Murder In The News

A veteran, Emmy Award-winning TV news anchor provides a unique insider glimpse into the newsroom revealing how murder cases are selected for TV coverage. Television news anchor Robert Jordan Jr. draws from forty-seven years of news experiences to provide an eye-opening look at how news programs decide which murders to cover and which ones to ignore. Jordan takes readers behind the scenes into the big city newsrooms of Chicago. Here split-second decisions are made on where to send limited resources when dozens of shootings and several murders are occurring on a daily basis. Using interviews from decision makers--such as assignment editors and producers--who work daily in the trenches of working newsrooms, the reader learns how they decide where to send reporters; when to dispatch live trucks; and how the stories will be treated as they are placed in the news programming. Why will one story get "breaking news" banners and be placed at the top of the broadcast while others may not make the air at all or may be given casual mention in later segments? Additionally, Jordan reveals the results of a ground-breaking questionnaire sent to producers and assignment editors at Chicago television stations to assess their rationales for covering murder stories the way they do. Finally, he examines how the explosion of social media platforms has changed the dynamic of reporting the news and why murders are the perfect stories for television, as news organizations struggle to survive.

In 1998, the horrific murders of Matthew Shepard -- a gay man living in Laramie, Wyoming -- and James Byrd Jr. -- an African American man dragged to his death in Jasper, Texas -- provoked a passionate public outrage. The intense media coverage of the murders made moments of violence based in racism and homophobia highly visible and which eventually led to the passage of The Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act in 2009. The role the media played in cultivating, shaping, and directing the collective emotional response toward these crimes is the subject of this gripping new book by Jennifer Petersen. Tracing the emotional exchange from news stories to the creation of law, Petersen calls for an approach to media and democratic politics that takes into account the role of affect in the political and legal life of the nation.

Murder, stolen plans, a mysterious death and a menage a trois - four intriguing novellas featuring Hercule Poirot... How did a woman holding a pistol in her right hand manage to shoot herself in the left temple? What was the link between a ghost sighting and the disappearance of top secert military plans? How did the bullet that killed Sir Gervase shatter a mirror in another part of the room? And who destroyed the 'eternal triangle' of love involving renowned beauty, Valentine Chantry? Hercule Poirot is faced with four mystifying cases - Murder in the Mews, The Incredible Theft, Dead Man's Mirror and Triangle at Rhodes - each a miniature classic of characterisation, incident and suspense.

As voyeuristic and prurient as today's tabloid newspapers, early modern crime pamphlets and broadside ballads about women murderers tell of furtive love affairs and domestic poisonings, of battered wives who kill their abusive husbands, and of troubled mothers who murder their children. On first acquaintance, many pamphlets leave an impression of shallow sensationalism yoked to idealised repentance, and for that reason modern critics and historians have often discounted their importance as culturally significant artifacts. This volume presents a selection of over forty texts and is intended to encourage a reconsideration of these views. In his Introductory Note to the volume, Randall Martin discusses the narrative content and social commentary of these ballads, pamphlets and trial reports, and the contribution that they make to the discursive construction of the early modern female murderer through their representational strategies and evolving legal and gender contexts.

The true story of the Sydney River McDonald’s massacre, a botched robbery that would become the most sensational murder case in Canadian history. It started with a broken conveyor belt. When the mechanical malfunction brought eighteen-year-old McDonald’s employee Derek Wood into the restaurant’s back room, he saw the safe and got a dangerous idea. It would be so easy to prop the back door open, allowing two friends to sneak inside and steal the money. Wood assumed there was at least $200,000 in the cashbox—an incredible haul for just a few minutes’ work—but things would not go according to plan. The robbery went wrong from the start, and within minutes, a fast-food restaurant in the wilds of Nova Scotia was turned into a bloodbath. Wood and his accomplices attacked the employees, killing three instantly and leaving the fourth for dead. In the safe, where they had expected to find a fortune, there was barely $2,000. They fled the scene, instigating a manhunt that would captivate the nation. In the tradition of In Cold Blood and The Onion Field, this stunning work of true crime tells the story of the small-town murder that shocked a nation. Phonse Jessome brings a trained journalist’s eye to the case, which remains one of the most horrifying incidents of suburban violence in recent history.

In this memoir-turned-cookbook, Alice B. Toklas describes her life with partner Gertrude Stein and their famed Paris salon, which entertained the great avant-garde and literary figures of their day. With dry wit and characteristic understatement Toklas ponders the ethics of killing a carp in her kitchen before stuffing it with chestnuts; decorating a fish to amuse Picasso at lunch; and travelling across France during the First World War in an old delivery truck, gathering local recipes along the way. She includes a friend's playful recipe for 'Haschiche Fudge', which promises 'brilliant storms of laughter and ecstatic reveries', much like her book.

When forty-year-old Esther Castellani died a slow and agonizing death in 1965, the official cause was at first undetermined. The day after Esther’s funeral, her husband, Rene, packed up his girlfriend, Lolly; his daughter, Jeannine; and Lolly’s son, Don, in the company car and took off for Disneyland. If not for the doggedness of the doctor who treated Esther, Rene, then a charismatic and handsome radio personality, would have been free to marry Lolly, who was the station’s pretty twentysomething receptionist. Instead, Rene was charged with capital murder for poisoning his wife with arsenic-laced milkshakes. Murder by Milkshake is the compelling story of the Castellanis, and of their daughter, Jeannine, who was eleven at the time of her mother’s murder and who clung to her father’s innocence, even committing perjury during his trial. Rigorously researched, and based on dozens of interviews with family, friends, and co-workers, Murder by Milkshake documents the sensational case that kept a city spellbound, while providing a snapshot of the Mad Men–esque social and political realities of the 1960s. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.