Mythology Of The Blackfoot Indians Volume 2 Issues 1 2

This seminal work on the mythology of the Blackfoot Indians is a treasure trove of stories, legends, and rituals that offer a unique perspective on Native American culture and spirituality. Based on field research conducted in the early 20th century, these volumes provide a comprehensive analysis of the myths and rituals of the Blackfoot, as well as their cosmology, art, and social organization. An essential resource for scholars of anthropology, folklore, or Native American studies. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

'Mythology of the Blackfoot Indians, ' originally published in 1908 by the American Museum of Natural History, introduces such figures as Old Man, Scar-Face, Blood-clot, and the Seven Brothers. Included are tales with ritualistic origins emphasizing the prototypical Beaver Medicine and the roles played by Elk-Woman and Otter-Woman, and a presentation of Star Myths, which reveal the astronomical knowledge of the Blackfoot Indians.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mythology of the Blackfoot Indians, originally published in 1908 by the American Museum of Natural History, introduces such figures as Old Man, Scar-Face, Blood-Clot, and the Seven Brothers. Included are tales with ritualistic origins emphasizing the prototypical Beaver-Medicine and the roles played by Elk-Woman and Otter-Woman, as well as a presentation of Star Myths, which reveal the astronomical knowledge of the Blackfoot Indians. Narratives about Raven, Grasshopper, and Whirlwind-Boy account for conditions in humanity and nature. Many of the stories in the concluding group, such as ?The Lost Children? and ?The Ghost-Woman,? were tales told to Blackfoot children. ø These narratives were collected early in the twentieth century from the Piegans in Montana and from the North Piegans, the Bloods, and the Northern Blackfoot in Canada. Most were translated by D. C. Duvall and revised for Mythology of the Blackfoot Indians by Clark Wissler. Darrell Kipp provides an introduction to the new Bison Books edition.

Free Access in January 2019 There has been an increasing interest in the emerging subfield within linguistics and anthropology often referred to as community-based research (Himmelmann 1998, Rice 2010, Crippen and Robinson 2013, among others). This volume brings together perspectives from academics, community members, and those that find themselves in both academia and the community. The volume begins with a working definition of the notions of community-based research as a practice and illustrates how such notions shifted, without abandoning the outlined tenets within the working definition, as the chapters developed to include notions of community-based research as a tool and ideology as well as an orientation. Each of the 17 chapters represents a case-study with the first five including discussions of broader issues and theoretical perspectives while exploring community-based research as an emerging subfield within linguistics. The case-studies comprise work from the Americas, Australia, India, Europe, and Africa. The goal of the volume is to build on the emerging literature and practices in the field to arrive at a better understanding of how community-based research is theorized and practiced in a variety of environments, communities, and cultures.

Reading the Fire engages America’s “first literatures,” traditional Native American tales and legends, as literary art and part of our collective imaginative heritage. This revised edition of a book first published to critical acclaim in 1983 includes four new essays. Drawing on ethnographic data and regional folklore, Jarold Ramsey moves from origin and trickster narratives and Indian ceremonial texts, into interpretations of stories from the Nez Perce, Clackamas Chinook, Coos, Wasco, and Tillamook repertories, concluding with a set of essays on the neglected subject of Native literary responses to contact with Euroamericans. In his finely worked, erudite analyses, he mediates between an author-centered, print-based narrative tradition and one that is oral, anonymous, and tribal, adducing parallels between Native texts and works by Shakespeare, Yeats, Beckett, and Faulkner.