Negation Expectation And Ideology In Written Texts

During an election campaign in 2008, Ken Livingstone said to a newspaper reporter “this election is not a joke”. By doing so, he introduced an expectation into the discourse that someone does, in fact, think it is a joke. This book explores how it is that saying what is not the case communicates something about what is. Bringing together a focus on text with cognitive and pragmatic approaches, a case is made for an application of linguistic negation as a tool of analysis. This tool is used to explore the ideological implications of projecting or reflecting readerly expectations. This book contributes to the growing field of Critical stylistics and aims to add to the range of stylistic insights which anchor the analysis of discourse to a consideration of the nuances of language choice.

This second edition of The Routledge Handbook of Stylistics provides a comprehensive introduction and reference point to key areas in the field of stylistics. The four sections of the volume encompass a wide range of approaches from classical rhetoric to cognitive neuroscience. Issues that are covered include: historical perspectives, centring on rhetoric, formalism and functionalism. the elements of stylistic analysis, including foregrounding, relevance theory, conversation analysis, narrative, metaphor, speech and thought presentation and point of view. current areas of influential research such as cognitive poetics, corpus stylistics, critical stylistics, multimodality, creative writing and reader response. four newly commissioned chapters in the emerging fields of cognitive grammar, forensic linguistics, the stylistics of children’s literature and a corpus stylistic study of mental health issues. All of these new chapters are written by leading researchers in their respective fields. Each of the 33 chapters in this volume is written by a specialist. Each chapter provides an introduction to the subject, an overview of its history, an instructive example of how to conduct a stylistic analysis, a section with recommendations for practice and a discussion of possible future developments in the area for readers to follow up on. The Routledge Handbook of Stylistics, second edition is essential reading for researchers, postgraduates and undergraduate students working in this area.

This book introduces a new way of looking at how poems mean, drawing on the framework first developed in the author’s book Critical Stylistics, but applied here to aesthetic more than ideological meaning. The aim is to empower readers of poetry to articulate the features of poetic language that they come across and explain to themselves and others why these features convey the meanings that they do. While this volume focuses on contemporary poets writing in English and mostly based in the UK and Ireland, the framework will work just as well for other eras’ poetry, as well as for other cultures and languages.

This book explores poetry by Sherko Bekas, a Kurdish writer and Swedish Tucholsky award winner, providing contextualising biography (with original new information from an interview with his son) and critical stylistic analyses of two selected poems. The authors also include a section on the Kurdish language and translation of the poems into English. There are very few English translations of some of Bekas' poems and no book so far on the stylistic or even linguistic analysis of his work, with the result that Bekas is not widely known in the "Western" world. This book aims to fill this lacuna in the literary and linguistic canon, and it will be of interest to students and scholars of Translation, Stylistics, Middle Eastern History and Literature.

The Routledge Handbook of Language in Conflict presents a range of linguistic approaches as a means for examining the nature of communication related to conflict. Divided into four sections, the Handbook critically examines text, interaction, languages and applications of linguistics in situations of conflict. Spanning 30 chapters by a variety of international scholars, this Handbook: includes real-life case studies of conflict and covers conflicts from a wide range of geographical locations at every scale of involvement (from the personal to the international), of every timespan (from the fleeting to the decades-long) and of varying levels of intensity (from the barely articulated to the overtly hostile) sets out the textual and interactional ways in which conflict is engendered and in which people and groups of people can be set against each other considers what linguistic research has brought, and can bring, to the universal aim of minimising the negative effects of outbreaks of conflict wherever and whenever they occur. The Routledge Handbook of Language in Conflict is an essential reference book for students and researchers of language and communication, linguistics, peace studies, international relations and conflict studies.

Bringing together scholars from a range of disciplines, this book explores the analysis of crime-related language. Drawing on ideas from stylistics, pragmatics, cognitive linguistics, metaphor theory, critical discourse analysis, multimodality, corpus linguistics, and intertextuality, it compares and contrasts the linguistic representation of crime across a range of genres, both fictitious (crime novels, and crime in TV, film and music), and in real life (crime reporting, prison discourse, and statements used in courts). It touches on current political topics like #BlackLivesMatter, human (child) trafficking, and the genocide of the Kurds among others, making it essential reading for linguists, criminologists and those with a general interest in crime-related topics alike. Covering a variety of text genres and methodological approaches, and united by the aim of deciphering how crime is portrayed ideologically, this book is the next step in developing research at the intersection of linguistics, criminology, literature and media studies.

This work originates from the need to develop an integrated dynamic model of negation in discourse that is adequate for understanding the role of negation in an extensive and complex piece of discourse. Most work on negation is strongly influenced by traditional philosopical problems, but little work has been carried out in the area of discourse. Approaches to negation within the functional-cognitive tradition tend to focus of specific agents of negation, its function as a speech act, or its cognitive model. Few attempts have been made to propose an integrated discourse model, studies of negation with few exceptions tend to be limited to brief selections or isolated sentences. This book fills the gap in studies of negation in discourse by providing an up-to-date critical review of the state of the art in negation and by proposing a model that brings together the semantic, cognitve, and pragmatic features of negation, which are crucial for an understanding of its role in disourse.