Music In Late Medieval Bruges

Although the musical achievements of the Franco-Flemish school have attracted many writers, this book is the first to show how the artists and composers of Bruges worked side by side to shape their acoustic and visual environment and to express their fellow citizens' spiritual needs in art. By combining the methods of modern musicology and those of local historiography, Strohm vividly recreates the music of fourteenth- and fifteenth-century Flanders in its socio-economic context, from the pageants and minstrelsy of the court to popular entertainments and the earliest public concerts.

This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.

This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.

An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

Public religious practice lay at the heart of civic society in late medieval Europe. In this illuminating study, Andrew Brown draws on the rich and previously little-researched archives of Bruges, one of medieval Europe's wealthiest and most important towns, to explore the role of religion and ceremony in urban society. The author situates the religious practices of citizens - their investment in the liturgy, commemorative services, guilds and charity - within the contexts of Bruges' highly diversified society and of the changes and crises the town experienced. Focusing on the religious processions and festivities sponsored by the municipal government, the author challenges much current thinking on, for example, the nature of 'civic religion'. Re-evaluating the ceremonial links between Bruges and its rulers, he questions whether rulers could dominate the urban landscape by religious or ceremonial means, and offers new insight into the interplay between ritual and power of relevance throughout medieval Europe.

A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.

Mediaevalia Lovaniensia 37In the context of late medieval state centralization, the political autonomy of the towns of the Low Countries, Northern France, and the Swiss confederation was threatened by central governments. Within this conflict both rulers and towns employed symbolic means of communication to legitimate their power. The authors of Symbolic Communication in Late Medieval Towns explore how new layers of meaning were attached to well-known traditions and how these new rituals were perceived. They study the public encounters between rulers and towns, as well as among various social groups within the towns.