Myth And Meaning Myth And Order

In addresses written for a wide general audience, one of the twentieth century's most prominent thinkers, Claude Lévi-Strauss, here offers the insights of a lifetime on the crucial questions of human existence. Responding to questions as varied as 'Can there be meaning in chaos?', 'What can science learn from myth?' and 'What is structuralism?', Lévi-Strauss presents, in clear, precise language, essential guidance for those who want to learn more about the potential of the human mind.

In these five lectures originally prepared for the CBC, Claude Lévi-Strauss, one of the world's greatest living thinkers, offers the insights of a lifetime spent interpreting myths and trying to discover their significance for human understanding.

Norman Austin has organized his analysis of classical Greek myths around Lacan's dichotomy between (ineffable) Being and the meanings imposed upon Being by culturally determined signifiers. The primary signifiers in myth (the gods), as projections of contradictory meanings, impel human consciousness in contradictory directions: toward heroic self-realization, on the one hand, and into the fear, guilt, and despair resulting from failure, on the other. The gods both reveal and occlude that which they signify--the signified; ultimately, Being itself. Austin includes one chapter on the father's ghost in Shakespeare's Hamlet, and another on Albert Camus's The Stranger, as examples of the power of mythical archetypes to reveal and occlude Being, even when the apparatus of gods has been excluded. Despite their pessimism, ancient myths also affirm that the paradoxes are not insoluble. Austin concludes by outlining the profile of the Universal Self intimated in myth, religion, and philosophy as the joint venture of the world realized in consciousness, consciousness realized in consciousness, and consciousness realized in the world.

The meeting of myth and science - Primitive thinking and the civilizad mind - Harelips and twins : the splitting of a myth - When myth becomes history - Myth and music.

Where do myths come from? What is their function and what do they mean? In this Very Short Introduction Robert Segal introduces the array of approaches used to understand the study of myth. These approaches hail from disciplines as varied as anthropology, sociology, psychology, literary criticism, philosophy, science, and religious studies. Including ideas from theorists as varied as Sigmund Freud, Claude Levi-Strauss, Albert Camus, and Roland Barthes, Segal uses the famous ancient myth of Adonis to analyse their individual approaches and theories. In this new edition, he not only considers the future study of myth, but also considers the interactions of myth theory with cognitive science, the implications of the myth of Gaia, and the differences between story-telling and myth. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This book, developed out of the 1969 Sather lectures at Berkeley, California, confronts a wide range of problems concerning the nature, meaning and functions of myths. Professor Kirk's aim is to introduce a degree of coherence and of critical awareness into a subject that arouses profound interest today, but which for too long has been the target of excessive theorizing and interdisciplinary confusion between anthropologists, sociologists, classicists, philosophers and psychologists. Professor Kirk begins by discussing the relation of myths to rituals and folktales, and the weakness of universalist theories of function. He then subjects Lévi-Strauss's structuralist theory to an extended exposition and criticism; he considers the character and meaning of ancient Near Eastern myths, their influence on Greece, and the special forms with rational modes of thought, and finally, he assesses the status of myths as expressions of the unconscious, as elements of dreams, universal symbols, as accidents along the way to some narrative objective. The result is a significant critical venture into the history and philosophy of thought, imagination, symbol and society.--From publisher description.

Here are case studies in which myths have helped Dr. May's patients make sense out of an often senseless world. It happens almost daily in a therapist's office. A patient, recalling a person, an event, an emotion, quite unexpectedly supplies a link from a life in the present to one of the durable myths of our culture. In this moment, the myth becomes a mirror, revealing to the patient the source of disturbance and pain in a pattern of behavior that often stretches a year or longer. The healing process begins. The myth, "eternity breaking into time" in Rollo Mays's words, becomes the focal point of recovery. Through tracing myths – whether from classical Greece and Dante's Middle Ages, European legend (Faust and the prototype of Sleeping Beauty), or contemporary American life (Jay Gatsby) -- and relating them to the dreams and associations he encounters in his own practice, Dr. May provides meaning and structure for all who seek direction in a morally confusing world. In this, perhaps the finest achievement of a great therapist, Rollo May writes with "the grace, wit, and style: for which he recently received the Gold Medal of the American Psychological Society.