My Mother My Translator

In 2008, Jaspreet Singh made a pact with his mother. He would gladly give her the go-ahead to publish her significantly altered translation of a story from his collection, Seventeen Tomatoes, if she promised to write her memoirs. After she died in 2012, he decided to take up the memoir she had started. My Mother, My Translator is a deeply personal exploration of a complex relationship. It is a family history, a work of mourning, a meditation on storytelling and silences, and a reckoning with trauma--the inherited trauma of the 1947 Partition of India and the direct trauma of the November 1984 anti-Sikh violence Singh experienced as a teenager. Tracing the men and especially the women of his family from the 1918 pandemic through the calamitous events of Partition, My Mother, My Translator takes us through Singh's childhood in Kashmir and with his grandparents in Indian Punjab to his arrival in Canada in 1990 to study the sciences, up to the closing moments of 2020, as he tries to locate new forms of stories for living in a present marked by COVID-19 and climate crisis.

"In 2008, Jaspreet Singh made a pact with his mother. He would gladly give her the go-ahead to publish her significantly altered translation of a story from his collection, Seventeen Tomatoes, if she promised to write her memoirs. After she died in 2012, he decided to take up the memoir she had started. My Mother, My Translator is a deeply personal exploration of a complex relationship. It is a family history, a work of mourning, a meditation on storytelling and silences, and a reckoning with trauma—the inherited trauma of the 1947 Partition of India and the direct trauma of the November 1984 anti-Sikh violence Singh experienced as a teenager. Tracing the men and especially the women of his family from the 1918 pandemic through the calamitous events of Partition, My Mother, My Translator takes us through Singh’s childhood in Kashmir and with his grandparents in Indian Punjab to his arrival in Canada in 1990 to study the sciences, up to the closing moments of 2020, as he tries to locate new forms of stories for living in a present marked by COVID-19 and climate crisis."--

Longlisted for the 2022 International Booker Prize A New York Times Notable Book A Library Journal Best Book of 2021 A “marvelous…superbly effective” (The New Yorker) debut novel about a young woman coming of age with a dazzling yet damaged mother who lived and loved in extremes. Met by rave reviews in The New Yorker, The New York Times, and more, this stunning translation of Violaine Huisman’s “witty, immersive autofiction showcases a Parisian childhood with a charismatic, depressed parent” (Oprah Daily). Beautiful and magnetic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly, and her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to surrender, and finally move on.

In Please send this book to my mother, artist Sarah Entwistle dismantles the traditional form of the architectural monograph and artist biography. In 2011, the astounding personal effects of her grandfather, architect Clive Entwistle (1916-76), emerged from a Manhattan storeroom. This book welds together original text fragments and extensive visual material from the collection and Clive Entwistle's years in Paris, London, Tangiers, and New York. Clive Entwistle described his cardinal points as: Philosophy, Architecture, Intellect, and Sex. He was an autodidact whose unconsolidated practice tackled utopian city plans, product design, structural engineering, formal experimentation, and architectural critique. The one-time translator and collaborator of Le Corbusier, Entwistle's proposal for the Crystal Palace (1946) was described by Corbusier as, "one of the great projects of our time." However, none of his ambitious proposals was realized, and Entwistle's presence was largely erased from the landscape of modernism. Sarah Entwistle has constructed an ambiguous portrait, an evocative rendition of an extraordinary life, which provokes questions on the authority of the biographer and the monograph. This publication reaches beyond these genres to resemble an artist's book of poetry and prose fiction. Published to coincide with Sarah Entwistle's solo exhibition of new sculptural works, "He was my father and I an atom destined to grow into him," Fondation Le Corbusier, Paris, October 23-December 6, 2015.

With the intrigue of a psychological thriller, Camus's masterpiece gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. Behind the intrigue, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. First published in 1946; now in translation by Matthew Ward.

Shortly after Albert Cohen left France for London to escape the Nazis, he received news of his mother’s death in Marseille. Unable to mourn her, he expressed his grief in a series of moving pieces for La France libre, which later grew into Book of My Mother. Achingly honest, intimate, and moving, this love song is a tribute to all mothers. Cohen himself expressed, "I shall not have written in vain if one of you, after reading my hymn of death, is one evening gentler with his mother because of me and my mother."

Seventeen Tomatoes is a series of linked stories which revolve around two Sikh boys coming of age in an Indian army camp in Kashmir. Each story takes a minor character from the previous tale and builds a new tale, weaving a collective portrait of the border community. In addition to the boys, Adi (a student of gardens) and Arjun (a budding chemist), we meet a boatman's daughter, a captured Pakistani officer, a celebrity cricket umpire and Parachute Aunty. From modern missiles to cricket matches, from religious miracles to the sumptuous gardens of Shalimar and Nishat, Singh treats beauty and politics and religion in a gentle and humane manner. "His scientific knowledge and diction is unusual in a storyteller--like technology and poetry smashing into each other. It's an exciting collision." --Quill & Quire "The robust, haunting stories of Jaspreet Singh recite an extraordinary human drama. They create a portrait of Kashmir and India that is at once convoluted, comical, raw and savage, steeped in myth yet paradoxically tempered by science. As the old and the new clash, the stories examine the edges of human experience and their wayward effects upon the heart." --Trevor Ferguson "Funny, tragic, elegantly told, these Tales from Kashmir should be read everywhere." --Kristen den Hartog "With just the right mix of suspense and lyricism, and an exacting eye for mot juste, Jaspreet Singh weaves a tapestry out of the fabulous and the real." --Taras Grescoe Born in 1969, Jaspreet Singh grew up in India and Kashmir. In 1990 he moved to Montreal, where he received his PhD in Chemical Engineering from McGill University. In March 2002, Quill and Quire identified him as one of the five new talents to watch. His stories have appeared in the Fiddlehead and Francis Ford Coppola's Zoetrope and he is currently at work on a novel, The Book of Hanging Gardens.

37 years old, just broken up with his girlfriend, unemployed and vaguely depressed, Hermann has problems of his own. Now, his mother, who is rambunctious, rapier-tongued, frequently drunk and, until now impervious to change, has cancer. The doctor's prognosis sounds pretty final, but after some online research, Hermann decides to accompany his mother to an unconventional treatment centre in the Netherlands. Mother and son set out on their trip to Amsterdam, embarking on a schnapps and pint fuelled picaresque that is by turns wickedly funny, tragic and profound.