Neoclassical Ornamental Designs

Over 1,000 fine-line renderings from rare 19th-century portfolio: gods and goddesses, mythical animals, floral and foliate motifs, figures from classical mythology, and much more. Royalty-free.

Influential guide displays over 300 Grecian designs: fire screens, sofas, couches, chairs, footstools, commodes, sideboards, washstands, bedsteads, and many other items.

While demonstrating the high level of artistry attained by furniture-makers of the period, this selection in many ways reflects the evolving character of domestic life in America during a seminal period in the country's history.

In 18th-century France, the neoclassicism of the Louis XVI style reflected a definite reaction against over-elaborate rococo and baroque designs; and with Napoleon's assumption of power late in the century, there came a deliberate artistic attempt to re-create the aura of Imperial Rome to give a sense of legitimacy and permanence to the new "empire." This French neoclassicism was soon reflected in many stylebooks published in England during the period. The present volume comprises a selection of 43 plates from one of these extremely rare British collections. It provides artists and illustrators with a host of elegant, royalty-free fine line illustrations depicting cherubs astride lions, gods and goddesses at play, figures draped in classical robes, cartouches, busts, and a wealth of other designs, all ready to add a touch of timeless classical elegance to a wide variety of print projects as well as numerous art and craft activities.

This is a complete reprinting of one of Beunat's later and more complete catalogs, showing and again making available over 900 individual ornaments and designs. There are many repeatable linear patterns, both horizontal and vertical, for frames, friezes, dividers, furniture decoration, figures and scenes based on mythological and biblical motives, plus many more forms.

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.

'Urban Design: Ornament and Decoration' focuses on decorating the city and how ornament has been used to bring delight to the urban scene. The authors show how the pattern and distribution of street and square and other major elements in the city can be enhanced by the judicious use of decorative surface treatment and by the careful placing of hard and soft landscape features. This second edition, updated by Cliff Moughtin and now available in paperback, includes a new chapter on mud architecture. Case studies of city decoration are also outlined to bring together the ideas discussed and to show how ornament and decoration can be used to emphasize the five components of city form: the path, the node, the edge, the landmark and the district.