Myth And Mythmaking

Essays focusing on some of the ways in which myths have been made, and made to function, in the rich cultural history of India from the dawn of history through to the present day.

The starting point for this work is that myths are made and remade - on a variety of topics and in widely differing contexts - in a vast continuum stretching from the earliest periods of historical time to the present day. Each section of the work focuses on one particular point in this continuum to show some of the ways in which myths have been made, and made to function, in the rich cultural history of India.

This is a comprehensive study of myth in the Hebrew Bible and myth and mythmaking in classical rabbinic literature (Midrash and Talmud) and in the classical work of medieval Jewish mysticism (the book of Zohar). Michael Fishbane provides a close study of the texts and theologies involved and the central role of exegesis in the development and transformation of the subject. Taken up are issues of myth and monotheism, myth and tradition, and myth and language. The presence and vitality of myth in successive cultural phases is treated, emphasizing certain paradigmatic acts of God and features of the divine personality.

Contemporary myths, particularly science fiction and fantasy texts, can provide commentary on who we are as a culture, what we have created, and where we are going. These nine essays from a variety of disciplines expand upon the writings of Joseph Campbell and the hero's journey. Modern examples of myths from various sources such as Planet of the Apes, Wicked, Pan's Labyrinth, and Spirited Away; the Harry Potter series; and Second Life are analyzed as creative mythology and a representation of contemporary culture and emerging technology.

This volume explores the dynamics of myths throughout time and space, along with the mythmaking processes in various cultures, literatures and languages, in a wide range of fields, ranging from cultural studies to the history of art. The papers brought together here are motivated by two basic questions: How are myths made in diverse cultures and literatures? And, do all different cultures have different myths to be told in their artistic pursuits? To examine these questions, the book offers a wide array of articles by contributors from various cultures which focus on theory, history, space/ place, philosophy, literature, language, gender, and storytelling. Mythmaking across Boundaries not only brings together classical myths, but also contemporary constructions and reconstructions through different cultural perspectives by transcending boundaries. Using a wide spectrum of perspectives, this volume, instead of emphasising the different modes of the mythmaking process, connects numerous perceptions of mythmaking and investigates diversities among cultures, languages and literatures, viewing them as a unified whole. As the essays reflect on both academic and popular texts, the book will be useful to scholars and students, as well as the general reader.

Provides an historical overview of women's mythmaking and thus their contributions to, and an alternative genealogy of, modern Irish theatre.