My Private Repertoire

"My Private Repertoire: Building a Powerful Queen Pawn Opening for White" is a book that educate chess openings. This is a complete preparation for white side with 1.d4 and 2.c4 Queen Pawn opening. I have personally researched and experienced these lines for several years, making sure its reliability. Often in chess, it is very difficult to decide which opening a player should play for his style or whether the opening is good for our side. So, I hereby present my complete repertoire for white which will give massive opening understanding and its principles. Certain openings which we need not know are completely omitted so that creating a complete opening repertoire becomes easy for players. After reading this book you'll be able to: 1. Understand the basics in any chess opening 2. Play queen pawn opening without any trouble for white 3. Understand basic chess opening setups 4. Understand the bishop setups to be avoided 5. Understand how to develop knights, rooks and bishops 6. Understand how to convert an opening into another 7. Understand different openings against Queen Pawn opening and handle it properly 8. Understand how to punish unusual replies 9. Create a complete repertoire for white 10. Understand much more.

One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.

Beginning teen piano players want to sound good right away. Beginning teen piano players also want to sound cool... right away. Unfortunately, most beginning piano music is composed with the developmental abilities of young children in mind... which means beginning teen piano players will not sound cool anytime soon. But that's about to change! With WunderKeys Rock Repertoire we are revolutionizing piano music for teen beginners. You will not find Twinkle, Twinkle, Little Star, My Bonnie Lies Over The Ocean, or Mary Had A Little Lamb in this book. Instead, you will find rock-infused music written just for teens in their first year of piano lessons. The 14 piano pieces in WunderKeys Rock Repertoire For Teen Beginners are set in the C 5-Finger Scale and are accompanied by full teacher duets to create an inspiring musical experience. If your teen beginners are uninspired with "too young" music or "too boring" music, surprise them with WunderKeys Rock Repertoire. Upcoming releases in the WunderKeys Rock Repertoire book series include: WunderKeys Rock Repertoire For Teen Beginners: Piano Pieces In Middle C Position WunderKeys Rock Repertoire For Teen Beginners: Piano Pieces In The G 5-Finger Scale

Gambit Chess: books for chess enthusiasts The most aggressive response to the Nimzo An ideal weapon for club-players The 4 f3 Nimzo variation is making a strong comeback, as it results in sharp, forcing play of a type that is rare in the early stages of most Nimzo-Indians. The Nimzo-Indian is an extremely popular and reliable defence, upon which most world champions have relied at some point in their careers. Black controls the vital e4-square with his pieces, and retains total flexibility with his central pawns. By playing 4 f3, White challenges Black's idea head-on. Russian GM Yakovich, intimately familiar with the opening, provides the necessary details for White to steam-roller his opponent. Essential reading for players of the black pieces too!

The classical music of Iraq, known as Iraqi Maqam, features classical and vernacular poetry sung by a virtuoso soloist and accompanied by a small instrumental ensemble. It is a remarkably cosmopolitan art, sharing many features with neighboring classical traditions, particularly Iranian. Its repertoire consists of orally transmitted, multi-sectioned compositions, performed with some flexibility regarding ornamentation, arrangement and development. Focusing on the period between 1930-1980, this reference offers the first comprehensive view of the musical contents of the repertoire—scalar structure, melodic materials and overall form—through various tables and musical transcriptions. This reference consolidates information from prominent Iraqi sources and draws upon a selection of recordings by master musicians, including Rashid Qundarchi and Yusuf Omar. An introductory section provides a brief overview of pan-Middle Eastern modal theory along with an outline of the terminology, theory and practices specific to Iraqi Maqam. The main section of the work is a catalog of 40 maqams that constitute the central core of the contemporary repertoire. The Repertoire of Iraqi Maqam aims to foster a better musical understanding of a relatively little known tradition, promote further research, and enhance appreciative listening to this inspiring facet of Iraqi culture.

In modern chess, faster time controls have become more important than ever. Every day, countless numbers of rated blitz and rapid games are being played in online and over-the-board competitions and championships. In blitz chess it is important to make the right decisions quickly and almost instinctively. That is why world-famous opening expert Grandmaster Evgeny Sveshnikov and his son, International Master Vladimir Sveshnikov, have created an opening repertoire for club players that is forcing, both narrow and deep, and aggressive. The aim is to be in control as much as possible. You want to be the one who decides which opening is going to be played, you want to dictate the strategical and technical choices. And you want to keep the pressure, increasing your opponent’s chances to stumble. If you play the lines the Sveshnikovs have selected, you will not end up in positions where finding the theoretically best move is all-important, but in positions where it is relatively easy to spot the moves with the greatest practical effect. Your results will improve and you will probably end up playing their variations in ‘slow chess’ as well.

Growing up African American in segregated Arkansas in the 1950s, Barbara Hendricks witnessed firsthand the painful struggle for civil rights. After graduation from the Juilliard School of Music, Hendricks immediately won a number of important international prizes, and began performing in recitals and operas throughout the world. A Goodwill Ambassador for the United Nations High Commission for Refugees, she is as devoted to humanitarian work as she is to her music. Always the anti-diva, Hendricks is a down-to-earth and straightforward woman, whether singing Mozart or black spirituals. She challenges stereotypes and puts the music first and presents a warm, engaging, and honest self-portrait of one of the great women of music.

A nationally recognized expert in teaching private voice, Joan Boytim has compiled some of the most widely used vocal collections in the US. Her clinics about various aspects of teaching voice, literature, and running a voice studio have been attended by thousands of teachers. Now that professional wisdom has been put into a new book indispensible for independent instructors, The Private Voice Studio Handbook. Its chapters address, in practical detail, topics such as - starting a private voice studio; equipment and space; recruiting and accepting students; ideas for the very first lesson with a student; studio policies, guidelines and ethics; teaching music reading; recommended syllable drills and vocalises; lesson plans; practice procedures; choosing repertoire suitable to students' abilities; finding appropriate sacred solos; accounting and record-keeping; tax, insurance and retirement advice; techniques for teaching voice to children and adults; planning studio recitals; and many more. An excellent resource for college and university voice faculty.