Musical Waves

This volume draws together papers delivered at the 2018 meeting of the West Coast Conference of Music Theory and Analysis. It comprises a wide range of analytical approaches, including those inspired by Schoenberg, his theories and works; methods of applying transformational theory to analysis; and studies in narrative and form. Representing the diversifying discipline of music research, the book pointedly contains several approaches to popular music. It represents the cutting-edge nature of the repertoire under inspection, and the reader will find in this book a compendium of analytic techniques for numerous musical styles.

Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intact, via musicians, CDs (and earlier, cassettes), satellite broadcasting, digital downloads, and streaming. The introductory chapter by the volume editors develops two framing metaphors: “traveling musics” and “making waves.” The wave-making metaphor illuminates the ways that traveling musics traverse flows of globalization and migration, initiating change, and generating energy of their own. Each of the nine contributors further examines music—its songs, makers, instruments, aurality, aesthetics, and images—as it crosses oceans, continents, and islands. In the process of landing in new homes, music interacts with older established cultural environments, sometimes in unexpected ways and with surprising results. They see these traveling musics in Hawai‘i, Asia, and the Pacific as “making waves”—that is, not only riding flows of globalism, but instigating ripples of change. What is the nature of those ripples? What constitutes some of the infrastructure for the wave itself? What are some of the effects of music landing on, transported to, or appropriated from distant shores? How does the Hawai‘i-Asia-Pacific context itself shape and get shaped by these musical waves? The two poetic and evocative metaphors allow the individual contributors great leeway in charting their own course while simultaneously referring back to the influence of their mentor and colleague Ricardo D. Trimillos, whom they identify as “the wave maker.” The volume attempts to position music as at once ritual and entertainment, esoteric and exoteric, tradition and creativity, within the cultural geographies of Hawai‘i, Asia, and the Pacific. In doing so, they situate music at the very core of global human endeavors.

Each book in this series follows a packet of energy along a journey. Each stage of the journey is described in a short chapter, and we learn what alternative paths the energy might have taken along the way. This book shows how the energy in wind is turned into a music download. It explains the science behind sound, how it can be measured, recorded and stored, what happens in a recording studio, and how our ears hear sound. The topics covered are illustrated with experiments, amazing facts and scientific discoveries.

The Physics of Sound Waves: Music, Instruments, and Sound Equipment, Second Edition describes the properties of sound waves as they relate to the production of sound by musical instruments, the perception and interpretation of sound, fast Fourier transform analysis, recording and reproduction of musical sounds, and the quality of sound in both indoor and outdoor environments. Graphics and animations are used to explain sound production in strings, percussion and wind instruments, and this knowledge is applied to describe selected instruments. Each chapter has topics for further discussion and concludes with questions and problems. Solutions for all questions and problems as well as a mathematical description of waves are provided in the appendix. Key Features Provides the basic understanding of musical sounds and the nature of sound waves. Includes musical scales with examples from around the world. Discusses digital sounds and its relevance. The book provides many worked examples, and end of chapter problems with solutions in the appendix. Applicable equations are summarized at the end of each chapter.

Music is, in one sense, merely a series of fleeting vibrations that arise and subside. How could it be that something so insubstantial fills us, and calms us, and makes us weep? Because, says W. A. Mathieu, music bridges mind and heart, self and other, and affirms our place in the world. Everyone uses the bridge of music, from casual listeners to devoted professionals. Mathieu's delightful and trenchant prose asks you to question what music is, how it works, and how to understand its value in your life, in the life of your community, and in the evolution of the cosmos.

A theoretical physicist takes readers on an awe-inspiring journey—found in "no other book" (Science)—to discover how the universe generates everything from nothing at all: "If you want to know what's really going on in the realms of relativity and particle physics, read this book" (Sean Carroll, author of The Biggest Ideas in the Universe). In Waves in an Impossible Sea, physicist Matt Strassler tells a startling tale of elementary particles, human experience, and empty space. He begins with a simple mystery of motion. When we drive at highway speeds with the windows down, the wind beats against our faces. Yet our planet hurtles through the cosmos at 150 miles per second, and we feel nothing of it. How can our voyage be so tranquil when, as Einstein discovered, matter warps space, and space deflects matter? The answer, Strassler reveals, is that empty space is a sea, albeit a paradoxically strange one. Much like water and air, it ripples in various ways, and we ourselves, made from its ripples, can move through space as effortlessly as waves crossing an ocean. Deftly weaving together daily experience and fundamental physics—the musical universe, the enigmatic quantum, cosmic fields, and the Higgs boson—Strassler shows us how all things, familiar and unfamiliar, emerge from what seems like nothing at all. Accessible and profound, Waves in an Impossible Sea is the ultimate guide to our place in the universe.

From Pulitzer Prize nominee Lawrence Weschler, a fascinating profile of Walter Murch, a film legend and amateur astrophysicist whose investigations could reshape our understanding of the universe. For film aficionados, Walter Murch is legendary--a three-time Academy Award winner, arguably the most admired sound and film editor in the world for his work on Apocalypse Now, The Godfather trilogy, The English Patient, and many others. Outside of the studio, his mind is wide-ranging; his passion, pursued for several decades, has been astrophysics, in particular the rehabilitation of Titius-Bode, a long-discredited 18th century theory regarding the patterns by which planets and moons array themselves in gravitational systems across the universe. Though as a consummate outsider he's had a hard time attracting any sort of comprehensive hearing from professional astrophysicists, Murch has made advances that even some of them find intriguing, including a connection between Titius Bode and earlier notions--going back past Kepler and Pythagorus--of musical harmony in the heavens. Unfazed by rejection, ever probing, Murch perseveres in the highest traditions of outsider science. Lawrence Weschler brings Murch's quest alive in all its seemingly quixotic, yet still plausible, splendor, probing the basis for how we know what we know, and who gets to say. "The wholesale rejection of alternative theories has repeatedly held back the progress of vital science," Weschler observes, citing early twentieth-century German amateur Alfred Wegener, whose speculations about continental drift were ridiculed at first, only to be accepted as fact decades later. Theoretical physicist Lee Smolin says "It is controversy that brings science alive"--and Murch's quest does that in spades. His fascination with the way the planets and their moons are arranged opens up the field of celestial mechanics for general readers, sparking an awareness of the vast and (to us) invisible forces constantly at play in the universe.

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