Mythopoesis

Donald Wiebe critically examines the pervasive assumption that theology is a form of religious thought that is both compatible with and supportive of religious faith. The irony, he argues, is that theology is in fact detrimental to religion and the religious way of life.

How we view the foreign, presented either in the interrelated forms of culture, language, or text, determines to a large degree the way in which we translate. This volume of essays examines the cultural politics of translation that have determined the production and dissemination of the foreign in domestic cultures as varied as contemporary North America, Europe, and Israel. The essays address from a variety of theoretical perspectives the question posed almost two hundred years ago by the German philosopher Friedrich Schleiermacher of whether the translator should foreignize the domestic or domesticate the foreign.

In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the process of fictioning in contemporary art through three focal points: performance fictioning, science fictioning and machine fictioning.

Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book—architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers—map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts.

ReCalling Early Canada is the first substantial collection of essays to focus on the production of Canadian literary and cultural works prior to WWI. Reflecting an emerging critical interest in the literary past, the authors seek to retrieve the early repertoire available to Canadian readers-fiction and poetry certainly, but family letters, photographs, journalism, and captivity narratives are also investigated. Filling a significant gap in Canadian criticism, the authors demonstrate that to recall the past is not only to shape it, but also to reshape the present. This fresh interest in the cultural past, informed by new approaches to historical inquiry, has resulted in a unique and diverse investigation of more than two centuries of a little known "early Canada."

Recognizing the dramatic changes in Old English studies over the past generation, this up-to-date anthology gathers twenty-one outstanding contemporary critical writings on the prose and poetry of Anglo-Saxon England, from approximately the seventh through eleventh centuries. The contributors focus on texts most commonly read in introductory Old English courses while also engaging with larger issues of Anglo-Saxon history, culture, and scholarship. Their approaches vary widely, encompassing disciplines from linguistics to psychoanalysis. In an appealing introduction to the book, R. M. Liuzza presents an overview of Old English studies, the history of the scholarship, and major critical themes in the field. For both newcomers and more advanced scholars of Old English, these essays will provoke discussion, answer questions, provide background, and inspire an appreciation for the complexity and energy of Anglo-Saxon studies.

Matthew Gorkos begins The Storied Church with this compelling statement: "I believe in the church--in the power of faithful people serving a good and gracious God--and I believe in the power of a good story. Moreover, I believe, as this book will argue, that church and story--harnessed together--could be an even more powerful force for goodness in our world." Neuroscientists, anthropologists, archeologists, and psychologists all agree. Story is how our brains and our communities make sense of things. Storytelling helps us cope with change and loss. Storytelling helps us transmit lessons and life-skills to the next generation. As human beings, it seems we can't do without story. This book--indeed, this whole idea of story-centered church renewal--was born of a suspicion that the restorative, transformative, life-giving function that stories have for us as individuals may serve communities of faithful people as well. If stories help us survive as human creatures, why can't they help churches survive? The problem that story-centered renewal seeks to remedy has only become more prevalent and urgent in the age of Covid-19. Our churches need hope now more than ever. Writing from a pastor's perspective, Gorkos hopes to encourage and empower other pastors and lay leaders with both the hope and the tools they need to effect revitalizing change in their faith communities. Each chapter includes questions for reflection to help readers listen to and tell the stories that will lead to renewal and transformation.