Music And Manipulation

Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music’s behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music’s diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

In the first comprehensive study of the relationship between music and language from the standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief that music and language are processed independently. Since Plato's time, the relationship between music and language has attracted interest and debate from a wide range of thinkers. Recently, scientific research on this topic has been growing rapidly, as scholars from diverse disciplines, including linguistics, cognitive science, music cognition, and neuroscience are drawn to the music-language interface as one way to explore the extent to which different mental abilities are processed by separate brain mechanisms. Accordingly, the relevant data and theories have been spread across a range of disciplines. This volume provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities. Winner of the 2008 ASCAP Deems Taylor Award.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide diversity of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische musik, and contemporary trends such as electronic dance music and electronica. A fascinating array of composers and inventors have contributed to a diverse set of technologies, practices and music. This book brings together some novel threads through this scene, from the viewpoint of researchers at the forefront of the sonic explorations empowered by electronic technology. The chapters provide accessible and insightful overviews of core topic areas and uncover some hitherto less publicised corners of worldwide movements. Recent areas of intense activity such as audiovisuals, live electronic music, interactivity and network music are actively promoted.

Bachelor Thesis from the year 2008 in the subject Musicology - Miscellaneous, grade: 2, University of Graz, language: English, abstract: The article deals with the different kinds of manipulation of background music on the human being. Several studies are discussed about the consequences of background music on decision making, driving, buying, eating at a restaurant, etc. The question about the possibilities of an escape from the influence of music is asked and discussed. At first the functions and mechanisms of background music are elaborated, before the effects on the human being are discussed. Subsequently tests are presented about the various influences of background music in order to achieve control of people. Furthermore the controversies about the famous Mozart- Effect are taken into consideration. It is also interesting to know how background music has an impact on the physical body. To explain this phenomenon the working mechanisms of the brain are illuminated by including the latest findings about brain and music in the last months. This article ends with some concrete suggestions how to overcome being influenced and manipulated by background music.

In recent decades, the relationship between music, emotions, health and well-being has become a hot topic. Scientific research and new neuro-imaging technologies have provided extraordinary new insights into how music affects our brains and bodies, and researchers in fields ranging from psychology and music therapy to history and sociology have turned their attention to the question of how music relates to mind, body, feelings and health, generating a wealth of insights as well as new challenges. Yet this work is often divided by discipline and methodology, resulting in parallel, yet separate discourses. In this context, The Routledge Companion to Music, Mind and Well-being seeks to foster truly interdisciplinary approaches to key questions about the nature of musical experience and to demonstrate the importance of the conceptual and ideological frameworks underlying research in this field. Incorporating perspectives from musicology, history, psychology, neuroscience, music education, philosophy, sociology, linguistics and music therapy, this volume opens the way for a generative dialogue across both scientific and humanistic scholarship. The Companion is divided into two sections. The chapters in the first, historical section consider the varied ways in which music, the emotions, well-being and their interactions have been understood in the past, from Antiquity to the twentieth century, shedding light on the intellectual origins of debates that continue today. The chapters in the second, contemporary section offer a variety of current scientific perspectives on these topics and engage wider philosophical problems. The Companion ends with chapters that explore the practical application of music in healthcare, education and welfare, drawing on work on music as a social and ecological phenomenon. Contextualising contemporary scientific research on music within the history of ideas, this volume provides a unique overview of what it means to study music in relation to the mind and well-being.

A hysterically tongue-in-cheek, parody parenting guide by “a wonder writer and an expressive, hilarious comedian” (Zack Galifianakis). Raising the Perfect Child Through Guilt and Manipulation is not one of those traditional, all-too-earnest parenting guides that, for generations, have sucked all the fun out of child rearing. The foundation of Elizabeth Beckwith’s Guilt and Manipulation family philosophy is simple: We do things a certain way, and everyone else is an a**hole. Is that something you should put on a bumper sticker and slap on your minivan? Of course not—that would be trashy. But in the privacy of your own home, you can employ these essential components of Guilt and Manipulation to mold the little runts ruthlessly yet effectively into children you won't be embarrassed to admit are yours: Creating a Team: “Us” vs. “Them” How to Scare the Crap Out of Your Child (in a Positive Way) Don’t Be Afraid to Raise a Nerd Mind Control: Why It’s a Good Thing

This book offers a lively exploration of the mathematics, physics, and neuroscience that underlie music. Written for musicians and music lovers with any level of science and math proficiency, including none, Music, Math, and Mind demystifies how music works while testifying to its beauty and wonder.