minute scratches unnoticed by the heedless adult world lent variety of expression: slight irregularities infused certain groups with an air of deliberate consultation. From the four corners royal bars, crowned with brass, dominated their subjects. Passions, intrigues, rumours, ambitions, revenges were perceived by Michael to be seething below the rigid exterior of these iron bars: even military operations were sometimes discernible. This cot was guarded by a romantic population, with one or two of whose units Michael could willingly have dispensed: one bar in particular, set very much askew, seemed sly and malignant. Michael disliked being looked at by anybody or anything, and this bar had a persistent inquisitiveness which already worried him. ‘Why does he look at me?’ Michael would presently ask, and ‘Nobody wants to look at such an ugly little boy,’ Nurse would presently reply. So one more intolerable question would overshadow his peace of mind. Meanwhile, far below, the tramp of men continued, until suddenly an immense roar filled the room. Some of the bars shivered and clinked, and Michael’s heart nearly stopped. The roar died away only to be succeeded by another roar from the opposite direction. Stella woke up crying. Michael was too deeply frightened so to soothe himself, as he sat clutching the pointed ears of the grey pillow. Stella, feeling that the fretful tears of a sudden awakening were insufficient, set up a bellow of dismay. Michael was motionless, only aware of a gigantic heart that shook him horribly. At last the footsteps of Nurse could be heard, and over them, the quick ‘tut-tut-tuts’ that voiced her irritation.

Tono-Bungay is a semiautobiographical novel written by H. G. Wells. It is narrated by George Ponderevo, who is persuaded to help develop the business of selling Tono-Bungay, a patent medicine created by his uncle Edward. George devotes seven years to organizing the production and manufacture of the product, even though he believes it is "a damned swindle".

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book closes the gap for beginners who want to study the Amharic language and had difficulties in finding the right grammar for this purpose: The first grammar of Amharic, the national language of Ethiopia, was published by Hiob Ludolf in 1698. The Amharic grammar published by Praetorius in 1879 is based on Amharic religious texts and on scattered material, usually composed by missionaries. A milestone in the study of Amharic is Marcel Cohen's Traite de langue amharique (1936), but this grammar, too is not completely suited for beginners since the author's generalizations are at times aimed at linguists. The grammar that comes closest to the concept of a beginner's grammar is that of C.H. Dawkin (1960), yet this grammar is extremely short, does not give examples and does not introduce the student to the intricacies of the language.The new book gives all the grammatical forms and the sentences of the present grammar in Amharic script and in phonetic transcription. The illustrative examples have a free and a literal translation. This procedure should likewise prove to be useful for the Semitist as well as for the general linguist.

This is a new release of the original 1941 edition.

Do you want to learn The Lost Secret of Speaking Perfect English?The Moving Mouth Dictionary technique provides a very simple approach to perfecting English speaking and pronunciation.The book takes a down-to-earth approach for speaking clear English, as it breathes some fresh air into the stuffy corridors of academic learning. It is geared to help students and business people speak impressive and naturally clear English, taking much of the guessing out of pronunciation and spelling.English will become more of a physical activity, rather than a cerebral academic subject. The key is in identifying and improving specific types of reverse and forward mouth movements, actions based on using simple vertical mouth movement notations that have simple associations with key phonetics sounds for specific letters. The technique's forward and reverse mouth movements combined with a natural English rhythm also helps trigger and access vocabulary and verbs, while aiding in word retention, fluency and auto correcting.The book features a dictionary of over 11,000 words, including some of the most difficult words in the English language, which have been broken down, putting these notations into "mouthables." The process draws heavily on early humans' natural ability to howl and growl, using their mouths vertically. Hence, the lost connection between our near ancestors can aid our ability to speak clear English, an ability we have lost and need to rediscover.About the AuthorOriginally from the Yorkshire Dales in England, Peter F. Bulmer developed his presentational skills as a marketing and export director traveling and selling to different cultures throughout the world. Now retired and based in Europe, he still coaches bankers, consultants, and marketing people in perfecting their English presentation and communication skills.

The Camp of the Saints (Le Camp des Saints) is a 1973 French novel by author and explorer Jean Raspail. The novel depicts a setting wherein Third World mass immigration to France and the West leads to the destruction of Western civilization. A new (2017) introduction by Leonard Payne provides a cultural analysis.