Murder In St Giles

Captain Lacey must clear Brewster of a murder near his home in St. Giles, one that points to Brewster's pugilist past. Meanwhile, trouble comes to Lacey's home in the form of Donata's late husband's family.

When a Knight Templar is murdered, things get personal for Baldwin... On their way to a feast, Sir Baldwin Furnshill and Bailiff Simon Puttock find the murdered corpse of Sir Gilbert, a Knight Templar and old comrade of Baldwin's. The situation is confounded when a decapitated body is found. Baldwin and Simon's suspicions that the two deaths are linked seem to be justified when Baldwin himself is attacked. Baldwin and Simon find themselves caught up in a baffling investigation... The ninth instalment in the Last Templar Mysteries series, perfect for fans of Christian Cameron and CJ Sansom.

Brother Cadfael sets out to visit the Saint Giles leper colony outside Shrewsbury, knowing that a grand wedding is due to take place at the Abbey of Saint Peter and Saint Paul. As he arrives at Saint Giles the nuptial party passes the colony's gates.

In this mystery in the award-winning series featuring a twelfth-century Benedictine monk, Brother Cadfael must travel to the heart of a leper colony to root out the secret behind a savage murder. Setting out for the Saint Giles leper colony outside Shrewsbury, Brother Cadfael has more pressing matters on his mind than the grand wedding coming to his abbey. But as fate would have it, Cadfael arrives at Saint Giles just as the nuptial party passes the colony’s gates. When he sees the fragile bride looking like a prisoner between her two stern guardians and the bridegroom—an arrogant, fleshy aristocrat old enough to be her grandfather—he quickly discerns this union may be more damned than blessed. Indeed, a savage murder will interrupt the May–December marriage and leave Cadfael with a dark, terrible mystery to solve. Now, with the key to the killing hidden among the lepers of Saint Giles, the monk must ferret out a sickness not of the body, but of a twisted soul.

Why did certain domestic murders fire the Victorian imagination? In her analysis of literary and cultural representations of this phenomenon across genres, Bridget Walsh traces how the perception of the domestic murderer changed across the nineteenth century and suggests ways in which the public appetite for such crimes was representative of wider social concerns. She argues that the portrayal of domestic murder did not signal a consensus of opinion regarding the domestic space, but rather reflected significant discontent with the cultural and social codes of behaviour circulating in society, particularly around issues of gender and class. Examining novels, trial transcripts, medico-legal documents, broadsides, criminal and scientific writing, illustration and, notably, Victorian melodrama, Walsh focuses on the relationship between the domestic sphere, so central to Victorian values, and the desecration of that space by the act of murder. Her book encompasses the gendered representation of domestic murder for both men and women as it tackles crucial questions related to Victorian ideas of nationhood, national health, political and social inequality, newspaper coverage of murder, unstable and contested models of masculinity and the ambivalent portrayal of the female domestic murderer at the fin de siècle.

When discussing unsolved murders of women in late Victorian London, most people think of the depredations of Jack the Ripper, the Whitechapel Murderer. But he was just one of a string of phantom murderers whose unsolved slayings outraged late Victorian Britain. The mysterious Great Coram Street, Burton Crescent and Euston Square murders were talked about with bated breath, and the northern part of Bloomsbury got the unflattering nickname of the ‘murder neighbourhood’ thanks to its profusion of unsolved mysteries. Marvel at the convoluted Kingswood Mystery, littered with fake names and mistaken identities; be puzzled by the blackmail and secret marriage in the Cannon Street Murder; and shudder at the vicious yet silent killing in St Giles that took place in a crowded house in the dead of night. Rivals of the Ripper is the first to resurrect these unsolved Victorian murder mysteries, and to highlight the ghoulish handiwork of the Rivals of the Ripper: the spectral killers of gas-lit London.