Mythology Of The Blackfoot Indians

Mythology of the Blackfoot Indians, originally published in 1908 by the American Museum of Natural History, introduces such figures as Old Man, Scar-Face, Blood-Clot, and the Seven Brothers. Included are tales with ritualistic origins emphasizing the prototypical Beaver-Medicine and the roles played by Elk-Woman and Otter-Woman, as well as a presentation of Star Myths, which reveal the astronomical knowledge of the Blackfoot Indians. Narratives about Raven, Grasshopper, and Whirlwind-Boy account for conditions in humanity and nature. Many of the stories in the concluding group, such as ?The Lost Children? and ?The Ghost-Woman,? were tales told to Blackfoot children. ø These narratives were collected early in the twentieth century from the Piegans in Montana and from the North Piegans, the Bloods, and the Northern Blackfoot in Canada. Most were translated by D. C. Duvall and revised for Mythology of the Blackfoot Indians by Clark Wissler. Darrell Kipp provides an introduction to the new Bison Books edition.

'Mythology of the Blackfoot Indians, ' originally published in 1908 by the American Museum of Natural History, introduces such figures as Old Man, Scar-Face, Blood-clot, and the Seven Brothers. Included are tales with ritualistic origins emphasizing the prototypical Beaver Medicine and the roles played by Elk-Woman and Otter-Woman, and a presentation of Star Myths, which reveal the astronomical knowledge of the Blackfoot Indians.

This seminal work on the mythology of the Blackfoot Indians is a treasure trove of stories, legends, and rituals that offer a unique perspective on Native American culture and spirituality. Based on field research conducted in the early 20th century, these volumes provide a comprehensive analysis of the myths and rituals of the Blackfoot, as well as their cosmology, art, and social organization. An essential resource for scholars of anthropology, folklore, or Native American studies. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mythology of the Blackfoot Indians, originally published in 1908 by the American Museum of Natural History, introduces such figures as Old Man, Scar-Face, Blood-Clot, and the Seven Brothers. Included are tales with ritualistic origins emphasizing the prototypical Beaver-Medicine and the roles played by Elk-Woman and Otter-Woman, and a presentation of Star Myths, which reveal the astronomical knowledge of the Blackfoot Indians. Narratives about Raven, Grasshopper, and Whirlwind-Boy account for conditions in humanity and nature. Many of the stories in the concluding group-like "The Lost Children" and "The Ghost-Woman"-were tales told to Blackfoot children. Clark Wissler notes that these narratives were collected very early in the twentieth century from the Piegans in Montana and from the North Piegans, Bloods, and Northern Blackfoot in Canada. Most were translated by D. C. Duvall and revised for Mythology of the Blackfoot Indians by Wissler. Wissler (1870-1947) was curator at the American Museum of Natural History and chairman of the Department of Anthropology at Columbia University. Among his major works are North American Indians of the Plains and Man and Culture. Introducing this Bison Book edition is Alice B. Kehoe, a professor of sociology and anthropology at Marquette University and the author of North American Indians: A Comprehensive Account.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.