My Happiness Bears No Relation To Happiness

This first biography of a Palestinian writer also provides a moving account of the ways “ordinary” individuals are swept up by the floodtides of both war and peace Beautifully written, and composed with a novelist’s eye for detail, this book tells the story of an exceptional man and the culture from which he emerged.Taha Muhammad Ali was born in 1931 in the Galilee village of Saffuriyya and was forced to flee during the war in 1948. He traveled on foot to Lebanon and returned a year later to find his village destroyed. An autodidact, he has since run a souvenir shop in Nazareth, at the same time evolving into what National Book Critics Circle Award–winner Eliot Weinberger has dubbed “perhaps the most accessible and delightful poet alive today.”As it places Muhammad Ali’s life in the context of the lives of his predecessors and peers, My Happiness offers a sweeping depiction of a charged and fateful epoch. It is a work that Arabic scholar Michael Sells describes as “among the five ‘must read’ books on the Israel-Palestine tragedy.” In an era when talk of the “Clash of Civilizations” dominates, this biography offers something else entirely: a view of the people and culture of the Middle East that is rich, nuanced, and, above all else, deeply human.

“[Peter Cole’s] poetry is perhaps most remarkable for its combination of intellectual rigor with delight in surface, for how its prosody returns each abstraction to the body, linking thought and breath, metaphysics and musicality. Religious, erotic, elegiac, pissed off—the affective range is wide and the forms restless.” —Ben Lerner, BOMB Hymns & Qualms brings together MacArthur Fellow Peter Cole’s acclaimed poetry and translations, weaving them into a helical whole. Praised for his “prosodic mastery” and “keen moral intelligence” (American Poets), and for the “rigor, vigor, joy, and wit” of his poetry (The Paris Review), Cole has created a vital, unclassifiable body of work that plumbs centuries of wisdom while paying sharp attention to the textures and tensions of the present. He is, Harold Bloom writes, “a matchless translator and one of the handful of authentic poets in his own American generation. Hymns & Qualms is a majestic work, a chronicle of the imaginative life of a profoundly spiritual consciousness.” Cole is a maker—of poems and worlds. From his earliest registrations of the Jerusalem landscape’s stark power to electric renderings of mystical medieval Hebrew hymns; from his kabbalistically inspired recent poems to sensuous versions of masterworks of Muslim Spain; and from his provocative presentation of contemporary poetry from Palestine and Israel to his own dazzling reckonings with politics, beauty, and the double-edged dynamic of influence, Cole offers a ramifying vision of connectedness. In the process, he defies traditional distinctions between new and old, familiar and foreign, translation and original—“as though,” in his own words, “living itself were an endless translation.”

Collective memory transforms historical events into political myths. In this book, Tamir Sorek considers the development of collective memory and national commemoration among the Palestinian citizens of Israel. He charts the popular politicization of four key events—the Nakba, the 1956 Kafr Qasim Massacre, the 1976 Land Day, and the October 2000 killing of twelve Palestinian citizens in Israel—and investigates a range of commemorative sites, including memorial rallies, monuments, poetry, the education system, political summer camps, and individual historical remembrance. These sites have become battlefields between diverse social forces and actors—including Arab political parties, the Israeli government and security services, local authorities, grassroots organizations, journalists, and artists—over representations of the past. Palestinian commemorations are uniquely tied to Palestinian encounters with the Israeli state apparatus, with Jewish Israeli citizens of Israel, and by their position as Israeli citizens themselves. Reflecting longstanding tensions between Palestinian citizens and the Israeli state, as well as growing pressures across Palestinian societies within and beyond Israel, these moments of commemoration distinguish Palestinian citizens not only from Jewish citizens, but from Palestinians elsewhere. Ultimately, Sorek shows that Palestinian citizens have developed commemorations and a collective memory that offers both moments of protest and points of dialogue, that is both cautious and circuitous.

Cutting-edge scholarship on post-war Arab intellectual history that challenges conventional thinking about authoritarianism, religion and revolution in the modern Middle East.

"This book provides a comprehensive study of Israeli statecraft, using an interdisciplinary framework to enable an in-depth understanding of its characteristics, challenges, and responses"--

This book ranges from refugee camps in Palestine to halting sites of the Irish Travellers and elsewhere in search of a new politics practiced through performance. Written through the intersection of performance and philosophy, the book refutes neoliberalism's depoliticizing and strategic uses of humanitarianism, human rights, and development.

How poetic modernism shaped Arabic intellectual debates in the twentieth century and beyond City of Beginnings is an exploration of modernism in Arabic poetry, a movement that emerged in Beirut during the 1950s and became the most influential and controversial Arabic literary development of the twentieth century. Robyn Creswell introduces English-language readers to a poetic movement that will be uncannily familiar—and unsettlingly strange. He also provides an intellectual history of Lebanon during the early Cold War, when Beirut became both a battleground for rival ideologies and the most vital artistic site in the Middle East. Arabic modernism was centered on the legendary magazine Shi‘r (“Poetry”), which sought to put Arabic verse on “the map of world literature.” The Beiruti poets—Adonis, Yusuf al-Khal, and Unsi al-Hajj chief among them—translated modernism into Arabic, redefining the very idea of poetry in that literary tradition. City of Beginnings includes analyses of the Arab modernists’ creative encounters with Ezra Pound, Saint-John Perse, and Antonin Artaud, as well as their adaptations of classical literary forms. The book also reveals how the modernists translated concepts of liberal individualism, autonomy, and political freedom into a radical poetics that has shaped Arabic literary and intellectual debate to this day.

“How to speak of the imaginative reach of a land habitually seen as a seedbed of faiths and heresies, confluences and ruptures . . . trouble spot and findspot, ruin and renewal, fault line and ragged clime, with a medley of people and languages once known with mingled affection and wariness as Levantine?” So begins poet Gabriel Levin in his journeys in the Levant, the exotic land that stands at the crossroads of western Asia, the eastern Mediterranean, and northeast Africa. Part travelogue, part field guide, and part literary appreciation, The Dune’s Twisted Edge assembles six interlinked essays that explore the eastern seaboard of the Levant and its deserts, bringing to life this small but enigmatic part of the world. Striking out from his home in Jerusalem in search of a poetics of the Fertile Crescent, Levin probes the real and imaginative terrain of the Levant, a place that beckoned to him as a source of wonder and self-renewal. His footloose travels take him to the Jordan Valley; to Wadi Rumm south of Petra; to the semiarid Negev of modern-day Israel and its Bedouin villages; and, in his recounting of the origins of Arabic poetry, to the Empty Quarter of Arabia where the pre-Islamic poets once roamed. His meanderings lead to encounters with a host of literary presences: the wandering poet-prince Imru al-Qays, Byzantine empress Eudocia, British naturalist Henry Baker Tristram, Herman Melville making his way to the Dead Sea, and even New York avant-garde poet Frank O’Hara. When he is not confronting ghosts, Levin finds himself stumbling upon the traces of vanished civilizations. He discovers a ruined Umayyad palace on the outskirts of Jericho, the Greco-Roman hot springs near the Sea of Galilee, and Nabatean stick figures carved on stones in the sands of Jordan. Vividly evoking the landscape, cultures, and poetry of this ancient region, The Dune’s Twisted Edge celebrates the contested ground of the Middle East as a place of compound myths and identities.