Music Of A Distant Drum

The 132 poems, most of which here make their English-language debut, represent the three major languages of medieval Islam--Arabic, Persian, and Turkish--with the remainder from Hebrew. They span more than a thousand years, from the seventh to the early eighteenth century, when poetry, like so much else, was shattered and reshaped by the impact of the West. They range from panegyric and satire to religious poetry and lyrics about wine, women, and love. Lewis begins with an introduction on the place of poets and poetry in Middle Eastern history and concludes with biographical notes on all the poets.

Ama is an enslaved African. In Brazil, near the end of her life, she is determined that her story shall survive for future generations. Her story is one of violence and heartache, but also of courage, hope, determination, and ultimately, love. Since Ama is blind, she has to dictate to her long separated only son, Kwame Zumbi. As his mother’s history is revealed to him, Kwame’s world changes forever.

Ama, a blind old slave woman, summons her son to write down her story so that her offspring can know their history, and though Ama's story is violent, it is also one of hope, courage, determination, and love.

"I am a human being; I am a woman; I am a black woman; I am an African. Once I was free; then I was captured and became a slave; but inside me, here and here, I am still a free woman." During a period of four hundred years, European slave traders ferried some 12 million enslaved Africans across the Atlantic. In the Americas, teaching a slave to read and write was a criminal offense. When the last slaves gained their freedom in Brazil, barely a thousand of them were literate. Hardly any stories of the enslaved and transported Africans have survived. This novel is an attempt to recreate just one of those stories, one story of a possible 12 million or more.Lawrence Hill created another in The Book of Negroes (Someone Knows my Name in the U.S.) and, more recently, Yaa Gyasi has done the same in Homegoing. Ama occupies center stage throughout this novel. As the story opens, she is sixteen. Distant drums announce the death of her grandfather. Her family departs to attend the funeral, leaving her alone to tend her ailing baby brother. It is 1775. Asante has conquered its northern neighbor and exacted an annual tribute of 500 slaves. The ruler of Dagbon dispatches a raiding party into the lands of the neighboring Bekpokpam. They capture Ama. That night, her lover, Itsho, leads an attack on the raiders’ camp. The rescue bid fails. Sent to collect water from a stream, Ama comes across Itsho’s mangled corpse. For the rest of her life she will call upon his spirit in time of need. In Kumase, the Asante capital, Ama is given as a gift to the Queen-mother. When the adolescent monarch, Osei Kwame, conceives a passion for her, the regents dispatch her to the coast for sale to the Dutch at Elmina Castle. There the governor, Pieter de Bruyn, selects her as his concubine, dressing her in the elegant clothes of his late Dutch wife and instructing the obese chaplain to teach her to read and write English. De Bruyn plans to marry Ama and take her with him to Europe. He makes a last trip to the Dutch coastal outstations and returns infected with yellow fever. On his death, his successor rapes Ama and sends her back to the female dungeon. Traumatized, her mind goes blank. She comes to her senses in the canoe which takes her and other women out to the slave ship, The Love of Liberty. Before the ship leaves the coast of Africa, Ama instigates a slave rebellion. It fails and a brutal whipping leaves her blind in one eye. The ship is becalmed in mid-Atlantic. Then a fierce storm cripples it and drives it into the port of Salvador, capital of Brazil. Ama finds herself working in the fields and the mill on a sugar estate. She is absorbed into slave society and begins to adapt, learning Portuguese. Years pass. Ama is now totally blind. Clutching the cloth which is her only material link with Africa, she reminisces, dozes, falls asleep. A short epilogue brings the story up to date. The consequences of the slave trade and slavery are still with us. Brazilians of African descent remain entrenched in the lower reaches of society, enmeshed in poverty. “This is story telling on a grand scale,” writes Tony Simões da Silva. “In Ama, Herbstein creates a work of literature that celebrates the resilience of human beings while denouncing the inscrutable nature of their cruelty. By focusing on the brutalization of Ama's body, and on the psychological scars of her experiences, Herbstein dramatizes the collective trauma of slavery through the story of a single African woman. Ama echoes the views of writers, historians and philosophers of the African diaspora who have argued that the phenomenon of slavery is inextricable from the deepest foundations of contemporary western civilization.” Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book.

Music of a Distant Drum marks a literary milestone. It collects 129 poems from the four leading literary traditions of the Middle East, all masterfully translated into English by Bernard Lewis, many for the first time. These poems come from diverse languages and traditions--Arabic, Persian, Turkish, and Hebrew--and span more than a thousand years. Together they provide a fascinating and unusual window into Middle Eastern history. Lewis, one of the world's greatest authorities on the region's culture and history, reveals verses of startling beauty, ranging from panegyric and satire to religious poetry and lyrics about wine, women, and love. Bernard Lewis, one of the world's greatest authorities on the region's culture and history, offers a work of startling beauty that leaves no doubt as to why such poets were courted by kings in their day. Like those in the Rubaiyat of Omar Khayyam, the poems here--as ensured by Lewis's mastery of all the source languages and his impeccable style and taste--come fully alive in English. They are surprising and sensuous, disarmingly witty and frank. They provide a fascinating and unusual glimpse into Middle Eastern history. Above all, they are a pleasure to read.They range from panegyric and satire to religious poetry and lyrics about wine, women, and love. Lewis begins with an introduction on the place of poets and poetry in Middle Eastern history and concludes with biographical notes on all the poets. This treasure trove of verse is aptly summed up by a quote from the ninth-century Arab author Ibn Qutayba: "Poetry is the mine of knowledge of the Arabs, the book of their wisdom, the muster roll of their history, the repository of their great days, the rampart protecting their heritage, the trench defending their glories, the truthful witness on the day of dispute, the final proof at the time of argument.? In one hand the Qur'vn, in the other a wineglass, Sometimes keeping the rules, sometimes breaking them. Here we are in this world, unripe and raw, Not outright heathens, not quite Muslims. --Mujir (12th century)

“We waited in silence, each man occupied with his own secret thoughts and no doubt wrestling with his own secret fears. I think that half-hour was probably the worst I have ever spent. Slowly and inexorably the minutes passed, second by second, and the time approached which might be the end of everything for me. All my efforts to screw up my courage, all my fatalistic self-assurances that what is to be, will be, became more and more useless, and hope seemed to ooze away with every second...” Frederick Noakes, 1917. Guardsman Frederick Noakes fought on the Western Front for the last 18 months of the Great War. In 1934, he wanted to write up his ‘adventures’ while his memory was still ‘undimmed’, using the letters he wrote home during 1917–1919 as the basis for the memoir. His eloquent text, with his views on politics, morale and the trenches, moved friends to persuade Noakes to publish the work privately in 1952. Fen Noakes did not consider himself a hero, but the dignity with which he conducted himself under the most dreadful conditions suggest otherwise. His articulate and effective prose gives a voice to the average soldier in the trenches. Professor Peter Simkins provides an introduction to this new edition, which also includes a foreword by Carole Noakes, niece of the author.

Discusses attention deficit hyperactivity disorder and offers suggestions on how to deal with it.