My New Orleans Gone Away

From Jonathan Yardley in the Washington Post: "Engaging…delightful … Wolf returns to the Big Easy after a protracted Yankee education at Exeter and Yale, joins his father's firm in the cotton trade, takes up lodgings on Burgundy Street at the edge of the French Quarter and hangs out at places the mere mention of which sends shivers of pleasure down my spine." Reminiscent of This Boy’s Life, Peter Wolf’s true saga of family burden and escaping the ties that bind takes us from the South to New England and to Paris and back. From growing up Jewish in a wealthy New Orleans family led a cold military father, to later life as a successful author and architect, Peter Wolf tells a story of love and sacrifice, of having to leave your roots to discover them. Set against the events of the Fifties to the present, My New Orleans is as rich in cultural history as it is in individuality.

They Called Us River Rats: The Last Batture Settlement of New Orleans is the previously untold story of perhaps the oldest outsider settlement in America, an invisible community on the annually flooded shores of the Mississippi River. This community exists in the place between the normal high and low water line of the Mississippi River, a zone known in Louisiana as the batture. For the better part of two centuries, batture dwellers such as Macon Fry have raised shantyboats on stilts, built water-adapted homes, foraged, fished, and survived using the skills a river teaches. Until now the stories of this way of life have existed only in the memories of those who have lived here. Beginning in 2000, Fry set about recording the stories of all the old batture dwellers he could find: maritime workers, willow furniture makers, fishermen, artists, and river shrimpers. Along the way, Fry uncovered fascinating tales of fortune tellers, faith healers, and wild bird trappers who defiantly lived on the river. They Called Us River Rats also explores the troubled relationship between people inside the levees, the often-reviled batture folks, and the river itself. It traces the struggle between batture folks and city authorities, the commercial interests that claimed the river, and Louisiana’s most powerful politicians. These conflicts have ended in legal battles, displacement, incarceration, and even lynching. Today Fry is among the senior generation of “River Rats” living in a vestigial colony of twelve “camps” on New Orleans’s river batture, a fragment of a settlement that once stretched nearly six miles and numbered hundreds of homes. It is the last riparian settlement on the Lower Mississippi and a contrarian, independent life outside urban zoning, planning, and flood protection. This book is for everyone who ever felt the pull of the Mississippi River or saw its towering levees and wondered who could live on the other side.

From famous writers and personalities who call the city home, whether by birth or simply love, these pieces written in the wake of Hurricane Katrina serve as a timeless tribute to New Orleans. Sentimental, joyful, and witty, these essays by celebrated writers, entertainers, chefs, and fans honor the life of one of America's most beloved cities. Paul Prudhomme writes about the emotional highs New Orleans inspires, Wynton Marsalis exalts his native city as soul model for the nation, while Walter Isaacson shares his vision for preserving his hometown's pentimento magic. Stewart O'Nan recalls the fantasy haze that enshrouded his first trip to the Big Easy when he was thirty and bowed to Richard Ford to receive his first literary prize. Poppy Z. Brite thanks New Orleans for helping her discover the simple pleasure of Audubon Park's egrets, and Elizabeth Dewberry explores what it means to work Bourbon Street as a stripper. My New Orleans captures the spirit of the city that was—and that will be again.

A charismatic young soldier meets a tragic end in this moving and mesmerizing account of the war in Iraq, Hurricane Katrina, and no-safety-net America Zackery Bowen was thrust into two of America's largest recent debacles. He was one of the first soldiers to encounter the fledgling insurgency in Iraq. After years of military service he returned to New Orleans to tend bar and deliver groceries. In the weeks before Hurricane Katrina made landfall, he met Addie Hall, a pretty and high-spirited bartender. Their improvised, hard-partying endurance during and after the storm had news outlets around the world featuring the couple as the personification of what so many want to believe is the indomitable spirit of New Orleans. But in October 2006, Bowen leaped from the rooftop bar of a French Quarter hotel. A note in his pocket directed the police to the body of Addie Hall. It was, according to NOPD veterans, one of the most gruesome crimes in the city's history. How had this popular, handsome father of two done this horrible thing? Journalist Ethan Brown moved from New York City to the French Quarter in order to investigate this question. Among the newsworthy elements in the book is Brown's discovery that this tragedy—like so many others—could have been avoided if the military had simply not, in the words of Paul Sullivan, executive director of Veterans for Common Sense, "absolutely and completely failed this soldier." Shake the Devil Off is a mesmerizing tribute to these lives lost.

“A haunting peek at the life of a teenage girl in 1950s New Orleans.”--Entertainment Weekly It’s 1950, and as the French Quarter of New Orleans simmers with secrets, seventeen-year-old Josie Moraine is silently stirring a pot of her own. Known among locals as the daughter of a brothel prostitute, Josie wants more out of life than the Big Easy has to offer. She devises a plan get out, but a mysterious death in the Quarter leaves Josie tangled in an investigation that will challenge her allegiance to her mother, her conscience, and Willie Woodley, the brusque madam on Conti Street. Josie is caught between the dream of an elite college and a clandestine underworld. New Orleans lures her in her quest for truth, dangling temptation at every turn, and escalating to the ultimate test. With characters as captivating as those in her internationally bestselling novel Between Shades of Gray, Ruta Sepetys skillfully creates a rich story of secrets, lies, and the haunting reminder that decisions can shape our destiny.

What was it like to grow up black and female in the segregated South? To answer this question, LaKisha Simmons blends social history and cultural studies, recreating children's streets and neighborhoods within Jim Crow New Orleans and offering a rare look into black girls' personal lives. Simmons argues that these children faced the difficult task of adhering to middle-class expectations of purity and respectability even as they encountered the daily realities of Jim Crow violence, which included interracial sexual aggression, street harassment, and presumptions of black girls' impurity. Simmons makes use of oral histories, the black and white press, social workers' reports, police reports, girls' fiction writing, and photography to tell the stories of individual girls: some from poor, working-class families; some from middle-class, "respectable" families; and some caught in the Jim Crow judicial system. These voices come together to create a group biography of ordinary girls living in an extraordinary time, girls who did not intend to make history but whose stories transform our understanding of both segregation and childhood.

This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.