My Grandfather S Gallery

A singular man in the history of modern art, betrayed by Vichy, is the subject of this riveting family memoir On September 20, 1940, one of the most famous European art dealers disembarked in New York, one of hundreds of Jewish refugees fleeing Vichy France. Leaving behind his beloved Paris gallery, Paul Rosenberg had managed to save his family, but his paintings—modern masterpieces by Cézanne, Monet, Sisley, and others—were not so fortunate. As he fled, dozens of works were seized by Nazi forces and the art dealer's own legacy was eradicated. More than half a century later, Anne Sinclair uncovered a box filled with letters. "Curious in spite of myself," she writes, "I plunged into these archives, in search of the story of my family. To find out who my mother's father really was . . . a man hailed as a pioneer in the world of modern art, who then became a pariah in his own country during the Second World War. I was overcome with a desire to fit together the pieces of this French story of art and war." Drawing on her grandfather's intimate correspondence with Picasso, Matisse, Braque, and others, Sinclair takes us on a personal journey through the life of a legendary member of the Parisian art scene in My Grandfather's Gallery. Rosenberg's story is emblematic of millions of Jews, rich and poor, whose lives were indelibly altered by World War II. Sinclair's journey to reclaim her family history paints a picture of modern art on both sides of the Atlantic between the 1920s and 1950s that reframes twentieth-century art history.

On 20 September 1940, Paul Rosenberg disembarked in New York, just one of hundreds of tired Jewish refugees fleeing Vichy France. Leaving behind his celebrated Paris gallery, Paul had managed to save his family; his paintings weren't all so fortunate. Some - the Picassos at MoMA's first retrospective - were already safely abroad. But dozens of works by Cézanne, Monet and Sisley were seized by Nazi forces, destined for Swiss galleries and private collections. Drawing on her grandfather's astonishingly intimate correspondence with Picasso, Matisse, Braque and others, Anne Sinclair takes us on a personal journey through the life of a fêted member of the Parisian art scene and a friend to the greatest artists of the century. But Paul's flight from his beloved gallery to exile in New York also tells a darker story, emblematic of the millions of Jews, rich and poor, who lost everything in the Second World War.

Based on the Webby award-winning Instagram account Drawings for My Grandchildren, this beautifully-illustrated book celebrates the special love shared between grandparents and their grandchildren. Like many grandparents wishing to stay close to their grandchildren in a world in which so many families are spread across the globe, Korean grandparents Grandpa Chan and Grandma Marina, decided to learn how to use Instagram as a way to stay connected. What started as an intimate family project, their Instagram page @drawings_for_my_grandchildren has attracted a large following and their story has been featured in major press around the world. This book inspired by their Instagram page features Chan's watercolors accompanied by Marina's texts. Whether it's to celebrate Astro becoming a big brother to Lua or to share the story of how the grandparents met for the first time and fell in love during their college years, Looking Back Life was Beautiful echoes with the kind of family love that spans generations and traverses geography. A testament to the great wisdom only grandparents can provide to younger generations, Looking Back Life Was Beautiful will inspire families to always stay close and connected.

A tailor's very old overcoat is recycled numerous times over the years into a variety of garments and other uses.

Hero–or Nazi? Silvia Foti was raised on reverent stories about her hero grandfather, a martyr for Lithuanian independence and an unblemished patriot. Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community. But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a “Jew-killer.” The Nazi’s Granddaughter is Silvia’s account of her wrenching twenty-year quest for the truth, from a beautiful house confiscated from its Jewish owners, to familial confessions and the Holocaust tour guide who believed that her grandfather had murdered members of his family. A heartbreaking and dramatic story based on exhaustive documentary research and soul-baring interviews, The Nazi’s Granddaughter is an unforgettable journey into World War II history, intensely personal but filled with universal lessons about courage, faith, memory, and justice.

Toronto Hi-Fi is Avard Woolaver's fifth Toronto book, capturing street scenes in the 1980s. Woolaver moved to Toronto from rural Nova Scotia in 1980 to study photography, and he viewed the urban scenes from his raised-in-the-country perspective. The photos in this book share themes tied to the music he was listening to as he documented the city streets.

When a mysterious fire ravages the town of Donkleywood, causing the death of her beloved grandfather Nickolas, eleven-year-old Holly O'Flanigan, numb with grief, loses all hope of ever becoming a famous artist like him or of escaping her abusive foster family, the Smoralls. While hiding from them, Holly discovers a secret attic where her grandfather left a decidedly unusual paintbrush and a canvas with the image of a fantasy world-one Holly and three friends literally fall into. The painting is a gateway to the parallel world of Magora, where everything and everyone are created by painting. With her three sidekicks in tow, Holly enrolls in the exciting Cliffony Art Academy, where they learn to weave painting with magic, just as Grandfather Nickolas could. Her hopes of becoming a painter and escaping the Smoralls finally seem to be coming true. Meanwhile, valuable artwork is being stolen from the Gallery of Wonders. As these paintings could provide a portal back to the real world, Holly begins a search for the thief. She believes that the dark Duke of Cuspidor might be the culprit and that he has a spy among the instructors of Cliffony. But Holly's self-doubt keeps her from making any progress in school, and she struggles to learn the brushstrokes she needs so urgently. They not only bring objects, people, and animals to life, they're also Holly's best defense against the dangerous Unfinished-monstrous beings created when an artist leaves a painting incomplete. Like vampires, the Unfinished hunger for the one thing that can flesh out their bodies-blood. And because Holly is a Gindar, an artist with the rare ability to create a brand new species, they want Holly's blood most of all."