Murder In The Eternal City

When I agree to visit Grenville in his villa near Rome, I scarcely imagine that I immediately will become embroiled in mystery and mayhem. James Denis has requested that I purchase an antique from a collector, one Conte de Luca. Before I can approach this count, I am recruited by a Roman a man to help rescue his daughter from a cool aristocrat, and then asked to solve the murder of an Englishman—by a man who is already dead. These tasks do not keep me from traveling to the ruins of Pompeii and Herculaneum and exploring to my heart’s content, but trouble follows me in the form of a man bent on killing me—for what reason I cannot fathom. All this is compounded by another murder back in Rome, and I am commanded by James Denis, as well as the aristocrat who stole my new Roman friend’s daughter, to find out who committed the deed and the secret of the man’s astonishing collection of rare and fine art. Probing these puzzles lead me to the past, present, and future troubles of the Italian peninsula, a beautiful but deadly place in the spring of 1820.

The magnificent and definitive history of the Eternal City, narrated by a master historian. Why does Rome continue to exert a hold on our imagination? How did the "Caput mundi" come to play such a critical role in the development of Western civilization? Ferdinand Addis addresses these questions by tracing the history of the "Eternal City" told through the dramatic key moments in its history: from the mythic founding of Rome in 753 BC, via such landmarks as the murder of Caesar in 44 BC, the coronation of Charlemagne in AD 800 and the reinvention of the imperial ideal, the painting of the Sistine chapel, the trial of Galileo, Mussolini's March on Rome of 1922, the release of Fellini's La Dolce Vita in 1960, and the Occupy riots of 2011. City of the Seven Hills, spiritual home of Catholic Christianity, city of the artistic imagination, enduring symbol of our common European heritage—Rome has inspired, charmed, and tempted empire-builders, dreamers, writers, and travelers across the twenty-seven centuries of its existence. Ferdinand Addis tells this rich story in a grand narrative style for a new generation of readers.

The Black Widows of the Eternal City offers, for the first time, a book-length study of an infamous cause célèbre in seventeenth-century Rome, how it resonated then and has continued to resonate: the 1659 investigation and prosecution of Gironima Spana and dozens of Roman widows, who shared a particularly effective poison to murder their husbands. This notorious case has been frequently discussed over 350 years, but the earliest writers concentrated more on fortifying their reading constituency’s shared attitudes than accurately narrating facts. Subsequent authors remained largely content to follow their predecessors or keen to improve upon them. Most recent writers and bloggers were unaware that their earlier sources were generally unconcerned with a correct portrayal of real events. In the present study, Craig A. Monson takes advantage of a recent discovery—the 1,450-page notary’s transcript of the 1659 investigation. It is supplemented here by many ancillary archival sources, unknown to all previous writers. Since the story of Gironima Spana and the would-be widows is partially about what people believed to be true, however, this investigation also juxtaposes some of the “alternative facts” from earlier, sensational accounts with what the notary’s transcript and other, more reliable archival documents reveal. Written in a style that avoids arcane idioms and specialist jargon, the book can potentially speak to students and general readers interested in seventeenth-century social history and gender issues. It rewrites the life story of Gironima Spana (largely unknown until now), who has dominated all earlier accounts, usually in caricatures that reiterate the tropes of witchcraft. It also concentrates on the dozen other widows whose stories could be the most recovered from archival sources and whom Spana had totally eclipsed in earlier accounts. Most were women “of a very ordinary sort” (prostitutes; beggars; wives of butchers, barbers, dyers, lineners, innkeepers), the kinds of women commonly lost to history. The book seeks to explain why some women were hanged (only six, in fact, most of whom may not have directly poisoned anyone), while dozens of others who did poison their husbands escaped the gallows and, in some cases, were not even interrogated. It also reveals what happened to these other alleged perpetrators, whose fates have remained unknown until now. Other purported culprits, about whom less complete pictures emerge, are briefly discussed in an appendix. The study incorporates illustrations of archival manuscripts to demonstrate the challenges of deciphering them and illustrates “scenes of the crime” and other important locations, identified on seventeenth-century, bird’s eye-perspective views of Rome and in modern photographs. It also includes GPS coordinates for any who might wish to revisit the sites.

James Denis gives Captain Lacey a task, to deliver a mysterious package to a man with an office near the Custom House on the bank of the Thames. Lacey, who has been drawn into danger delivering items for Denis before, opens the package to find a single chess piece, a white queen. The piece tells Lacey nothing, but he soon realizes it plays deeply into Denis’s ongoing battle for control of London’s underworld. Meanwhile Lacey encounters an old army friend just returned from Antigua, who is being accused of smuggling and possibly murder. Lacey decides to help the man, whom he considers honorable, to clear his name. But Lacey is drawn farther into the dark games of James Denis and his rival, until only his wits and memories from his past can save himself and his family from gravest danger. Book 15 of the Captain Lacey Regency Mysteries

From the New York Times and USA Today bestselling author of The Alice Network and The Diamond Eye comes a historical saga about obsession, betrayal, and destiny. Sabina may be Empress of Rome, but she still stands poised on a knife’s edge. She must keep the peace between two deadly enemies: her husband Hadrian, Rome’s brilliant and sinister Emperor; and battered warrior Vix, her first love. But Sabina is guardian of a deadly secret: Vix’s beautiful son Antinous has become the Emperor’s latest obsession. Empress and Emperor, father and son will spin in a deadly dance of passion, betrayal, conspiracy, and war. As tragedy sends Hadrian spiraling into madness, Vix and Sabina form a last desperate pact to save the Empire. But ultimately, the fate of Rome lies with an untried girl, a spirited redhead who may just be the next Lady of the Eternal City....

A fascinating history of Rome spanning 27 centuries with tantalizing details for history buffs and travelers to Italy From Italy's popular author Corrado Augias comes the most intriguing exploration of Rome ever to be published. In the mold of his earlier histories of Paris, New York, and London, Augias moves perceptively through twenty-seven centuries of Roman life, shedding new light on a cast of famous, and infamous, historical figures and uncovering secrets and conspiracies that have shaped the city without our ever knowing it. From Rome's origins as Romulus's stomping ground to the dark atmosphere of the Middle Ages; from Caesar's unscrupulousness to Caravaggio's lurid genius; from the notorious Lucrezia Borgia to the seductive Anna Fallarino, the marchioness at the center of one of Rome's most heinous crimes of the post-war period, Augias creates a sweeping account of the passions that have shaped this complex city: at once both a metropolis and a village, where all human sentiment-bravery and cowardice, industriousness and sloth, enterprise and laxity-find their interpreters and stage. If the history of humankind is all passion and uproar, then, as the author notes, "for centuries Rome has been the mirror of this history, reflecting with excruciating accuracy every detail, even those that might cause you to avert your gaze."

The sweeping story of the city of Rome, told through twenty-two moments that shaped its history. ***A TimesHistory Book of the Year*** 'Vivid, pacey ... Superb'The Times. 'Grand narrative underpinned by serious reading'Guardian. 'Confident, elegant ... Admirably ambitious'Daily Mail. From Romulus and Remus to the films of Fellini, Rome has always exerted a hold on the world's imagination. Now Ferdinand Addis brings the city of Rome to life by concentrating on vivid episodes from its long and unimaginably rich history. Each beautifully composed chapter is an evocative, self-contained narrative, whether it is the murder of Caesar; the near-destruction of the city by the Gauls in 387 BC; the construction of the Colosseum and the fate of the gladiators; Bernini's creation of the Baroque masterpiece that is St Peter's Basilica; the brutal crushing of republican dreams in 1849; the sinister degeneration of Mussolini's first state, or the magical, corrupt Rome of Fellini's La Dolce Vita. This is an epic, kaleidoscopic history of a city indelibly associated with republicanism and dictatorship, Christian orthodoxy and its rivals, high art and low life in all its forms. REVIEWS FOR ROME: 'Superb ... Rome's history is written in bloodand Addis, who has a vivid, pacey writing style, spares not the squeamish as he describes three millennia of violence from the first kings to Il Duce' The Times. 'This is a confident, elegantaccount of the city's progress ... [Addis's] version is admirably ambitious and succeeds splendidly in a task that would daunt lesser authors' Daily Mail. '[Addis] brings Rome's history alive through grand narrative... The snappy paragraphs are underpinned by serious reading ... Addis's chosen formula is to serve up selected highlights but to come at them from quirky angles' Guardian. 'From its ancient foundation to the Second World War, via Gauls, ghettos and gladiators, its 22 chapters focus on the themes of individuals, myths and beliefs' BBC World Histories. 'He brings the myth of Rome alive by concentrating on vivid episodes from its rich history. This is a book about people, and their experiences, prejudices and beliefs' Oxford Times.

The first in an unforgettable historical saga from the New York Times bestselling author of The Alice Network and The Diamond Eye. “So gripping, your hands are glued to the book, and so vivid it burns itself into your mind’s eye and stays with you long after you turn the final page.”—Diana Gabaldon, #1 New York Times bestselling author First-century Rome: One young woman will hold the fate of an empire in her hands. Thea, a captive from Judaea, is a clever and determined survivor hiding behind a slave’s docile mask. Purchased as a toy for the spoiled heiress Lepida Pollia, Thea evades her mistress’s spite and hones a secret passion for music. But when Thea wins the love of Rome’s newest and most savage gladiator and dares to dream of a better life, the jealous Lepida tears the lovers apart and casts Thea out. Rome offers many ways for the resourceful to survive, and Thea remakes herself as a singer for the Eternal ’City’s glittering aristocrats. As she struggles for success and independence, her nightingale voice attracts a dangerous new admirer: the Emperor himself. But the passions of an all-powerful man come with a heavy price, and Thea finds herself fighting for both her soul and her destiny. Many have tried to destroy the Emperor: a vengeful gladiator, an upright senator, a tormented soldier, a Vestal Virgin. But in the end, the life of Rome’s most powerful man lies in the hands of one woman: the Emperor’s mistress.