Nature S Prophet

An astute study of Alfred Russel Wallace’s path to natural theology. A spiritualist, libertarian socialist, women’s rights advocate, and critic of Victorian social convention, Alfred Russel Wallace was in every sense a rebel who challenged the emergent scientific certainties of Victorian England by arguing for a natural world imbued with purpose and spiritual significance. Nature’s Prophet:Alfred Russel Wallace and His Evolution from Natural Selection to Natural Theology is a critical reassessment of Wallace’s path to natural theology and counters the dismissive narrative that Wallace’s theistic and sociopolitical positions are not to be taken seriously in the history and philosophy of science. Author Michael A. Flannery provides a cogent and lucid account of a crucial—and often underappreciated—element of Wallace’s evolutionary worldview. As co-discoverer, with Charles Darwin, of the theory of natural selection, Wallace willingly took a backseat to the well-bred, better known scientist. Whereas Darwin held fast to his first published scientific explanations for the development of life on earth, Wallace continued to modify his thinking, refining his argument toward a more controversial metaphysical view which placed him within the highly charged intersection of biology and religion. Despite considerable research into the naturalist’s life and work, Wallace’s own evolution from natural selection to natural theology has been largely unexplored; yet, as Flannery persuasively shows, it is readily demonstrated in his writings from 1843 until his death in 1913. Nature’s Prophet provides a detailed investigation of Wallace’s ideas, showing how, although he independently discovered the mechanism of natural selection, he at the same time came to hold a very different view of evolution from Darwin. Ultimately, Flannery shows, Wallace’s reconsideration of the argument for design yields a more nuanced version of creative and purposeful theistic evolution and represents one of the most innovative contributions of its kind in the Victorian and Edwardian eras, profoundly influencing a later generation of scientists and intellectuals.

The field of sustainability continues to evolve as a discipline. The world is facing multiple sustainability challenges such as climate change, water depletion, ecosystem loss, and environmental racism. The Handbook of Sustainability will provide a comprehensive reference for the field that examines in depth the major themes within what are known as the three E’s of sustainability: environment, equity, and economics. These three themes will serve as the main organizing body of the work. In addition, the work will include sections on history and sustainability, major figures in the development of sustainability as a discipline, and important organizations that contributed or that continue to contribute to sustainability as a field. The work is explicitly global in scope as it considers the very different issues associated with sustainability in the global north and south

The nineteenth century began with reverence for nature and ended with the apotheosis of art. In this wide-ranging excursion through the literature, visual arts, and natural sciences of the era from Wordsworth to Wilde, Carl Woodring traces shifting ideas and attitudes concerning nature, art, and the relations between the two. The veneration of nature as aesthetic model and ethical norm was gradually eroded not least by the study of biology, which revealed organic nature to be wasteful and murderous. Darwin's work verified the growing perception of nature as amoral by stressing the role of chance in natural selection, a further blow to trust in natural law. Once nature was not worth imitating, art by the century's close could be an end to itself, free of responsibility to the natural. The author examines individual works by Romantic and Victorian poets; narrative prose from James Hogg and Mary Shelley to Conrad, James, and Stevenson; painters from Wilkie through the Pre-Raphaelites to Whistler--all within such general contexts as the picturesque, the sublime, natural theology, romantic irony, romantic Hellenism, realism, photography, aestheticism, arts and crafts, art nouveau, and decadence. Although Woodring focuses on events, movements, and creative minds in England, he also draws upon a range of seminal figures from the Continent and the United States: Alexander von Humboldt, Delacroix, Thomas Cole, and Hawthorne are prominent examples. Nature into Art will fascinate scholars and amateurs of movements in literature, art, science, and cultural history in the Western world after 1780.

David Gessner had always known of John Hay. A nature writing legend, Hay was a hero to the younger writer. But it wasn't until Gessner returned to his childhood home on Cape Cod that he befriended the older man. At first, Gessner thought he might write Hay's biography. But that idea gradually changed as the two talked and walked through the fifty acres surrounding Hay's house on Dry Hill. The book that resulted is a dramatic record of what the younger man learned from his elder. The Prophet of Dry Hill is the compelling story of two men and the year they spent together. But more than a book about friendship, it's a lyrical primer on the importance of living a life connected to the wild. John Hay has lived deeply on one piece of land for sixty years. As a consequence, he has much to tell Gessner-and us-about the importance of creating a strong relationship with the land we live on. His words speak to our forgotten need for space and for reaching beyond ourselves to the world outside. Seeing is the great discipline that nature teaches, Hay proclaims. Nature, not psychology, is the path to our true selves. In our split-second world, a life like John Hay's-rooted, connected to nature-provides a radical counterpoint to our technology-filled indoor existences. Gessner learned much from this man on the hill. We too will be challenged and changed.

This book relates the various strata of Halevi's Book of Kuzari to the different periods of Halevi's philosophical development.

This first-ever interdisciplinary study of woman as prophet shows that, in these troubling times, ordinary women—especially Christian women—need to function as prophets by proclaiming, in word and deed, the indispensability of lovingly seeking the welfare of others. More specifically, social science shows that the person-centered love prophesied by women prophets is able to meet interpersonal challenges within the home and world, while philosophy and theology establish that women are able to excel as prophets due to the virtuous dispositions inculcated by femininity, the choice to be caring, a God-centered spirituality, and a pro-life humanitarian/personalist feminism that welcomes male collaborators. Facilitating the ability of Christian women to prophesy love are Baptismal graces, Thomistic virtues, and a much needed prophetic Marian ecclesiology based on what John Paul II calls the “prophetism of femininity.” These interdisciplinary findings provide an essential resource for educators and students of humanity, the theology of women, and evangelization. These findings emerge, first, from an investigation into the cognitive and ontological underpinnings of what John Paul II called the “feminine genius.” A second set of findings emerges from exploring the prophetic dimensions of the feminine genius, secular feminism’s need to adopt the insights of Christianity, and the ability of femininity’s prophetism to recast both femininity and feminism as Marian prophecies. A third set of findings arises from analyzing the spirituality of women prophets within the Christian tradition by considering the conditions necessary for prophesying, explicating requisite Thomistic virtues, and delving into the spirituality of Hildegard, Catherine of Siena, Julian of Norwich, and Teresa of Avila. A fourth set of findings arises from innovative studies of polarization, secularization, lust, romantic love, the conditions whereby mothers with careers can flourish, and the ability of nuns to combat racism in a small Midwestern town. Overall, these interdisciplinary investigations explicate the theology of women and show that women who prophesy love, either in the order of grace or nature, can help heal lives, families, and culture.