Munch In Dialogue

In dialogue with Edward Munch—discover the many ways the expressionist painter’s work has influenced modern and contemporary artists. While Munch’s pessimistic, melancholy world view crucially defines our understanding of his work, many important postwar and contemporary artists have drawn inspiration from several aspects of his oeuvre. This richly illustrated book explores how seven such artists — Georg Baselitz, Miriam Cahn, Peter Doig, Marlene Dumas, Tracey Emin, Jasper Johns and Andy Warhol— engaged with Munch’s work at different points in, or throughout, their careers. It features elaborate reproductions of sixty works by Munch juxtaposed with those inspired by him. Readers discover how Baselitz cunningly pays tribute to his artistic hero; how Tracey Emin’s practice, like Munch’s, is autobiographical, both drawing from their personal torment to create their unnerving works; how Marlene Dumas was drawn to the expressiveness of Munch’s portraits; and how Peter Doig draws on Munch’s radical treatment of pigments and materiality. Essays by leading scholars detail each artist’s unique preoccupation with Munch and offer a focused exploration of the ways women artists in particular were inspired by his examinations of loneliness, fear, and trauma.

"This catalogue accompanies a major exhibition at the Neue Galerie new York devoted to offering a fascinating new look at the Norwegian artist Edvard Munch and his influence on his Austrian and German contemporaries. Edvard Munch (1863-1944) was highly regarded for his exploration of dark themes, including alienation, sin, and human vulnerability. His work incorporates the vivid colors of previous styles, but Munch intensified their emotional power and paved the way for an entirely new approach to painting. Although much has been written about Munch's life and its influence on his art, this catalogue is the first thorough study of the artist's impact on his German and Austrian peers, and places his oeuvre in an Expressionist context. Essays by leading scholars in the field examine the close connection between Munch and his Austrian and German counterparts, with special attention focused upon the work of Max Beckmann. Munch's self-portraits are also closely examined, as is his seminal role in working with the woodcut in a highly innovative fashion, and his influence upon the work of Erich Heckel and Ernst Ludwig Kirchner in particular"--

What is the critical relevance of Edvard Munch (1863-1944) to contemporary society? This publication places Munch's oeuvre in dialogue with works by the Norwegian-born, New York-based artist Bjarne Melgaard (born 1967), whose art has often provoked controversy--as was the case with Munch, in his lifetime. Their bodies of creative work are related in numerous ways. Both have worked with reference to their own biography; there is also an artistic kinship between the two in terms of their painterly idioms, motifs and themes. Addressing subjects such as sexuality, gender, death, loneliness and alienation, they both address key issues of modern society. The catalogue explores the dystopian critique of civilization that underlies their respective oeuvres. In addition to a wide range of well-known works by both artists, it presents new pieces by Melgaard that explore the themes he considers of particular importance in Munch's oeuvre.

This volume aims at building bridges from pragmatics to dialogue and overcoming the gap between two ‘circles’ which have cut themselves off from each other in recent decades even if both addressed the same object, ‘language use’. Pragmatics means the study of natural language use. There is however no clear answer as to what language use means. We are instead confronted with multiple and diverse models in an uncircumscribed field of language use. When trying to transform such a puzzle of pieces into a meaningful picture we are confronted with the complexity of language use which does not mean ‘language’ put to ‘use’ but represents the unity of a complex whole and calls for a total change in methodology towards a holistic theory. Human beings as dialogic individuals use language as dialogue which allows them to tackle the vicissitudes of their lives. Dialogue and its methodology of action and reaction can be traced back to human nature and provides the key to the unstructured field of pragmatics. The contributions to this volume share this common ground and address various perspectives in different types of action game.

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