Murder In A Manner Of Speaking

The causes and nature of the civil wars that gripped the British Isles in the mid-seventeenth century remain one of the most studied yet least understood historical conundrums. Religion, politics, economics and affairs local, national and international, all collided to fuel a conflict that has posed difficult questions both for contemporaries and later historians. Were the events of the 1640s and 50s the first stirrings of modern political consciousness, or, as John Morrill suggested, wars of religion? This collection revisits the debate with a series of essays which explore the implications of John Morrill's suggestion that the English Civil War should be regarded as a war of religion. This process of reflection constitutes the central theme, and the collection as a whole seeks to address the shortcomings of what have come to be the dominant interpretations of the civil wars, especially those that see them as secular phenomena, waged in order to destroy monarchy and religion at a stroke. Instead, a number of chapters present a portrait of political thought that is defined by a closer integration of secular and religious law and addresses problems arising from the clash of confessional and political loyalties. In so doing the volume underlines the extent to which the dispute over the constitution took place within a political culture comprised of many elements of fundamental agreement, and this perspective offers a richer and more nuanced readings of some of the period's central figures, and draws firmer links between the crisis at the centre and its manifestation in the localities.

New York Times Bestseller Cara Black’s fashionable Parisian P.I. Aimée Leduc has a new look for her 14th adventure: five months pregnant. June, 1998: Paris’s sticky summer heat is even more oppressive than usual as rowdy French football fans riot in anticipation of the World Cup. Private investigator Aimée Leduc has been trying to slow down her hectic lifestyle—she’s five months pregnant and has the baby’s well-being to think about now. But then disaster strikes close to home. A serial rapist has been terrorizing Paris’s Pigalle neighborhood, following teenage girls home and attacking them in their own houses. Zazie, the 13-year-old daughter of the proprietor of Aimée’s favorite café, has disappeared. The police aren’t mobilizing quickly enough, and when Zazie’s desperate parents approach Aimée for help, she knows she couldn’t say no even if she wanted to. From the Hardcover edition.

A MINIATURE MYSTERY. First in a big new series. Geraldine Porter thought that being the chairwoman of the local Dollhouse and Miniatures Fair would give her leisure time to spend on her favorite craft. That was before a fellow miniatures afficionado is suspected of murder, leaving Gerry to prove the woman's innocence-or die trying.

Why did certain domestic murders fire the Victorian imagination? In her analysis of literary and cultural representations of this phenomenon across genres, Bridget Walsh traces how the perception of the domestic murderer changed across the nineteenth century and suggests ways in which the public appetite for such crimes was representative of wider social concerns. She argues that the portrayal of domestic murder did not signal a consensus of opinion regarding the domestic space, but rather reflected significant discontent with the cultural and social codes of behaviour circulating in society, particularly around issues of gender and class. Examining novels, trial transcripts, medico-legal documents, broadsides, criminal and scientific writing, illustration and, notably, Victorian melodrama, Walsh focuses on the relationship between the domestic sphere, so central to Victorian values, and the desecration of that space by the act of murder. Her book encompasses the gendered representation of domestic murder for both men and women as it tackles crucial questions related to Victorian ideas of nationhood, national health, political and social inequality, newspaper coverage of murder, unstable and contested models of masculinity and the ambivalent portrayal of the female domestic murderer at the fin de siècle.