My Garden Of Memory

Biographical history of the author's family, beginning with her great-great grandfather, Lazar (Eleazar) Horowitz who was born in 1804 and continuing up to the present.

From the million-copy Sunday Times bestseller comes a breathtaking story of family secrets and forbidden love. Idyllic Cornwall, a lost garden, a love story from long ago . . . A hundred years ago, Lamorna Cove, a tiny, picturesque bay in Cornwall, was the haunt of a colony of artists. Today, Mel Pentreath hopes it will be a place she can escape the pain of losing her mother and a broken love affair, and gradually put her life back together. Renting a cottage in the enchanting grounds of Merryn Hall, Mel embraces her new surroundings and offers to help her landlord Patrick restore the overgrown garden. Soon she is daring to believe her life can be rebuilt. Then Patrick finds some old paintings in the attic, and as he and Mel investigate the identity of the artist, they are drawn into an extraordinary tale of illicit passion and thwarted ambition from a century ago, a tale that resonates in their own lives. But how long can Mel's idyll last before reality breaks in and everything is threatened? Praise for Rachel Hore: 'Compelling, engrossing and moving; a perfect holiday indulgence' SANTA MONTEFIORE 'Fascinating, hugely readable . . . Rachel Hore's research and her mastery of the subject is deeply impressive' JUDY FINNIGAN 'Engrossing and romantic, it's a wonderful story of family secrets and the choices women make' JANE THYNNE 'Another of this year's top offerings' Daily Mail 'Pitched perfectly for a holiday read' Guardian 'A tender and thoughtful tale' Sunday Mirror 'A romantic read' Good Housekeeping 'A perfect escapist treat for your next holiday - if you can wait that long' Eastern Daily Press

How did this nineteenth-century novelist change the way we think? “A fine contribution to the sociology of literature . . . Highly recommended.” —Choice What are the sources of the commonly held presumption that reading literature should make people more just, humane, and sophisticated? Looking at literary history in relation to the cultural histories of reading, publishing, and education, The Pleasures of Memory illuminates the ways in which Dickens’s serial fiction shaped not only the popular practice of reading for pleasure and instruction but also the school subject we now know as “English.” Sarah Winter shows how Dickens’s serial fiction instigated specific reading practices by reworking the conventions of religious didactic tracts from which most Victorians learned to read. Incorporating an influential associationist psychology of learning founded on the cumulative functioning of memory, Dickens’s serial novels consistently led readers to reflect on their reading as a form of shared experience. Dickens’s celebrity authorship, Winter argues, represented both a successful marketing program for popular fiction and a cultural politics addressed to a politically unaffiliated, social-activist Victorian readership. As late-nineteenth-century educational reforms consolidated British and American readers into “mass” populations served by state school systems, Dickens’s beloved novels came to embody the socially inclusive and humanizing goals of democratic education.