Nazi Cinema As Enchantment The Politics Of Entertainment In The Third Reich
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Nazi Cinema as Enchantment
Author | : Mary-Elizabeth O'Brien |
Publsiher | : Boydell & Brewer |
Total Pages | : 308 |
Release | : 2006 |
Genre | : History |
ISBN | : 1571133348 |
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The Nazi regime did not merely terrorize its citizens into submission; it also seduced them by offering stability, a traditional value system, a sense of belonging, and hope of a better standard of living. Nazi cinema's popularity rested on its ability to express positive social fantasies and promote the enchantment of reality, so that one would want to share in the dream at any price. This is an interdisciplinary study, written for scholars and students in the fields of film studies, German studies, history, critical studies, and political science, that explores how cinema participated in the larger framework of everyday fascism. The book examines how five film genres - the historical musical, the foreign adventure film, the home-front film, the melodrama, and the problem film - enchanted audiences and enacted shared stories that can tell us much about how family, community, history, the nation, and the war were imagined in Nazi Germany. The book analyzes thirteen motion pictures, many of which are not well known to English-speaking audiences: Wunschkonzert, Die große Liebe, Tanz auf dem Vulkan, Damals, Die Degenhardts, Opfergang, Kautschuk, Robert und Bertram, Verklungene Melodie, Frauen für Golden Hill, Das Leben kann so schön sein, Der verzauberte Tag, and Via Mala. Based on exhaustive research in German archives, the book examines, in addition to the films themselves, articles from the propaganda ministry's official organ, Der deutsche Film, daily trade sheets, fan magazines, and even studio press packages for individual stars and films. Mary-Elizabeth O'Brien is Professor of German at Skidmore College, Saratoga Springs, New York.
Nazi Cinema as Enchantment The Politics of Entertainment in the Third Reich
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 2024 |
Genre | : Electronic Book |
ISBN | : 157113283X |
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Ministry of Illusion
Author | : Eric Rentschler |
Publsiher | : Harvard University Press |
Total Pages | : 480 |
Release | : 1996-10-01 |
Genre | : Performing Arts |
ISBN | : 9780674266629 |
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German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
Cinema and the Swastika
Author | : Roel Vande Winkel,D. Welch |
Publsiher | : Springer |
Total Pages | : 342 |
Release | : 2007-02-07 |
Genre | : History |
ISBN | : 9780230289321 |
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This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate - economically, politically and culturally - the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.
Propaganda and the German Cinema 1933 1945
Author | : David Welch |
Publsiher | : Bloomsbury Publishing |
Total Pages | : 329 |
Release | : 2001-03-23 |
Genre | : History |
ISBN | : 9780857715951 |
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This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.
The Ministry of Illusion
![The Ministry of Illusion](https://youbookinc.com/wp-content/uploads/2024/06/cover.jpg)
Author | : Eric Rentschler |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Motion pictures |
ISBN | : OCLC:1388520988 |
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German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Suss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--Melodramas, biopics, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of Propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
Nazi Cinema
Author | : Erwin Leiser |
Publsiher | : Unknown |
Total Pages | : 192 |
Release | : 1975 |
Genre | : Motion pictures |
ISBN | : UCSC:32106017686558 |
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Entertaining the Third Reich
Author | : Linda Schulte-Sasse |
Publsiher | : Duke University Press |
Total Pages | : 372 |
Release | : 1996 |
Genre | : History |
ISBN | : 0822318245 |
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On Nazi cinema