Musical Interpretation Its Laws And Principles And Their Application In Teaching And Performing

This classic book contains a wealth of information on the subject of musical interpretation, and is highly recommended for inclusion on the bookshelf of anyone with an interest of the subject. Many of these earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Excerpt from Musical Interpretation: Its Laws and Principles, and Their Application in Teaching and Performing For many years past I have been urged to put into a permanent and available form my enunciation of those Principles and Laws of Interpretation, knowledge of which has proved to be one of the main causes of the success of the army of teachers who have arisen from my school. The first step towards this end was the preparation, in the year 1909, of a set of Lectures covering this ground. These I condensed later into a single lecture, and this was first delivered publicly in Manchester to Dr. Carroll's Association of Teachers during the season of 1909-10. Subsequently, it was repeated to the Edinburgh Musical Education Society, to the London Music Teachers' Association (in 1910) and its Branches; it was also given at the Royal Academy of Music in the same year, and at my own School, and elsewhere. A full synopsis also appeared in the "Music Student" of April, 1910, and elsewhere. I, nevertheless, still delayed issuing the material in book form, as I felt, in view of the extreme importance of the matters dealt with, that I would like to expand it, but lack of time has prevented my doing so. As, however, some of our more up-to-date theorists are now doing me the honor to apply, in their recent works, some of the ideas first enunciated in these lectures of mine (and in my "First Principles," 1905, and "Act of Touch," 1903) such, for instance, as the vital one of recognizing in Progression or Movement the actual basis of all Rhythm and Shape in Music, I feel compelled to issue these lectures now as originally delivered. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Musical Interpretation, Its Laws and Principles, And Their Application in by Tobias Matthay, first published in 1913, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.