Mystic Songs Of Meera

Mystic Songs Of Meera Presents (Probably For The First Time) The Original Text In Devanagari, Side With English Translation Of 101 Songs Of Meera, The Mystic Saint Of Rajasthan Who Lived In The 15Th 16Th Century A.D. Birdal Mysticism Marked Meera S Spiritual Approach To God. Krishna, Whom She Endearingly Called Giridhar, The Lord Who Upheld The Mountain, Was Her Beloved, And She Expressed The Imagery Of Human Love To Delineate The Agony Of Separation From Him And The Intense Desire To Be United With Him.Childlike Simplicity, Deep Devotion, Intense Spiritual Yearning And Soulful Poetry Make The God-Oriented Songs Of Meera A National Heritage Of India, Transcending Regional, Lingual And Time Barriers.This Volume Should Prove Useful To All Those Interested In The Spiritual Heritage Of India, Especially The Life And Work Of The Mystics Of India, Whose Devotional Lyrics Can Be Savoured As Spiritual Nectar, By All.The Raga (Melody) In Which Each Songs Is To Be Sung Has Been Given For The Benefit Of Musicians, Choreographers Etc.

101 Mystics Of India Is A Valuable Compilation By The Scholar-Artist-Author V. K. Subramanian, Whose Ten-Volume Series Sacred Songs Of India- The Result Of Loving And Laborious Research Spread Over Several Years Is Already Before The Discerning Public. 101 Mystic Of India Will Be An Invaluable Reference Book To Scholars Of Indiloogy And To All Those Sons And Daughters Of India Who Live Scattered Across The Globe A Precious Reminder Of Their Spiritual Heritage.

This book interprets the feminist theories of Rajam Krishnan, a doyen of Tamil literature, who has been a forerunner of many contemporary ideologies. The text provides the much-needed tools for the vast corpus of contemporary research in the global domain of Indian women’s literature. To interpret literature with non-native theoretical models may not be dispensed as an erroneous fallacy, but the fact remains that there prevails an oft-felt, unarticulated need for our own native theories which may imbue a greater elucidation of our culture, ethos, epistemes and practices.

Philosophy, Cultural

The Sivanandalahari Of Adi Sankaracarya, Like Its Twin, Saundaryalahari, Is A Poem Of Intense Devotion, As Noted For Its Poetic Skill As For Its Spiritual Fervour.God Cannot Be Conceived Of , Meditated Upon Or Loved With Devotion In The Abstract.To Love God, The One Ultimate Reality, Indefinable, Ineffable, Eternal, Omnipresent And Immanent, The Primal Cause- As The Brahma Sutras Put It- From Which The Cosmos Is Born, Maintained And Dissolved, God Has To Be Conceived Of As The Father-Mother, Inseparable As Word And Meaning-In The Immortal Analogy Of Kalidasa.This Is The Conception Of Siva-Sakti, Father-Mother, Who Are In Themselves One, The Embodiment Of Truth, Goodness And Beauty And Are Being, Consciousness And Bliss, Sat-Cit-Ananda.Mythology And Metaphysics, Legend And Poetry Have Enveloped This Father-Mother Image Of God In The Magic Of Love, Devotion And Adulation.

Philosophy, Cultural