My Buddy World War Ii Laid Bare

Para las tropas de la Segunda Guerra Mundial, cada jornada era estremecedora y, además, bien podía ser la última de sus vidas. Para apuntalar los ánimos y proteger la moral de sus hombres frente a los horrores de la guerra, los altos mandos los animaban a forjar estrechas relaciones de amistad en las que encontrar apoyo emocional. La compañía constante de aquellos compañeros de trinchera, de cuya vida dependía la de uno mismo, ayudó a establecer amistades muy íntimas. Durante el tiempo en el que no combatían hombro con hombro procuraban entretenerse juntos y descargar tensiones entregándose a bromas y juegos, en ocasiones completamente desnudos. Resulta imposible conocer con exactitud el alcance de estos "juegos nudistas" entre las tropas de la Segunda Guerra Mundial (las cámaras eran escasas y resultaba difícil revelar los carretes), pero algunos soldados documentaron este proceso sin precedentes en modestas y anónimas fotografías que, por lo general, permanecieron ocultas hasta después de su muerte. El fotógrafo de Los Ángeles Michael Stokes ha dedicado muchos años a rastrear estas imágenes y compilar un archivo de más de 500 fotografías. Su colección incluye soldados y marinos australianos, ingleses, franceses, italianos, polacos, rusos y estadounidenses, revolcándose en las arenas del Pacífico Sur, tiritando en la nieve de Europa del Este, posando en solitario en los barracones y disfrutando en grupo casi en cualquier lugar. Estas imágenes nos muestran a personas que apenas han alcanzado la edad adulta, hombres en su mayor esplendor físico que responden a las realidades del combate viviendo cada día como si fuera el último: una faceta de la guerra que nunca antes se había hecho pública. La introducción es obra de Scotty Bowers, antiguo marine de 89 años y autor de Servicio completo, memorias de sus aventuras sexuales en Hollywood en las que revela también el modo en el que la guerra modificó su percepción de la homosexualidad y la heterosexualidad, del mismo modo que estas fotografías pueden cambiar el modo en que pensamos sobre la Segunda Guerra Mundial y la camaradería en tiempos de guerra.

An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.

#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • Look for special features inside. Join the Random House Reader’s Circle for author chats and more. In boyhood, Louis Zamperini was an incorrigible delinquent. As a teenager, he channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics. But when World War II began, the athlete became an airman, embarking on a journey that led to a doomed flight on a May afternoon in 1943. When his Army Air Forces bomber crashed into the Pacific Ocean, against all odds, Zamperini survived, adrift on a foundering life raft. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will. Appearing in paperback for the first time—with twenty arresting new photos and an extensive Q&A with the author—Unbroken is an unforgettable testament to the resilience of the human mind, body, and spirit, brought vividly to life by Seabiscuit author Laura Hillenbrand. Hailed as the top nonfiction book of the year by Time magazine • Winner of the Los Angeles Times Book Prize for biography and the Indies Choice Adult Nonfiction Book of the Year award “Extraordinarily moving . . . a powerfully drawn survival epic.”—The Wall Street Journal “[A] one-in-a-billion story . . . designed to wrench from self-respecting critics all the blurby adjectives we normally try to avoid: It is amazing, unforgettable, gripping, harrowing, chilling, and inspiring.”—New York “Staggering . . . mesmerizing . . . Hillenbrand’s writing is so ferociously cinematic, the events she describes so incredible, you don’t dare take your eyes off the page.”—People “A meticulous, soaring and beautifully written account of an extraordinary life.”—The Washington Post “Ambitious and powerful . . . a startling narrative and an inspirational book.”—The New York Times Book Review “Magnificent . . . incredible . . . [Hillenbrand] has crafted another masterful blend of sports, history and overcoming terrific odds; this is biography taken to the nth degree, a chronicle of a remarkable life lived through extraordinary times.”—The Dallas Morning News “An astonishing testament to the superhuman power of tenacity.”—Entertainment Weekly “A tale of triumph and redemption . . . astonishingly detailed.”—O: The Oprah Magazine “[A] masterfully told true story . . . nothing less than a marvel.”—Washingtonian “[Hillenbrand tells this] story with cool elegance but at a thrilling sprinter’s pace.”—Time “Hillenbrand [is] one of our best writers of narrative history. You don’t have to be a sports fan or a war-history buff to devour this book—you just have to love great storytelling.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks

"Tell me about the war" -- these words launched a ten-year project in oral history by a husband-and-wife team. Howard Hoffman fought in World War II from Cassino to the Elbe as a mortar crewman and a forward observer. His war experiences are of intrinsic interest to readers who seek a foot soldier's view of those historic events. But the principal purpose of this study was to explore the bounds of memory, to gauge its accuracy and its stability over time, and to determine the effects of various efforts to enhance it. Alice Hoffman, a historian, initiated the study because she recognized the critical role of memory in gathering oral history; Howard Hoffman, the subject, is an experimental psychologist. Alice's tape-recorded interviews with her husband over a period of ten years are the basic material of the study, which compares the events as recounted in the first phase of the interviews with later accounts of the same experiences and with the written records of his company as well as the memories of fellow soldiers and the evidence of photographs and other documents. This engrossing story of World War II breaks new ground for practitioners of oral history. The Hoffmans' findings indicate that a subset of human memory exists that is so permanent and resistant to change that it can properly be labeled "archival". In addition to describing some of the circumstances under which archival memories are formed, the Hoffmans describe the conditions that were found to influence their storage and retrieval.

The first novel by “master of mystery” (The New York Times) Walter Mosley, featuring Easy Rawlins, the most iconic African American detective in all of fiction. Named one of the “best 100 mystery novels of all time” by the Mystery Writers of America, this special thirtieth anniversary edition features an all new introduction from the author. The year is 1948, the town is Los Angeles. Easy Rawlins, a black war veteran, has just been fired from his job at a defense factory plant. Drinking in his friend’s bar, he’s wondering how he’ll manage to make ends meet, when a white man in a linen suit approaches him and offers him good money if Easy will simply locate Miss Daphne Money, a missing blonde beauty known to frequent black jazz clubs. Easy has no idea that by taking this job, his life is about to change forever. “More than simply a detective novel…[Mosley is] a talented author with something vital to say about the distance between the black and white worlds, and with a dramatic way to say it” (The New York Times).

Told in alternating timelines, THE THINGS WE LEAVE UNFINISHED examines the risks we take for love, the scars too deep to heal, and the endings we can’t bring ourselves to see coming. Twenty-eight-year-old Georgia Stanton has to start over after she gave up almost everything in a brutal divorce—the New York house, the friends, and her pride. Now back home at her late great-grandmother’s estate in Colorado, she finds herself face-to-face with Noah Harrison, the bestselling author of a million books where the cover is always people nearly kissing. He’s just as arrogant in person as in interviews, and she’ll be damned if the good-looking writer of love stories thinks he’s the one to finish her grandmother’s final novel...even if the publisher swears he’s the perfect fit. Noah is at the pinnacle of his career. With book and movie deals galore, there isn’t much the “golden boy” of modern fiction hasn’t accomplished. But he can’t walk away from what might be the best book of the century—the one his idol, Scarlett Stanton, left unfinished. Coming up with a fitting ending for the legendary author is one thing, but dealing with her beautiful, stubborn, cynical great-granddaughter, Georgia, is quite another. But as they read Scarlett’s words in both the manuscript and her box of letters, they start to realize why Scarlett never finished the book—it’s based on her real-life romance with a World War II pilot, and the ending isn’t a happy one. Georgia knows all too well that love never works out, and while the chemistry and connection between her and Noah is undeniable, she’s as determined as ever to learn from her great-grandmother’s mistakes—even if it means destroying Noah’s career.

It seemed like a dream. The world had exploded... Summer's ending, Evie's step-father is finally home from the Second World War, and Evie is sick of her glamorous mother treating her like a little girl. Then a mysterious stranger appears: a handsome ex-GI who served in combat with Evie's step-father. Slowly, Evie realizes that she is falling in love with him. But he has dark secrets, and a strange control over her parents. When he is found dead, Evie's world is shattered. Torn between her family and the man she loved, Evie must betray someone. But who? "Gripping ... beautifully paced and told" The Times "You'll be holding your breath as you turn every page" News of the World

Welcome to The Little Book of Pussy, a petite little kitten that puts those up-close-and-personal pictures in proper perspective. Through 100 years of photos, we trace the exhibitionistic pleasure with which models present their feminine pulchritude.