My Little Pony Friendship Is Magic 46

It�s election season in Ponyville and Mayor Mare looks to have the race in the bag. But when Filthy Rich throws his hat in the ring, all bets are off!

Attention, everypony! Get ready for another unforgettable adventure in the land of Equestria. Twilight Sparkle and gang are confronted with a perilous new danger in the form of a long-unseen enemy! See how the Magic of Friendship prevails in the start of a brand new story arc!

"Chaos Theory" Part 1 (of 3). The craziest, most epic MLP story yet! Multiple versions of ponies are springing up around town and strange new beasts stalk the land as an orb of energy grows larger in the sky. Twilight and the Princesses have no answersƒ but Discord might!

Pinkie Pie decides to make her very own comic book! Pinkie's version of a comic book might just be a little bit different than what you're expecting!

Timberwolves invade Ponyville! They're just the start of the troubles for our ponies though as many other mystical creatures emerge from Everfree Forest. What could be causing the mass migration and how can the balance of nature be restored?

''Ponies of Dark Water Part 2'' Our favorite ponies have gone bad and are loving every minute of it! When Twilight seeks to conquer Equestria for herself, the Cutie Mark Crusaders may be the only hope for salvation!

As more and more fans rush online to share their thoughts on their favorite shows or video games, they might feel like the process of providing feedback is empowering. However, as fan studies scholar Mel Stanfill argues, these industry invitations for fan participation indicate not greater fan power but rather greater fan usefulness. Stanfill's argument, controversial to some in the field, compares the "domestication of fandom" to the domestication of livestock, contending that, just as livestock are bred bigger and more docile as they are domesticated, so, too, are fans as the entertainment industry seeks to cultivate a fan base that is both more useful and more controllable. By bringing industry studies and fan studies into the conversation, Stanfill looks closely at just who exactly the industry considers "proper fans" in terms of race, gender, age, and sexuality, and interrogates how digital media have influenced consumption, ultimately finding that the invitation to participate is really an incitement to consume in circumscribed, industry-useful ways.

From the moment Captain America punched Hitler in the jaw, comic books have always been political, and whether it is Marvel’s chairman Ike Perlmutter making a campaign contribution to Donald Trump in 2016 or Marvel’s character Howard the Duck running for president during America’s bicentennial in 1976, the politics of comics have overlapped with the politics of campaigns and governance. Pop culture opens avenues for people to declare their participation in a collective project and helps them to shape their understandings of civic responsibility, leadership, communal history, and present concerns. Politics in the Gutters: American Politicians and Elections in Comic Book Media opens with an examination of campaign comic books used by the likes of Herbert Hoover and Harry S. Truman, follows the rise of political counterculture comix of the 1960s, and continues on to the graphic novel version of the 9/11 Report and the cottage industry of Sarah Palin comics. It ends with a consideration of comparisons to Donald Trump as a supervillain and a look at comics connections to the pandemic and protests that marked the 2020 election year. More than just escapist entertainment, comics offer a popular yet complicated vision of the American political tableau. Politics in the Gutters considers the political myths, moments, and mimeses, in comic books—from nonfiction to science fiction, superhero to supernatural, serious to satirical, golden age to present day—to consider how they represent, re-present, underpin, and/or undermine ideas and ideals about American electoral politics.