Musical Mystery

Carolyn Keene's teen sleuth-sisters The Dana Girls meet Nancy Drew for the first time ever in part one if this two-part story! Nancy and pals Bess and George meet Louise and Jean Dana on a trip to the town of Penfield, where they visit the Starhurst School for Girls. Once students hear that Nancy has arrived, a contest is developed to see who can solve a concocted mystery first. Their pals plant clues throughout the school, each one in the form of a song! See Nancy Drew and the Dana Girls compete for the title of Top Girl Detective!

‘Beckh ventures into provinces that I have not had the opportunity of investigating myself…’ – Rudolf Steiner Lost for decades, the manuscript of Hermann Beckh’s final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the ‘Mystery background’ uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh’s essay ‘The Mystery of the Night in Wagner and Novalis’; reminiscences of Beckh by August Pauli and Harro Rückner; Donald Francis Tovey’s ‘Wagnerian harmony and the evolution of the Tristan-chord’, and several contemporaneous reviews of Beckh’s published works.

From the mind of Daisy Meadows comes a new fantasy world, with the same great magical voice as Rainbow Magic but brand-new adventures! Best friends Jess and Lily visit Friendship Forest, where animals can talk and magic exists!Little lamb Grace Woollyhop is busy getting ready for a concert at Harmony Hall -- until wicked witch Grizelda casts a spell on her! Now instead of making music, Grace just wants to make trouble! Can Jess and Lily break the spell in time for the concert?

Welcome to a magical world where animals talk and play - just like you and me! Little lamb Grace Woollyhop is busy getting ready for a concert at Harmony Hall - until wicked witch Grizelda casts a spell on her! Now instead of making music, Grace just wants to make trouble! Can Jess and Lily break the spell in time for the concert?

Eden College is putting on 'Enchantment the Musical!' Ella and her friends are very excited, and throw themselves into auditioning and rehearsing. But then things start to go wrong. Could the problems be linked to stories of an old curse on the theatre? Ella knows she needs to investigate to save the show before it’s too late! Join Ella in the third book of this fantabulous series!

The notion of identification, especially in the discourse of feminist theory, has come sharply and dramatically into focus with the recent interest in such topics as queer performativity, cross-dressing, and racial passing. Identification Papers is the first book to track the evolution of identification's emergence in psychoanalytic theory. Diana Fuss seeks to understand where this notion of identification has come from, and why it has emerged as one of the most difficult problems in contemporary theory and politics. Identification Papers situates the recent critical interest in identification in the intellectual tradition that first gave the idea its theoretical relevance: psychoanalysis. Fuss begins from the assumption that identification has a history, and that the term carries with it a host of theoretical problems, conceptual difficulties, and ideological complications. By tracking the evolution of identification in Freud's work over a forty year period, Fuss demonstrates how the concept of identification is neither a theoretically neutral notion nor a politically innocent one. Identification Papers closely examines the three principal figures -- gravity, ingestion, and infection -- that psychoanalysis invokes to theorize identification. Fuss then deconstructs the psychoanalytic theory of identification in order to open up the possibility of more innovative rethinkings of the political. Drawing on literature, film, and Freud's own case histories, and engaging with a wide range of disciplines -- including critical theory, philosophy, film theory, cultural studies, psychoanalysis, and feminism -- Identification Papers will be a necessary starting point in any future theoretical project that seeks to mobilize the concept of identification for a feminist politics.

Children can enter the realm of Moshi Monsters and enjoy adventures with them using interactive technology and this book.