My Last Duchess And Other Poems

This carefully crafted ebook: "My Last Duchess (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. "My Last Duchess" is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

Gorgeous, spirited and extravagantly rich, Cora Cash is the closest thing 1890s New York society has to a princess. Her masquerade ball is the prelude to a campaign that will see her mother whisk Cora to Europe, where Mrs Cash wants nothing less than a title for her daughter. In England, impoverished blue-bloods are queueing up for introductions to American heiresses, overlooking the sometimes lowly origins of their fortunes. Cora makes a dazzling impression, but the English aristocracy is a realm fraught with arcane rules and pitfalls, and there are those less than eager to welcome a wealthy outsider...

This eBook edition of "MY LAST DUCHESS" has been formatted to the highest digital standards and adjusted for readability on all devices. My Last Duchess is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

In 2011, I began creating online tutorial videos on Youtube, with a vision to share my GCSE expertise in English language and literature. As I write, these videos have been viewed over 10 million times across 214 different nations. My GCSE English Youtube channel has over 60,000 subscribers. To accompany these videos, I have published over 20 revision guide eBooks-one of which you are currently looking at! My guide to the previous GCSEs in English language and literature sat at the top of the Amazon bestseller's list for over 45 weeks and achieved huge acclaim; this book aims to build on those strengths.In this ebook, you'll receive detailed guidance on every question in the AQA GCSE English Language exams. Please note that this ebook is not endorsed by or affiliated to any exam boards; I am simply an experienced teacher using my expertise to help students. However, if you read some of the 100+ reviews for this guide, you will see that it has already helped students, teachers and parents across the UK.As an extra bonus, this ebook contains links to five special video tutorials which are only available to those who purchase this guide. These links appear later in the text. I hope you enjoy the ebook. You should also purchase the accompanying eBook which covers the English Literature exams.

As For Me and My House is an essential Canadian work--a precise and compelling portrait of our culture, our psyche, and the nature of contemporary art itself, now available as a Penguin Modern Classic. In the windswept town of Horizon, an unamed diarist paints a vivid and enthralling picture of prairie life in the Depression era. Atmospheric, intimate, and richly observed, As For Me and My House is a moving meditation on the bittersweet nature of human relationships, on the bonds that tie people together and the undercurrents of feeling that can tear them apart. It is one of Canada's great novels and a landmark in modern fiction.

A Doll's House is a three-act play written by Henrik Ibsen in 1879. It is a groundbreaking play that explores the themes of marriage, gender roles, and identity in 19th century society. Ibsen's play was met with controversy and outrage due to its bold critique of the traditional roles of men and women in marriage. The play has since become a classic of modern drama and is widely studied and performed in educational institutions around the world. The play is set in Norway and follows the story of Nora Helmer, a seemingly happy and content housewife. However, as the play unfolds, we see that Nora is living a double life. She has secretly borrowed money to save her husband's life, and is now being blackmailed by the lender. The play depicts Nora's struggle to find her true identity and the consequences of living a life based on societal expectations rather than her own desires. One of the main themes explored in the play is the role of women in marriage. Nora is portrayed as a typical 19th century wife, who is expected to be obedient, nurturing, and submissive. However, as the play progresses, we see that Nora is not content with this role and longs for independence and self-discovery. Ibsen challenges the traditional gender roles and shows how society's expectations can suffocate and limit an individual's growth. Another important theme in the play is the concept of identity. Nora's character undergoes a transformation throughout the play as she begins to question her role as a wife and mother. She realizes that she has been living a life that is not truly her own, and she must break free from societal expectations to find her true self. This theme is also reflected in the character of Torvald, Nora's husband, who is more concerned with his social status and reputation than his wife's happiness. Ibsen also uses symbolism throughout the play to convey deeper meanings. The title "A Doll's House" itself is significant, as it represents the idea that women were seen as mere playthings or objects in a patriarchal society. The Christmas tree, a recurring symbol in the play, represents the facade of happy family life that Nora and Torvald try to maintain. However, as the tree begins to shed its decorations, it symbolizes the unraveling of Nora's perfect facade. At the time of its publication, A Doll's House was met with harsh criticism and was deemed scandalous due to its portrayal of a woman challenging societal norms. However, its impact on modern drama cannot be overstated. Ibsen's play paved the way for a new genre of realistic drama and influenced many other playwrights to explore similar themes. It continues to be studied and performed today, as it remains relevant in its critique of societal expectations and the struggle for individual identity.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ...But very like to hold itself dispensed From such a grace: however, let us hope! He is a noble spirit in noble form. I wish he less had bent that brow to smile As with the fancy how he could subject Himself upon occasion to--himself! From rudeness, violence, you rest secure; But do not think your Duchy rescued yet! The D. You, --who have opened a new world to me, Will never take the faded language up Of that I leave? My Duchy--keeping it, -Or losing it--is that my sole world now? Val. lll have I spoken if you thence despise Juliers; although the lowest, on true grounds, Be worth more than the highest rule, on false: Aspire to rule, on the true grounds! The D. Nay, hear--False, I will never--rash, I would not be! This is indeed my birthday--soul and body, Its hours have done on me the work of years. You hold the requisition: ponder it! If I have right, my duty 's plain: if he--Say so, nor ever change a tone of voice! At night you meet the Prince; meet me at eve! Till when, farewell! This discomposes you? Believe in your own nature, and its force Cf renovating mine! I take my stand Only as under me the earth is firm: So, prove the first step stable, all will prove. That first, I choose--laying her hand on his, --the next to take, choose you! Val. after a pausa What drew down this on me?--on me, dead once, She thus bids live, --since all I hitherto Thought dead in me, youth's ardors and emprise, Burst into life before her, as she bids Vho needs them. Whither will this reach, where end? Her hand's print burns on mine... Yet she 's above--So very far above me! All 's too plain: I served her when the others sank away, And she rewards me as such souls reward--The changed voice, the suffusion of the cheek, The eye's...