Musicians Of Mars Ii

This handbook is a sequel to CALL Publication 90-06, The Musicians of Mars: A Story of Synchronization for the Company/Team Commander, June 1990. This short story was written to emphasize critical synchronization tasks, combat leadership principles, and factors for consideration, primarily for company/team commanders but also for leaders throughout tactical-level units. The importance of integrating and synchronizing available combat power, both lethal and nonlethal, in the decisive action environment against potential hybrid threats is critical to unit success on the battlefield. Musicians of Mars II is written from the perspectives of two company/team commanders and the task force commander in a deliberate defense scenario against a fictional hybrid threat, based on current worldwide potential threats. It explores successes and shortcomings in the planning, preparation and execution of the defense, providing considerations and points of emphasis for tactical leaders.

Musicians of Mars II is an update from the original 1990 publication, accounting for changes in today's environment and doctrine. It tells a story of synchronization from the maneuver team commander's perspective. There are no perfect solutions, but the intent is to get leaders to think throughout the range of possibilities and capabilities, coordinating assets and efforts throughout the battlefield to achieve victory. Although the story and characters are fictional, the successes and failures portrayed are applicable to units currently training and operating worldwide. The goal is for the reader to better understand synchronization and how to better prepare themselves, their units, and their Soldiers to become "Musicians of Mars." And in doing so, we "Win in a Complex World."

‘Nations appear and fall, but cities endure and rediscover how to succeed. In this meticulously defined and researched book, Glenn presents ideas for minimising suffering during urban catastrophes. His urgency identifies risks held in urban areas by 3.5 billion people. These people are many of us: as urban populations occupying 3 per cent of our planet’s land area, drawing water from 41 per cent of the world’s ground surface, consuming 60 to 80 per cent of global energy and achieving 80 per cent of the world’s economic productivity. For Glenn, our resilience—through diversity in preparation, survival and recovery—includes comprehensive approaches that are sustained in duration, orchestrated in bringing all necessary capabilities to bear, layered in approach and early in application.’ —Major General Chris Field, Australian Army ‘The time to prepare for the inevitable is now. Dr Glenn has written a book that should be read by all leaders, planners and responders who may be called upon in an urban disaster, whether natural or man-made. Military leaders should give it particular attention, as the human race is increasingly concentrated in its cities. Understanding how to wage war in dense urban terrain is essential, especially if a nation also seeks to hold the moral high ground. The fruits of any victory won among people that fails to consider the lessons in Come Hell or High Fever are likely to be very bitter.’ —Lieutenant General Sean MacFarland, United States Army (retired)

This comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives). This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson). Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like. Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations. “Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of Music Includes photos

Christian punk is a surprisingly successful musical subculture and a fascinating expression of American evangelicalism. Situating Christian punk within the modern history of Christianity and the rapidly changing culture of spirituality and secularity, this book illustrates how Christian punk continues punk's autonomous and oppositional creative practices, but from within a typically traditional evangelical morality. Analyzing straight edge Christian abstinence and punk-friendly churches, this book also focuses on gender performance within a subculture dominated by young men in a time of contested gender roles and ideologies. Critically-minded and rich in ethnographic data and insider perspectives, Christian Punk will engage scholars of contemporary evangelicalism, religion and popular music, and punk and all its related subcultures.