Murder At The Louvre

Paris, 1899. Abigail Wilson has received an invitation from Professor Alphonse Flamand, a prominent French Professor of Archaeology, to join him on a dig in Egypt. Overjoyed to be presented with such an opportunity, Abigail and her husband, Daniel, travel to Paris to meet the Professor at his office in the Louvre to discuss plans. However, when Abigail goes to the appointment, she finds Flamand dead with a knife in his chest. In a whirl of confusion and despite her pleas of innocence, Abigail is arrested. Determined to prove that she has been framed for Flamand's brutal murder, Daniel and Abigail, the Museum Detectives, will delve far into the shadowy corners of the City of Light for the truth.

(new editor)A lovely morning in the Louvre... What could possibly go wrong? For Ava Sext, a transplanted Londoner who sells books from an outdoor stand that overlooks the Seine River, a visit to the Louvre ends with the murder of an artist who left her a clue to his death before he died. With the help of her fellow bookseller, Henri DeAth, a former notary in a country where notaries are a powerful caste who not only know where the bodies are buried but probably helped bury them, Ava investigates a group of artists and discovers the existence of a mythical painting that someone is willing to kill for and that includes killing her. Death on the Louvre is a cozy mystery set in Paris, a city where food, crime and wine make life worth living... along with a few books and Mercury, the cat.

Welcome to the Louvre, a universe where on canvas, in marble or clay – in every nook of the museum – murder is present... The Louvre Murder Club investigates and interprets a choice of some thirty artworks by applying the principles of criminology and art history for a unique "criminartistic' analysis. All come from very different styles and periods. But all – from ancient Greek amphorae to nineteenth-century French paintings, from canvases by Rubens to those by Delacroix, David or Ingres – have one thing in common: they depict mythological or historical murders, their protagonists and their stories. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic teams. Into what category does the murder fall? What are the factual and historical issues? Who are the victims? What portrait can be drawn of the guilty? What is their profile, their background, their motive? Bringing the truth to light will depend on the unexpected answers given to these questions.

The Louvre Murder Club investigates and interprets a choice of some thirty artworks by applying the principles of criminology and art history for a unique "criminartistic" analysis. All come from very different styles and periods. But all – from ancient Greek amphorae to nineteenth-century French paintings, from canvases by Rubens to those by Delacroix, David or Ingres – have one thing in common : they depict mythological or historical murders, their protagonists and their stories. Each work will be treated as a crime scene and will lead to a fascinating investigation inspired by the principles of legal and forensic teams. Into what category does the murder fall ? What are the factual and historical issues ? Who are the victims ? What portrait can be drawn of the guilty ? What is their profile, their background, their motive ? Bringing the truth to light will depend on the unexpected answers given to these questions.

The gendarmes are baffled and all Paris is agog at the disappearance of a rare Watteau print. Enter master sleuth Homer Evans, whose hilarious approach to crime-solving follows a twisted trail from the darkest recesses of the Louvre to underworld lairs, the studios of shady art dealers, and an insane asylum. Evans and his zany associates—including his sharpshooting girlfriend, Mademoiselle Montana, and his drinking buddy, Gonzo—trace a bizarre series of clues to uncover an ever-thickening plot involving fraud, kidnapping, and murder. Author Elliot Paul satirized the conventions of detective fiction with the first Homer Evans adventure, The Mysterious Mickey Finn. This sequel, hailed as "an excellent cocktail" by The New Republic, offers another furious frolic that upends every convention of the traditional murder mystery.

1865. A passenger train stands ready to depart amid the bustle at York station. The flurry of passengers and porters, the swooping pigeons and barking dogs are thrown into a state of turmoil when an explosion rips through the brake van of the train killing guard Jack Follis. In response to a summons from the North Eastern Railway, Inspector Robert Colbeck and Sergeant Leeming are sent to investigate. Was it an accident, deliberate vandalism or targeted murder? The longer the investigation goes on, the more complex it becomes. With a dizzying array of suspects and motives, will the combined skills of the detectives be enough to identify and catch the culprit?

The buying, selling, and writing of books is a colossal industry in which marketing looms large, yet there are very few books which deal with book marketing (how-to texts excepted) and fewer still on book consumption. This innovative text not only rectifies this, but also argues that far from being detached, the book business in fact epitomises today’s Entertainment Economy (fast moving, hit driven, intense competition, rapid technological change, etc.). Written by an impressive roster of renowned marketing authorities, many with experience of the book trade and all gifted writers in their own right, Consuming Books steps back from the practicalities of book marketing and takes a look at the industry from a broader consumer research perspective. Consisting of sixteen chapters, divided into four loose sections, this key text covers: * a historical overview * the often acrimonious marketing/literature interface * the consumers of books (from book groups to bookcrossing) * a consideration of the tensions that both literary types and marketers feel. With something for everyone, Consuming Books not only complements the ‘how-to’ genre but provides the depth that previous studies of book consumption conspicuously lack.

Have you ever dreamed of quitting your job, selling your house and embarking on the adventure of a lifetime? Follow Teresa the Traveler on her 3-month solo backpacking adventure from London to Cairo