My Brother S Voice

Stephen Nasser somehow dug deep within his soul to survive the brutal and inhumane treatement his captors inflicted on the Jews. He was the only one of his family to survive--but the memory of his brother's dying words compelled him to live. Stephen's account of the Holocaust, told in the refreshingly direct and optimistic language of a young boy, appeals to both younger audiences and his contemporaries. Written in a straightforward, narrative style, Nasser avoids the cloying or maudlin language that characterizes some stories of the Holocaust. Perhaps it's for that reason readers will find his book one they won't forget--and one they recommend to others as a "must read."

The Brothers Karamazov is a passionate philosophical novel set in 19th century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, and reason, set against a modernizing Russia, with a plot which revolves around the subject of patricide.

A young man in despair cries out: Why cant I be gay and still be loved by God? And God replies: Yes you can! Yes you are! Once in a generation there comes a story so rare and beautiful that it changes peoples lives. The Voice of My Brothers Blood is such a story. David Shepherd is a picture of the perfect sonhandsome young teacher in an evangelical Christian ministry. Once caught up in the hedonistic gay lifestyle in San Francisco, David is convinced he has been changed by the will of God. Summoned to counsel a student who refuses to accept traditional Bible teaching on homosexuality, David knew from the moment he looked into the compelling brown eyes of Mark Ward that this defiant young man with the face of an angel would challenge everything he thought he believed. Together David and Mark find themselves swept up in a struggle for justice, searching for the strength to stand against a Goliath of religious bigotry. Liberally referencing the Bible as a weapon for truth, The Voice of My Brothers Blood is a story of adoration and conviction that jerks the sanctimonious foundation out from under religious intolerance. _________________________________________ David Charles Craley is a writer, editor and, for more than four decades, a researcher and teacher of the Bible. The Voice of My Brothers Blood: A Love Story is his third book. The first was The Hope of Glory: In Search of the Light (1979), and the second: The Secret to Holy Spirit Authority: In the Power of the Spirit (2011). He lives in Austin TX. __________________________________________

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

A rare first-person account that combines a journalist’s skilled reporting with the raw emotion of a younger brother’s heartfelt testimony of what his family endured after his eldest brother killed a man and was sentenced to life in prison. At the age of nine, Issac J. Bailey saw his hero, his eldest brother, taken away in handcuffs, not to return from prison for thirty-two years. Bailey tells the story of their relationship and of his experience living in a family suffering from guilt and shame. Drawing on sociological research as well as his expertise as a journalist, he seeks to answer the crucial question of why Moochie and many other young black men—including half of the ten boys in his own family—end up in the criminal justice system. What role do poverty, race, and faith play? What effect does living in the South, in the Bible Belt, have? And why is their experience understood as an acceptable trope for black men, while white people who commit crimes are never seen in this generalized way? My Brother Moochie provides a wide-ranging yet intensely intimate view of crime and incarceration in the United States, and the devastating effects on the incarcerated, their loved ones, their victims, and society as a whole. It also offers hope for families caught in the incarceration trap: though the Bailey family’s lows have included prison and bearing the responsibility for multiple deaths, their highs have included Harvard University, the White House, and a renewed sense of pride and understanding that presents a path forward.

This landmark volume presents the first-ever English translation of the ancient Israelite Samaritan version of the Pentateuch, or Torah. A text of growing interest and importance in the field of biblical studies, the Samaritan Pentateuch preserves a version of the Hebrew text distinct from the traditional Masoretic Text that underlies modern Bible translations. Benyamim Tsedaka's expert English translation of the Samaritan Pentateuch is here laid out parallel to the more familiar Masoretic Text, highlighting the more than 6,000 differences between the two versions. In addition to extensive explanatory notes in the margins throughout, the book's detailed appendices show affinities between the Samaritan and Septuagint versions and between the Samaritan and Dead Sea Scroll texts. Concluding the volume is a categorical name index containing a wealth of comparative information.