Mus E De Peinture Et De Sculpture

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Une première partie retrace l'histoire du musée et de ses collections, une deuxième présente 180 oeuvres significatives reproduites en couleur et accompagnées d'une notice biographique et d'un commentaire historique et critique; une troisième donne le répertoire complet des oeuvres et la liste des expositions du musée depuis sa création.

Le Musée de Peinture et de Sculpture ou Collection des Principales Images, Statues et Bas-reliefs des Galeries Publiques et Privées d'Europe est une série de livres en français publiés entre 1833 et 1839 qui répertorient les oeuvres d'art de divers musées à travers l'Europe. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.