Nationalizing Iran

When Naser al-Din Shah, who ruled Iran from 1848 to 1896, claimed the title Shadow of God on Earth, his authority rested on premodern conceptions of sacred kingship. By 1941, when Mohammad Reza Shah Pahlavi came to power, his claim to authority as the Shah of Iran was infused with the language of modern nationalism. In short, between roughly 1870 and 1940, Iran's traditional monarchy was forged into a modern nation-state. In Nationalizing Iran, Afshin Marashi explores the changes that made possible this transformation of Iran into a social abstraction in which notions of state, society, and culture converged. He follows Naser al-Din Shah on a tour of Europe in 1873 that led to his importing a new public image of monarchy-an image based on the European late imperial model-relying heavily on the use of public ceremonies, rituals, and festivals to promote loyalty to the monarch. Meanwhile, Iranian intellectuals were reimagining ethnic history to reconcile “authentic” Iranian culture with the demands of modernity. From the reform of public education to the symbolism surrounding grand public ceremonies in honor of long-dead poets, Marashi shows how the state invented and promoted key features of the common culture binding state and society. The ideological thrust of that century would become the source of dramatic contestation in the late twentieth century. Marashi's study of the formative era of Iranian nationalism will be valuable to scholars and students of history, sociology, political science, and anthropology, as well as journalists, policy makers, and other close observers of contemporary Iran.

This work deals with the oil crises of the 1950s, precipitated by Iran's decision to nationalise the Anglo-Iranian Oil Company. The roots of the revolt against British imperialism are explored here, along with the long-term consequences of instability in the Middle East.

In the aftermath of the seventh-century Islamic conquest of Iran, Zoroastrians departed for India. Known as the Parsis, they slowly lost contact with their ancestral land until the nineteenth century, when steam-powered sea travel, the increased circulation of Zoroastrian-themed books, and the philanthropic efforts of Parsi benefactors sparked a new era of interaction between the two groups. Tracing the cultural and intellectual exchange between Iranian nationalists and the Parsi community during the late nineteenth and early twentieth centuries, Exile and the Nation shows how this interchange led to the collective reimagining of Parsi and Iranian national identity—and the influence of antiquity on modern Iranian nationalism, which previously rested solely on European forms of thought. Iranian nationalism, Afshin Marashi argues, was also the byproduct of the complex history resulting from the demise of the early modern Persianate cultural system, as well as one of the many cultural heterodoxies produced within the Indian Ocean world. Crossing the boundaries of numerous fields of study, this book reframes Iranian nationalism within the context of the connected, transnational, and global history of the modern era.

While recent books have explored Arab and Turkish nationalism, the nuances of Iran have received scant book-length study—until now. Capturing the significant changes in approach that have shaped this specialization, Rethinking Iranian Nationalism and Modernity shares innovative research and charts new areas of analysis from an array of scholars in the field. Delving into a wide range of theoretical and conceptual perspectives, the essays—all previously unpublished—encompass social history, literary theory, postcolonial studies, and comparative analysis to address such topics as: Ethnicity in the Islamic Republic of Iran Political Islam and religious nationalism The evolution of U.S.-Iranian relations before and after the Cold War Comparing Islamic and secular nationalism(s) in Egypt and Iran The German counterrevolution and its influence on Iranian political alliances The effects of Israel’s image as a Euro-American space Sufism Geocultural concepts in Azar’s Atashkadeh Interdisciplinary in essence, the essays also draw from sociology, gender studies, and art and architecture. Posing compelling questions while challenging the conventional historiographical traditions, the authors (many of whom represent a new generation of Iranian studies scholars) give voice to a research approach that embraces the modern era’s complexity while emphasizing Iranian nationalism’s contested, multifaceted, and continuously transformative possibilities.

I.B.Tauris in association with the Iran Heritage Foundation From the Sasanian to the Safavid Empire, and from Qajar Iran to the current Islamic Republic, the history of Iran is one which has been coloured by a rich tradition of myths and narratives and shaped by its wealth of philosophers, cultural theorists and political thinkers. Perceptions of Iran dissects the construction of Iranian identity, to reveal how nationalism has been continually re-formulated and how Iran's self-perception has been moulded by its literary past. Here, Ali M. Ansari gathers together a varied and wide-ranging account of the long history of Iranian encounters with the Western world, whether via the observations of Herodotus, or the knowledge – via the Old Testament – of Cyrus liberating the Jews from Babylon, or into the modern era when nineteenth and twentieth century interactions reflect the unequal power relationship between Iran and the West. Perceptions of Iran also explores the salient elements in the country's narrative which helped to form Iran's identity, such as Ferdowsi's creation of the Shahnameh – the national epic – the exquisite architecture of Safavid Isfahan or the unfulfilled promise of the Constitutional Movement in the early twentieth century. It offers analysis of the Qajar Shahs' use of a mythical and dynastic past, as they drew on the narratives of Jamshid's glory and Khusraw's splendour in order to legitimise their rule. At the same time, it examines the ways in which foreign travellers and diplomats understood and conceived of the royal courts of Safavid Persia. As it covers 2,500 years of political and intellectual history, Perceptions of Iran ties together the diverse threads of Iranian experience that have underpinned the country's social and cultural movements, spanning Mirza Agha Khan Kermani's writing on Persian history and liberal nationalism, through to the strident anti- Western discourses of Seyyed Jamal al-Afghani, Jalal Al-e Ahmad and Ayatollah Khomeini. The book is therefore vital for researchers of Iranian history and those interested in the use of myth in the construction of national identity more widely.

Nationalism has played an important role in the cultural and intellectual discourse of modernity that emerged in Iran from the late nineteenth century to the present, promoting new formulations of collective identity and advocating a new and more active role for the broad strata of the public in politics. The essays in this volume seek to shed light on the construction of nationalism in Iran in its many manifestations; cultural, social, political and ideological, by exploring on-going debates on this important and progressive topic.

Reza Zia-Ebrahimi revisits the work of Fath?ali Akhundzadeh and Mirza Aqa Khan Kermani, two Qajar-era intellectuals who founded modern Iranian nationalism. In their efforts to make sense of a difficult historical situation, these thinkers advanced an appealing ideology Zia-Ebrahimi calls "dislocative nationalism," in which pre-Islamic Iran is cast as a golden age, Islam is reinterpreted as an alien religion, and Arabs become implacable others. Dislodging Iran from its empirical reality and tying it to Europe and the Aryan race, this ideology remains the most politically potent form of identity in Iran. Akhundzadeh and Kermani's nationalist reading of Iranian history has been drilled into the minds of Iranians since its adoption by the Pahlavi state in the early twentieth century. Spread through mass schooling, historical narratives, and official statements of support, their ideological perspective has come to define Iranian culture and domestic and foreign policy. Zia-Ebrahimi follows the development of dislocative nationalism through a range of cultural and historical materials, and he captures its incorporation of European ideas about Iranian history, the Aryan race, and a primordial nation. His work emphasizes the agency of Iranian intellectuals in translating European ideas for Iranian audiences, impressing Western conceptions of race onto Iranian identity.

In 1888, there were just four British consulates in the country; by 1921 there were twenty-three. H. Lyman Stebbins investigates the development and consequences of British imperialism in Iran in a time of international rivalry, revolution and world war. While previous narratives of Anglo-Iranian relations have focused on the highest diplomatic circles in Tehran, London, Calcutta and St. Petersburg, this book argues that British consuls and political agents made the vast southern borderlands of Iran the real centre of British power and influence during this period. Based on British consular archives from Bushihr, Shiraz, Sistan and Muhammarah, this book reveals that Britain, India and Iran were linked together by discourses of colonial knowledge and patterns of political, military and economic control. It also contextualizes the emergence of Iranian nationalism as well as the failure and collapse of the Qajar state during the Iranian Constitutional Revolution and the First World War.