Murder S Bad But Monday Can Kill You

"Harry's back! That's right, Harry Monday, that Sam Spade wannabe in the trench coat and gumshoes, is hot and on his latest case. Does he know what he's doing? Who knows? Is he over his head? Of course. Especially when he finds three characters murdered at the Restful Glen Psychiatric Annex. Only after he arrives does he find out that all the inmates have multiple personalities. And the three murder victims are all the same guy! Who killed Jeffrey Stadtlander? Was it the congressman who, in a crisis, becomes Edgar Allan Poe? Or maybe it was the schoolteacher who runs hot and cold? Or what about the mailman who has more personalities than he ever had on his route? "Clues are falling like cigarettes in the boys' bathroom," he says as he soon finds himself committed--and not just to the case. This wise-cracking whodunit will have you guessing until the final red herring--or perhaps Harry's goose--is cooked."--Publisher's website

Harry Monday tries to solve a 20-year-old mystery and write a play about his career at the same time.

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!

The Axman of New Orleans specialized in killing grocers of Italian descent in the 1910s, apparently to promote jazz music. Dorothea Puente was a little old landlady who murdered her tenants, but kept cashing their government checks. The Manson Family terrorized California in the 1960s, as did the Hillside Stranglers a decade later. Twelve serial murder cases, occurring in eight decades between the 1890s and 1990s, had one thing in common: significant presence of the mass media. This book examines these specific cases of serial murder, and the way the media became involved in the investigations and trials of each. Gibson argues that the American media plays a multidimensional and integral role in serial killings and their investigation—and that this role is not generally a positive one. Serial murder cases motivate the media in unfortunate ways, and the result is that even typically respectable media organizations can be involved in such things as document theft, or in interfering with the capture of serial murderers on the run. This link between multiple murderers and mass communication is not accidental or coincidental; rather, the relationship between the press and serial killers is one of extraordinary importance to both parties. Gibson examines the role of the media in serial murder cases; the body of knowledge on serial murder as seen through the lens of mass communication; the effectiveness of law enforcement responses to serial murderers and how they might be improved if the mass communication influence was better understood; the magnitude of the serial murder problem; and the interaction between the media, the killers, and serial murder investigations. Specific examples and numerous quotes are provided throughout to illustrate this strange and detrimental relationship between media and serial murderers.

A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

"Crime fiction hasn't seen a character as scrappy, mean, and incredibly appealing as Stella in a long time. (A-)"—Entertainment Weekly on A Bad Day for Sorry Available for the first time in an e-bundle, the first four books in Sophie Littlefield’s Anthony and RT Award-winning and Edgar-nominated series featuring the unforgettable Stella Hardesty, a salty heroine who works outside of the law in rural Missouri. A BAD DAY FOR SORRY At first glance, Stella Hardesty looks like a typical housewife. Then she kills her abusive husband with a wrench right before her fiftieth birthday. Now, she's so busy delivering justice, helping other women deal with their own abusive husbands and boyfriends, that she's barely got time to run her sewing shop. When young mother Chrissy Shaw asks Stella for help with her no-good husband, Roy Dean, it looks like an easy case until Roy Dean disappears with Chrissy's two-year-old son, Tucker. Stella quickly learns that Roy Dean was involved with some very scary men, as she tries to sort out who's hiding information and who's merely trying to kill her. It's going to take a hell of a fight to get the little boy back home to his mama, but if anyone can do it, it's Stella Hardesty. A BAD DAY FOR PRETTY When a tornado destroys the snack shack at the demolition derby track, pulling up the concrete foundation and unearthing a woman's body, the main suspect in the woman's murder is Neb Donovan---he laid the foundation, and there's some pretty hard evidence pointing to his guilt. Years ago, Neb's wife asked Stella for help getting him sober. Stella doesn't believe the gentle man could kill anyone, and she promises his frantic wife she'll look into it. A BAD DAY FOR SCANDAL When Prosper homegirl turned big-city businesswoman Priss Porter returns to town with a body in her trunk, she calls Stella Hardesty to dispose of it. Her uppity ways don't convince Stella to take the job, and Priss attempts to blackmail her with a snapshot of Stella doing what she does best: curing woman-beaters by the use of force.